Mike Hammer

I love the old private detective shows of the 1950's and 1960's with their jazzy musical themes and their tough heroes with a heart of gold. This early version of Mike Hammer wasn't the best, (that would be Peter Gunn), but it had the best lead actor, Darren McGavin, one of those performers who is usually the best thing in anything he's in. Another reviewer said that he 'nails' Mike Hammer and he really does. Apparently he didn't like the character, (actors are often very different from the characters they play). The theory that he played it as a spoof of private eyes is interesting. The shows and McGavin's performances are serious enough that I wonder about that. But he does seem at times to laugh his way through some scenes and give a comic touch to the show. He can handle the drama just as well. The production values are cheap but he's a whole reason to watch the show by himself.

There is one other reason: the musical theme, 'Riff Blues', (I hope dfam1, who posted a review 17 years ago asking about that finally found out that that's what they call it- there are several good versions on You-Tube). I love Harlem Noctrune, the theme used for the Stacey Keach series, but Riff Blues is equally good.

I'm currently watching an episode of this show and David Janssen's 'Richard Diamond' show each night. Both are half an hour, (meaning 25 minutes), long and contemporary to each other, (Diamond was 1957-60, Hammer 1958-60). Diamond was a network show used as a replacement show, Hammer a syndicated show, so Hammer actually has more episodes, 78 to 77. Hammer is based in New York and Diamond was as well the first two seasons, (although neither show was filmed there, except for a few scenes of Hammer). You wonder if Diamond, (which starred another one of my favorite actors in Janssen) and Hammer ever crossed paths. The actors may well have crossed paths as both series were filmed at the Republic Pictures studios in LA. Both actors later played private eyes in well-regarded series, (McGavin in 'The Outsider' and Janssen in 'Harry O'). I've checked their resumes on the IMDB and they don't seem to have acted in the same TV episode or movies, although Todd and Buzz encountered each of them along 'Route 66'.

I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks

This series ran from 1956 to 1949; which means I was age 9 through 12 at the time. Yet, despite this, I remember it as one of the most impressive Private Dectective series ever. A much younger Darrin Mcgavin took part in a great many " physical " encounters with the bad guys. Unlike the stereotype " good guy ", with Mike Hammer, anything goes. I mean chairs, tables anything. Those stunt guys had their work cut out for them. So it was truly a joy to see that this actors' career continued successfully. In fact, Jerry Lewis" first movie after his split with Dean Martin, " Delicate Delinquint " starred Mr. McGavin. When he showed that he could comedy as well ( " Christmas Story " ), it was great. Of course most people will remember him as " Kojak " - and I truly enjoyed that series. But for me, he will always be the very feisty Mike Hammer.

Actor Darren McGavin plays private detective Mike Hammer. In the space of 30 minutes, he normally escapes a couple assassination attempts, beats at least one man to a pulp, flirts with one or more beautiful women, fires off some 50s tough-guy slang, and solves a perplexing mystery. The pace is very fast.

The premise of the show is that the world is an evil, violent place, and the strong and upright must be as tough as the bad guys to set things right. But that doesn't mean they can't have a little fun along the way, enjoying broads, booze, or other masculine entertainments as circumstances present themselves.

I do not know that I have ever seen a TV character so quick to use his fists or a gun when trouble arises. And, when Mike Hammer beats you, he does not just knock you down or knock you out. He continues beating you as the blood spurts out and you beg for mercy, then he beats you some more. Even innocent witnesses are pushed around until they give up their information. That he is not imprisoned for his frequent violent assaults is a miracle. He does frequently fall afoul of the police, receiving threats, being questioned, and sometimes being locked up, but only temporarily.

In the world of Mike Hammer, there is no such thing as a flat-chested or overweight woman, except for the occasional wife or grandmother. The show is populated by beautiful, large-breasted women with well-coiffed hair, wearing tight dresses that show off their curves, and push-up bras that are so stiff and lift breasts so high they threaten to poke out your eyes. Mike flirts with and openly leers at these women in a way that would surely make viewers uncomfortable today.

With only 30 minutes to play with, the characters are often one-dimensional. Women, except when evil sluts, are weaklings dominated by men. They are either helpless victims, or madly attracted to Mike, or incidental holders of information he needs, or mere eye-candy populating his world. Sometimes they are the tool of a bad guy, used to lure Mike into a trap, then sent on their way. Men are not treated much better. The line between good and evil is starkly drawn, and the most complex a character (other than Mike) usually gets is when someone thought to be good turns out to be evil.

There are many pluses. A lot happens. The evil plots are often complex and ingenious. The show employs a great deal of humor and tries not to take itself too seriously.

In the final analysis, Mike Hammer is on the right side. He fights against crime, and bravely protects the weak, despite the risk to himself. If you had trouble, and were in the right, there is no one better you could have on your side. He is strong, violent, cynical and testosterone-fueled, the epitome of 50s cool.

Despite the shortcomings of the show, it is entertaining, and the fast pace ensures you will not get bored.

Darren McGavin was the quintessential Mike Hammer. Others paled by comparison. He played him with toughness, irreverence and humor. Back in the 50's, when TV censorship was at its strictest, he went as far as you could go. He'd call women "Chickie" and had no qualms at roughing them up to get to the truth. I especially liked his scenes with Nita Talbot, who took everything he dished out. In another review, revtg001 claimed that Anthony Quinn played Mike Hammer. Although, Mr.Quinn appeared in a movie of a Mickey Spillane novel, "The Long Wait",the character he played was JOHNNY McBRIDE. In my opinion, the second best Mike Hammer was Ralph Meeker in "Kiss Me Deadly".