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The Virginian

  • 1946
  • 12
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
6,4/10
1378
IHRE BEWERTUNG
Brian Donlevy, Barbara Britton, Joel McCrea, and Sonny Tufts in The Virginian (1946)
DramaWestern

In Medicine Bow wird eine neu angekommene Lehrerin aus dem Osten von zwei Kuhhähnen umworben, aber ihr Werben wird durch gewalttätige Zwischenfälle mit örtlichen Viehdieben unterbrochen.In Medicine Bow wird eine neu angekommene Lehrerin aus dem Osten von zwei Kuhhähnen umworben, aber ihr Werben wird durch gewalttätige Zwischenfälle mit örtlichen Viehdieben unterbrochen.In Medicine Bow wird eine neu angekommene Lehrerin aus dem Osten von zwei Kuhhähnen umworben, aber ihr Werben wird durch gewalttätige Zwischenfälle mit örtlichen Viehdieben unterbrochen.

  • Regie
    • Stuart Gilmore
  • Drehbuch
    • Frances Goodrich
    • Albert Hackett
    • Howard Estabrook
  • Hauptbesetzung
    • Joel McCrea
    • Brian Donlevy
    • Sonny Tufts
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    1378
    IHRE BEWERTUNG
    • Regie
      • Stuart Gilmore
    • Drehbuch
      • Frances Goodrich
      • Albert Hackett
      • Howard Estabrook
    • Hauptbesetzung
      • Joel McCrea
      • Brian Donlevy
      • Sonny Tufts
    • 24Benutzerrezensionen
    • 20Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos39

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    Topbesetzung64

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    Joel McCrea
    Joel McCrea
    • The Virginian
    Brian Donlevy
    Brian Donlevy
    • Trampas
    Sonny Tufts
    Sonny Tufts
    • Steve Andrews
    Barbara Britton
    Barbara Britton
    • Molly Wood
    Fay Bainter
    Fay Bainter
    • Mrs. Taylor
    Tom Tully
    Tom Tully
    • Nebraska
    Henry O'Neill
    Henry O'Neill
    • Mr. Taylor
    Bill Edwards
    Bill Edwards
    • Sam Bennett
    William Frawley
    William Frawley
    • Honey Wiggen
    Paul Guilfoyle
    Paul Guilfoyle
    • Shorty
    Marc Lawrence
    Marc Lawrence
    • Pete
    Vince Barnett
    Vince Barnett
    • Baldy
    Victor Adamson
    Victor Adamson
    • Barfly
    • (Nicht genannt)
    Audley Anderson
    Audley Anderson
    • Party Guest
    • (Nicht genannt)
    Stanley Andrews
    Stanley Andrews
    • Rancher
    • (Nicht genannt)
    John Barton
    • Barfly
    • (Nicht genannt)
    Charles Bates
    Charles Bates
    • Boy Prisoner
    • (Nicht genannt)
    Hank Bell
    Hank Bell
    • Rider with News of Teacher
    • (Nicht genannt)
    • Regie
      • Stuart Gilmore
    • Drehbuch
      • Frances Goodrich
      • Albert Hackett
      • Howard Estabrook
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    6,41.3K
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    Empfohlene Bewertungen

    alv790

    goes through the highlights of the novel at a brisk pace

    Like the 1929 version of the Virginian, this film goes through the highlights of the novel at a brisk pace, resulting in an eventful story but lighter on the character development when compared to the novel.

    In just 17 years between the two movies, you can notice the evolution of the craft. Long gone are the mannerisms of the silent era that you could see in the 1929 version, which was a very early talkie. This 1946 version is in technicolor, a bit clean-cut as westerns from this period tended to be, but confident in the storytelling techniques of the medium.

    It does not feel like a very big production, even though there are some nice exterior action shots. But there are no majestic sceneries with faraway horizons.

    Joel McCrea is not bad in the titular role, but he is always kind of inexpressive, and this role might have benefited from some more dramatic range. Because of that, there wasn't too much chemistry in the romance. Barbara Britton had more of that range and I enjoyed her work as the young schoolteacher Molly Wood. Sonny Tufts as the Virginian's wayward friend and Brian Donlevy as the black-clad villain Trampas were quite good. In a smaller supporting role, Fay Bainter had some nice scenes interacting with Britton.

