Alfred Hitchcock zeigt

Alfred Hitchock Presents ran half-hour shows, which stuck strictly to whodunits. The Alfred Hitchock hour tended more toward one-hour dramas with twist endings. As usual, each episode boasted a pageant of stars. Stories were not as tightly knit. Some episodes were laconic. This was television's last attempt at the Playhouse 90s, Alcoa/Goodyear TV Playhouses, the Loretta Young Shows and Kraft Mystery Theatres. It was the last of an age of television, which story lines lasted an entire hour, rather than being broken up into various story lines and woven subplots. Here were the the last of the great playwrights, in their eleventh hour, just before Fred Silverman turned television into tedium.

I occasionally hear of people making lists of the all-time best tv series (TV Guide did it recently), and they never seem to mention either of Hitchcock's Television series, even though these are the same people that call Hitchcock among the greatest directors. I watched this show all the time when I was younger (or so I seem to remember), but it does not seem to be on very often any more. Hitchcock's shows are much better than his movies, in my opinion. The thing about the show is that it is limited to only an hour, so the story is forced to progress more quickly, and keeps me interested more easily. My favorite episodes are "The Return of Verge Likens" with Peter Fonda, "The Man from Rio" with Peter Lorre and Steve McQueen, and "One More Mile to Go."

They say the small things in life make a big difference and I am inclined to agree. It also makes fine acting. Films in the last 20-30 years costing up to 100 million. That takes a lot of footfall to break even. I recently bought a portable radio. Just turn a switch and move a dial for Mozart. Same with TV. Actor shining like never with so little time on screen.

I want to implore people to cancel all subscription plans and go for a few months through the Hitchcock TV library. I guarantee after seeing and hearing (some great music too, orchestra not synth) you will never venture back.

Start with: "Consider Her Ways" Great script (From real books and authors) and try to remember this was not written in 2020. Move on to a classic radio play turned to TV: The Evil of Adelaide Winters.

Happy viewing. Best wishes, Cliff Taylor

First of all, Alfred Hitchcock's introduction, station brake and wrap up monologues are worth the price of watching those commercials alone — which regularly were humorously ridiculed by Hitchcock himself. Watching these shows these many years later is therapy for the lightening fast world of the 21st century. Lots of husbands killing wives and wives killing husbands. And of course, then, nobody could get away with anything — if not in the story itself then in the ending wrap up by Hitchcock.

AND, it was an era when REAL ACTORS were on TV — not the pretty face empty nothing's on TV today. Living in impossible apartments and working in impossible work places and performing impossible plots.

The Alfred Hitchcock Hour has generated two schools of thought. Some think the longer format allows for more character development while others maintain it results in episodes having to be padded. I would say compared to Alfred Hitchcock Presents, these are of a more even quality. I scored a few 9 or 10 in both series, but AHP had many more boring, even terrible episodes, though to be fair more than twice as many were made.

My ten favourites, in chronological order: 3 Night of the Owl. The story may rather lack believability, but compensated by great performances from Brian Keith (who seems to me like an understated John Wayne) and Patricia Breslin.

8 House Guest. Not entirely dissimilar to the above, decent family taken advantage of by a cunning crook.

23 The Lonely Hours. Obsessive, childless woman steals her landlady's baby, all female cast.

33 Home Away From Home. Atmospheric drama, mental patients imprison staff and take over asylum.

45 The Magic Shop. Much more sci-fi than usual Hitchcock. Half a dozen reviewers compare it to The Twilight Zone's It's a Good Life, for my money this is creepier and has more content.

50 Final Escape. Uncomplicated tale of a prisoner who will take almost any risk to escape. Without doubt the most shocking denouement.

65 Return of Verge Likens. Man plots revenge on local politician who killed his father, undeterred by objections from his easy going brother. Unanimously acclaimed by reviewers thus far.

75 Consider Her Ways. Another episode escaped from The Twilight Zone. A doctor under the influence of a new drug hallucinates about a future earth without men, and determines to prevent it.

84 Death Scene. This is not universally liked by other reviewers. I enjoyed it as a nod, whether intentional or not, to Sunset Boulevard, with private movie theatre, classy old car, and swimming pool.

92 Night Fever. An injured robber falls for his older nurse, but is he just trying to use her? I include this one mainly to question the groupthink of several reviewers who accept the storyline claim that Coleen Dewhurst is plain. She is over 40 but surely better looking than the villain's floozy like girlfriend briefly seen at the end. It's in the eye of the beholder of course, but maybe these guys would say Diana Doors was better looking than Diana Rigg?