Eine Dame der Gesellschaft

Joan Crawford plays the title character. She's a jewel thief and partner of William Powell. She cons her way into a rich society family and romances Robert Montgomery. But then she grows to like the people she's supposed to be stealing from so she has a crisis of conscience. With a cast like this (Crawford, Powell, Montgomery, Frank Morgan, Nigel Bruce), there really is no reason this shouldn't have worked. But it doesn't. It's a little stagey and dry. Powell is not in it enough. When he is on screen, the script doesn't give him a chance to shine. As a matter of fact, it seemed to me like he didn't even want to be there playing second fiddle to Robert Montgomery. Can't say that I blamed him, if that's the case. I like Montgomery alright in certain roles but these movies he did with Joan were not among them. See it for the cast but don't get your hopes up.

What a wonderful cast. Some of the best Thespians of the 1930's or any decade for that matter. William Powell, Robert Montgomery, Joan Crawford, Nigel Bruce, Frank Morgan, Jessie Ralph, Melville Cooper, to name the main ones. Then what went wrong? The answer is in the weak script and ho-hum direction. Based on a play, the movie is stagy, much too talky. There is little wit nor many clever lines in the wordy script. So all the viewer has left is a bunch of good actors talking themselves to death and putting the audience to sleep in the process. The script is also predictable.

The plot is actually a good one. The charming and mysterious Mrs. Cheyney woos rich eligible bachelors and one not so eligible to gain their confidence so she and her accomplices can fleece them. Unfortunately Mrs. Cheyney falls for one of the eligible bachelors. Will she go through with the fleece? The answer lies in the last half of the film. Since Hollywood today is remaking so many movie classics that don't really need remaking, why not remake some of the movies such as this one that could use a good make over?

As noted by critics there is a degree of miscasting involved as well. Joan Crawford just does not fit as an adventurer passing herself off as a social big-wig in England. William Power would have played Robert Montgomery's role better than the role assigned him. Robert Montgomery on the other hand is well suited for his role as is Nigel Bruce and the rest of the cast.

Even if you are a fan of the stars of this fluff and an admirer of 1930's Hollywood cinema, you may still find this movie slow moving and hoping that this is truly the last of Mrs. Cheyney.

Joan Crawford in doing The Last of Mrs. Cheyney had to stand comparison with not one, but two previous actresses who essayed the part of a crooked adventuress who discovers she has a chance at love.

The Last of Mrs. Cheyney was first presented on Broadway as a play by Frederick Lonsdale in the 1925-1926 season and it ran 385 performances with Ina Claire in the lead. Then it was done as an early sound feature film for Norma Shearer who got rave reviews.

Not having seen Claire or Shearer in the part I only have Crawford to judge and she doesn't do badly at all in the part. Of course she and the film are helped greatly by the fact William Powell and Robert Montgomery are in the film and both can and have played this kind of light comedy in their sleep.

Crawford is the shill, the come-on, for a gang of thieves of which William Powell is one of the members. She's taken on the identity of wealthy sophisticated American widow Faye Cheyney who ingratiates herself with the rich and famous and gets in their homes to rob them. We find her first working her wiles on shipboard with Frank Morgan, playing the usual befuddled Frank Morgan part. Powell serves as her 'butler'. But she also meets wealthy young Lord, Robert Montgomery and through him gets invited to old dowager Duchess Jessie Ralph's for the weekend.

Jessie's got a big rock there that the gang would like to get a hold of. But Montgomery is offering Crawford a chance to break away from that life and it puts her in a dilemma. Since Powell's kind of stuck on her too, she's got another problem.

I think Crawford carried off the part quite well. But the best one in the film is Jessie Ralph. Seems as though the old duchess married into the aristocracy and she spots that Crawford is not all she claims she is. But she likes her nonetheless. Very similar to the part Florence Bates played in Saratoga Trunk with Ingrid Bergman. Ralph steals every scene she's in.

One of these days I met get to see the Shearer version. Till then I'll recommend this version of The Last of Mrs. Cheyney without hesitation.

Joan Crawford plays Fay Cheyney, a charming American widow who integrates herself into the social scene in London. She's really a jewel thief working with Charles (William Powell), and they plan to steal the jewels of a Duchess (Jessie Ralph). However, Fay complicates the plan by falling in love with the roguish Lord Arthur Dilling (Robert Montgomery).

First off, what a cast! Joan Crawford, William Powell, Robert Montgomery, Frank Morgan, Nigel Bruce and Jessie Ralph all in the sam film. Heaven!

The Last of Mrs. Cheyney, based on a Broadway play by Frederick Lonsdale, was filmed three times by MGM, first in 1929, then this version in 1937, and then yet again in 1951. This version is very entertaining, though rather stagy in places, especially the second half, but makes up for it by having an excellent ending. Crawford shines as Mrs Cheyney, while Powell is excellent in a surprisingly small role as Charles. Montgomery is full of his usual charm, and Frank Morgan is good as the buffoonish Lord Kelton. The film is paced well enough, especially since it was directed by three different people. Overall, this is a treat for 30s film buffs.

I appreciate all the pro and con reviews from the knowledgeable and literate film buffs. However, I want to address the reviewers who stated that the film was a financial flop.

This film cost $741,000 to produce and it made $1,800,000, which was a sizable profit back in 1937.