Warum hab' ich ja gesagt?

Vincent Minnelli directed this movie with verve. The idea of the movie came from MGM's designer Helen Rose, a woman who knew about fashions. The screen play by George Wells, works well in the beginning of the movie.

The idea of bringing together these two different people had already been done, especially as vehicles for Spencer Tracy and Katherine Hepburn. The allure here lies on the stars. Gregory Peck and Lauren Bacall made an excellent couple.

Lauren Bacall, at the height of her beauty, comes out best. She was a fine comedy actress who had a sense of style and timing. In portraying Marilla, Ms. Bacall offers a side of her that hadn't been tapped before, having been seen in heavier roles. This movie seems to have been tailor made for her.

As the sports writer, Gregory Peck, plays comedy, which was not his forte. At times, he appears wooden, but it probably was the direction from Mr. Minnelli, who wanted to show the big contrast between the lovers. Mr. Peck's Mike Hagan is completely different from his role in "Roman Holiday", but he carries it off and shows he was having a great time playing this sports reporter.

Dolores Gray, as Lori Shannon, has a few good moments playing the woman that is dumped by her steady boyfriend. There are a lot of familiar faces in the cast. Sam Levene, Tom Helmore, Mickey Shaugnessy, Jesse White, Chuck Connors, Edward Platt and Jack Cole, who plays the part of the Broadway choreographer that makes a statement of not being gay, when everyone can see otherwise!

A harmless, delightful screwball comedy of 1950s, starring Mr. nice guy Gregory Peck and ice queen Lauren Bacall. I cannot say this film fully exploited both stars' spellbinding charm and 120-minutes is rather too long (there were several times sleepiness almost predominated me). Also the supporting cast is meagre except a foolishly amusing performance by Mickey Shaughnessy as the punchy boxer/bodyguard.

The Oscar-winning script deserves more chewing to relish the tit-for-tat rivalry between two leads, after an unexpected flash marriage, they realize that they ought to overcome many differences between them to make their wedlock work.

One might feel distanced about being alarmed when the wife found out that her husband hid a picture of a beautiful lady from her, then made a fuss about it, and the discrepant milieu of sport reporter and fashion designer is also over-exaggerated, which all tamper the appreciations from my peers.

The end actually ended in a mess, the action part is annoying more than ridiculous, the choreography-cum-combat contrivance is rather a solid laughingstock than an innovation.

Nevertheless, for whom I consider a nostalgic spectator of Hollywood in the Golden Age, this film could satisfy you in every respect.

While Designing Woman isn't as famous as other romantic classics, like Pillow Talk or Woman of the Year, there's a lot to love about this hidden gem from 1957. On a sad note, Humphrey Bogart was dying during the filming of this movie. Lauren Bacall said in her autobiography that Gregory Peck was a wonderful friend to them, and that his kindness and strength helped her survive the terrible tragedy. So, in case you sense any sort of tension in Lauren's performance, I hope you'll cut her some slack.

Lauren plays a fashion designer, and Greg plays a sports writer. They fall in love and get married, but after their impulsive decision, they soon find they have very little in common. My favorite scene is when they are ordering at a restaurant. Lauren has previously revealed that she eats a lot when she's happy and in love, so when she orders a humungous meal, she looks at him sheepishly as they both realize she's fallen in love with him. It reminds me of the fantastic line from Sex, Lies and Videotape that Andie MacDowell says: "The last time I was happy, I got so fat!"

All in all, it's pretty funny, with jokes about hangovers, sex, and infidelity that snuck past the strict Hollywood censors. If you like either of the leads, or if you like cute, smart flicks from the 1950s, give this one a try. It's as if Lauren's character from How to Marry a Millionaire met Greg's character from Roman Holiday and fell in love!

"Designing Woman", a title which is a word-play on a female's desire to obtain a worthwhile husband and on the profession followed by the female lead, is what used to be known as an engaging comedy. A 'designing woman' is exactly what she is not; nor is the sportswriter she falls in love with in any way naturally conniving. But circumstances in this undeniably charming, situationally humorous and dialogue-rich film force her to become (naturally) suspicious and him to mislead her. The couple are portrayed by Lauren Bacall and Gregory Peck who have said they had and appear to have had great fun in making this New York-based comedy of manners. There were a number of male-versus-female films made in Hollywood between 1939 and 1973, the Golden Age of physical production there; while most of the writers took a reactionary anti-feminist position, the author of this film, George Wells, instead, here championed a mutually-desired and mutually-agreed equality between the two protagonists. Peck is the central character; but Bacall is the focus of much of the plot. In fact the opening sequences of the film take place on the West coast; Peck awakens to find himself befriended and his story filed by Bacall, after he had had a bit too much to drink. They begin an affair and swiftly decide to wed. But going back home to New York, they discover that "happily ever after" is harder than "I do". Abandoning his smaller bachelor digs for her luxurious apartment, they discover that their lifestyles, acquaintances and pursuits hardly match. One famous scene involves his rough-hewn card buddies trying to hold their regular game in her apartment. Also, Peck had been dating a pretty model , played by Dolores Gray, and has to hide the relationship, explain it away and generally engage in fancy footwork on several occasions; having her creative friends do their work while his card game buddies are present, pretending he does not know Gray, on whose musical designer Bacall is working when they meet at a fashion show; this is only the beginning of the story. Because Peck is also under a death threat from gamblers, he has to pretend to be away covering road baseball games while he's really holed up with a punchy ex-prizefighter bodyguard played by Mickey Shaughnessy. Of course, when Bacall discovers his old girl friend was Gray and that Peck has been lying about where he is, she assumes he has been cheating on her. The gangsters after Peck is played by Ed Platt and Chuck Connors, while Peck's helpful editor is Sam Levene. Under Vincente Minnelli's solid direction, the pace of this fast-moving comedy that only sometimes slows down for smart dialogue never flags. The fine cinematography was done by Gene Alton, set decorations by Edwin B. Willis and Henry Grace. Costumes were the work of veteran Helen Rose, with original music by Andre Previn. The bright art direction was by E. Preston Ames and William A. Horning, In the cast supporting the principals are Tom Helmore, Alvy Moore, Jesse White, Carol Veazie and Jack Cole. Bacall shows intelligence and toughness as the designer while Peck is more nuanced. This is a well-remembered and critically favored comedic effort, with a surprisingly satisfying ending. The screenplay won an award in 1957. Catch it when you can.

Cute and charming movie. Bacall and Peck have great chemistry as a newlywed couple who have more differences than they think starting out together. Bacall is funny and chic in her gorgeous gowns by Helen Rose and Peck is funny and charming as a gruff sports writer. This is a true gem.