    The Virginian is a great story, and here you can enjoy it without any time to get bored, but I wouldn't have minded twenty minutes more, allowing for some respite from the action.
    7AlsExGal

    Interesting to compare the 1929 and 1946 versions...

    ... and the comparison is made more interesting because this film is almost a word for word remake of the 1929 version starring Gary Cooper. Most remakes of early sound films had to make huge changes in the plot just to please the production code. Just take a look at the mess that the 1941 version of the "The Trial of Mary Dugan" is versus the 1929 version, which had its plot completely changed due to production code issues. Here, there is no such issue.

    Joel McCrea, always overly humble when discussing his own acting ability, said that he'd get a script and after reading it, often know that the studio wanted Cooper and couldn't get him, and he was their second choice. I doubt that, but here we get to judge the two actors in the same role as "The Virginian" 17 years apart. The two films are practically the same even down to the visual and audio cues - Trampas dressed in all black, the bird call that is synonymous with affable but ultimately tragically lazy Steve, etc. The one thing they didn't do that would have looked just plain silly by 1946 standards is dress McCrea in all white as the good guy, which they did with Cooper as the hero in 1929.

    I think I prefer Mary Brian as Molly in the 1929 version versus Barbara Britton in this version. Mary Brian played Molly as a strong smart woman, but a woman of New England, unfamiliar and puzzled by the ways of the west. Here Ms. Britton plays Molly as a bit of a befuddled weakling, easily evoked to tears. No befuddled weakling would travel across the continent to teach school in a wilderness.

    If you've never seen the 1929 version, you'll probably like this one. If you like Joel McCrea I'm almost sure you'll like it, but if you've seen the early sound version the ghost of that early sound marvel is likely to raise its specter more than a couple of times as you watch it.
    7HotToastyRag

    Far better than the original

    If you're a Joel McCrea fan, chances are you've already seen The Virginian, one of his famous westerns he made during his career. It's a faithful remake of the 1929 nearly silent movie, with Joel and Brian Donlevy as the rivals for Barbara Britton's affections. A simple story: the good cowboy, the bad cowboy, the virtuous schoolteacher, the loyal best friend. But simple stories are often the ones that stick the longest and stand the test of time.

    If you're going to watch The Virginian, though, make sure you rent the remake. The original is far too dated. This movie is in Technicolor, actually has scenes with dialogue in it, and lets the scenes flow together well. Joel McCrea and Sonny Tufts have an easy, natural chemistry together that make you really believe their friendship. I prefer Randolph Scott westerns to Joel's in general, but even I can admit this is a good one.
    9bkoganbing

    The Prototype of Them All.

    This story, originally written by novelist Owen Wister is the granddaddy of the western genre. Western novels before that were usually about real life characters, Buffalo Bill, Wyatt Earp for example: that put them in these two dimensional heroic settings. Those things were nicknamed "Penny dreadfuls" and that they were.

    Wister, who spent some time in the west, and was a good friend of cowboy president Theodore Roosevelt, developed his characters out of the people he met in the west. The strong silent hero, the demure schoolmarm, the cold hearted villain, all these appear in The Virginian and they're stock characters in westerns. But these are the original prototypes for thousands to follow. Owen Wister set the standard for folks like Zane Grey, Luke Short, Louis L'Amour,etc. to follow.

    Joel McCrea was a fine actor, a combination of the best features of Gary Cooper(who did the role in an earlier version), Jimmy Stewart and a younger John Wayne. Nobody has done a better job in playing this character including Cooper. Brian Donlevy is the villainous Trampas and he never disappoints. Sonny Tufts probably has the best role in his career as Steve, The Virginian's friend who turns to rustling with Trampas. Barbara Britton is properly demure as the schoolmarm.

    This novel, the play that Wister wrote based on it and all the versions to follow had the Presidential imprimatur. Teddy Roosevelt loved this book and recommended it to the youth of America. I remember a similar White House imprimatur for a western coming in my teen years. Back around 1965 the folks had CBS decided Gunsmoke had run its course and they were ready to pull the plug on the show. Well, up stepped Lady Bird Johnson to the plate and she declared that Gunsmoke was her favorite television show. That did it, the show ran almost another decade.

