Von allen Hunden gehetzt

Joel McCrea stars in Gunsight Ridge as an undercover agent for Wells Fargo which has been getting regularly robbed on a certain stagecoach run through the territory of Addison Richard who is the sheriff. He's not getting the job done so McCrea's brought in.

The title refers to a particularly rough stretch of country where McCrea has his final showdown with the bad guy or at least the chief bad guy.

There are two sets of them, one is a group of four cowhands from George Chandler's ranch who do a little cattle rustling on the side, two of them western standbys L.Q. Jones and Morgan Woodward. The other is a man of mystery who plays an exquisite piano and goes by the unlikely western name of Velvet. This is a guy who clearly has some issues which in a better script would have been more explicitly dealt with. Mark Stevens may have had his career role in playing this man.

Addison Richard gives a nice performance as an aging sheriff who won't quit until the stagecoach bandit is taken dead or alive. McCrea does what he can to help and the sight of Richard's pretty daughter Joan Weldon gives him all that more interest.

Viewers might also note the presence of farm girl Carolyn Craig who helps both Stevens and then McCrea. She's one lonely girl with a budding libido and an itch to get off the farm. In a bit role as a bartender is Dan Blocker who with his frame and voice you can't miss.

Not one of Joel McCrea's best westerns, but his fans should like it.

"Gunsight Ridge" is an adequate, likable B Western that finds its star, Joel McCrea, in fine form. For the most part, it's routine, but it does have some nice touches, especially in the way that it treats its villain, Velvet Clark (Mark Stevens). Clark is definitely the bad guy, but we are treated to scenes in which he reveals what his preferred line of work would have been, had the reality of his situation not interfered. There's a rich array of character actors, and some very beautiful ladies. Both the music (by David Raksin) and cinematography (by Ernest Laszlo) are well done. Francis D. Lyon directs quite capably, and does particularly well at staging a suspenseful "last stand" finale that plays out without any score.

McCrea stars as Mike Ryan, a stranger who comes to a small town for a purpose known only to him. He impresses the local sheriff (Addison Richards) enough to get himself deputized, and he handles things such as collecting taxes from locals, while also helping out to determine the identity of the bandit who's been robbing stages. Forming a subplot are the run-ins that Mike has with the ill-behaved boys who work at the nearby Lazy Heart ranch.

McCrea is quite engaging, playing a lead character who's every bit the good, honest, dependable hero. His supporting cast reads like a who's who of veteran talent. In addition to Richards, there's Robert Griffin, I. Stanford Jolley, George Chandler, Slim Pickens (who's quite amusing in his brief part), Herb Vigran, L.Q. Jones, Morgan Woodward, Dan Blocker, and Hank Patterson. Jones and Woodward are fun as two of the antagonistic Lazy Heart ruffians. McCrea's son Jody has a small part as a young man getting married. Joan Weldon, Darlene Fields, and Carolyn Craig are all quite pleasing to look at in the female roles. Best of all is Stevens, who's appropriately intense and not entirely unsympathetic.

"Gunsight Ridge" is not particularly memorable, but it is sufficiently entertaining for an agreeably paced 86 minutes.

Seven out of 10.

Better than average western. Lots of studio lot actors that you always recognize but rarely know their names. Nice scenes with Slim Pickens (stage coach driver) and Dan Blocker (bartender). I did not recognize L Q Jones though, he was one of the four ruffian ranch hands. Story line wanders a bit but not objectionably so, and actually helps to keep your interest as it is not a plain, bad guy gets caught by good guy, that Republic Pictures turned out during that era. There was one element that is a constant in westerns of that era and that is the single daughter living with her single dad, the sheriff and his daughter. I also enjoyed the filming locations. One was very obvious as being Old Tucson and the others I suspect were in the Northern San Fernando Valley or maybe close by Santa Clarity Valley or Simi Valley. Worth watching if you enjoy old black and white westerns, better than average actors, and a more complicated story line.

Gunsight Ridge is a "B" western with an "A " cast. Excellent story line ,understated score and fine photography all combine to tell the story of an agent played by McCrea who is sent to solve a series of robberies.Mark Stevens pretends to be a washed out mine owner while really robbing banks and stages. McCrea hires on as a deputy sheriff while investigating the crimes. When the sheriff Addison Richards is killed,McCrea vows revenge.Unusually somber atmospheric tone makes Gunsight Ridge a classic western. Rating ....Seven stars out of ten.

Francis Lyon always chose to have one (usually short and out of context) spot in his films that displayed some sort of tenderness, some sort of heart, in a figure that seemed to have neither. In this film, the guy in the black hat (Mark Stevens) happens up on an old abandoned shed in the middle of the desert. He goes in to find that there is nothing of use, but spies an old upright piano. It's long been neglected and is covered in dust. He blows the dust off and sits down to this abused keyboard. Suddenly, he is playing a very beautiful little piece that belies his present roughness and coldness and lets the audience know that it was not always this way with him.That he came from somewhere better, in another place, another time. David Raksin wrote this music. Its very quiet, simple and goes straight to the heart. It's been exactly fifty years since I have heard it last, but I remember every note as if it had been only yesterday.

Perhaps one day it will appear again, but for now, I must depend on my memory if ever to hear those quaint chords again.