    The crux of the story centers around the relationship with The Virginian and Steve. After warning him once, The Virginian catches Steve with stolen cattle and since there's no organized law in the territory, proceeds to hang him forthwith. The story then revolves on how The Virginian and others around him view the distasteful, but necessary duty he had to do.

    I've often wondered how Theodore Roosevelt felt about that part of the plot and what he might have said to his good friend Wister. There is a famous story from his days in the Dakota Territory about how Roosevelt set out to trail some rustlers and caught up with them. There was no law within miles of where they were. But Roosevelt took them back to where there was a federal marshal and turned them over to the surprise of many including the marshal.

    No doubt The Virginian was a great example of the manly virtues of the strenuous life that Roosevelt passionately advocated. But I often wonder what he and Wister might have talked about concerning this aspect of the story.

    Remember folks if you see this and complain about clichés, remember the clichés started here.
    7ma-cortes

    A cowboy finds his convictions about the Code of the West really questioned when falls for a pretty new schoolteacher

    Cowpoke good guy , known as the Virginian, Joel McCrea , and his best colleague called Steve , Sonny Tuffs , both fall for Molly, Barbara Britton , the Eastern Schoolmarm who is come to their Wyoming town . Steve wants to make some quick money and joins up Trampas , Brian Donlevy , and his cattle rustling band .After that , the Virginian leads a posse against the cattle rustlers . Things go wrong when The Virginian must take a hard decission .

    Good Western based on the 1902 classic novel by Owen Lister about a ranch-hand defeating the local bad guys . The main issue of the movie is an interesting premise , as The Virginian is forced to choose between frienship and the code of the west and Molly wonders if she can accept the country's harsh ways . It has fine interpretation from a top-drawer cast , such as Joel McCrea , Brian Donlevy , Barbara Britton . Joel McCrea gives a decent acting as the tough cowboy who is betrayed by his best friend , deciding between bring him to justice and alienating the pretty schoolteacher he is in love with . Donlevy is perfectly cast as the outlaw leader Trampas . And a very good support cast such as : Sonny Tuffs , Fay Bainter, Tom Tully , Bill Edwards , Paul Guilfoyle , Mark Lawrence , among others . The motion picture was well directed by Stuart Gilmore who was one of the best Hollywood editors . Although he also made a few fulms such as Captive man, Half-breed , Target and Hot lead.

    There are several adaptation about this novel : First silent retelling The Virginian 1914 by Cecil B DeMille with Dustin Farnum , Jack Johnston . Classic early talkie 1929 by Victor Fleming with Gary Cooper , Walter Huston , Mary Brian , Richard Arlen . 1962 popular TV series mostly directed by Earl Bellamy with James Drury , Doug McClure , Lee J Cobb , John McIntire , Stewart Granger . TV rendition with Bill Pullman , John Savage , Harris Yulin , Colm Feore , Diane Lane . 2014 by Thomas McKowsky with Trace Adkins , Steve Bacic, Victoria Pratt

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    • Wissenswertes
      One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since; its earliest documented telecast took place in Seattle Saturday 22 November 1958 on KIRO (Channel 7); it first aired in Philadelphia 2 March 1959 on WCAU (Channel 10); at this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so these movie showings were all still in black-and-white. Viewers were not offered the opportunity to see these movies in their original Technicolor until several years later.
    • Patzer
      When Molly first arrives at her cabin, she hears an animal howling. Mr Taylor says it is a coyote. But what we hear is actually the howl of a wolf. A coyote's cry is a barking, whining sound.
    • Zitate

      Steve Andrews: A fine way to treat a lady!

      Virginian: How was I to know she was a lady? She was with you, wasn't she?

    • Verbindungen
      Version of The Virginian (1914)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. Mai 1946 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Owen Wister's American Classic: The Virginian
    • Drehorte
      • Kernville, Kalifornien, USA
    • Produktionsfirma
      • Paramount Pictures
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    Technische Daten

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    • Laufzeit
      • 1 Std. 27 Min.(87 min)
    • Seitenverhältnis
      • 1.33 : 1

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