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IMDbPro

Your Cheatin' Heart

  • 1964
  • Approved
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
6,5/10
956
IHRE BEWERTUNG
Your Cheatin' Heart (1964)
Official Trailer
trailer wiedergeben2:30
1 Video
9 Fotos
BiographyDramaMusic

Füge eine Handlung in deiner Sprache hinzuThe story of the country and western singer Hank Williams.The story of the country and western singer Hank Williams.The story of the country and western singer Hank Williams.

  • Regie
    • Gene Nelson
  • Drehbuch
    • Stanford Whitmore
  • Hauptbesetzung
    • George Hamilton
    • Susan Oliver
    • Red Buttons
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    956
    IHRE BEWERTUNG
    • Regie
      • Gene Nelson
    • Drehbuch
      • Stanford Whitmore
    • Hauptbesetzung
      • George Hamilton
      • Susan Oliver
      • Red Buttons
    • 32Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Your Cheatin' Heart
    Trailer 2:30
    Your Cheatin' Heart

    Fotos8

    Poster ansehen
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    Topbesetzung52

    Ändern
    George Hamilton
    George Hamilton
    • Hank Williams
    Susan Oliver
    Susan Oliver
    • Audrey Williams
    Red Buttons
    Red Buttons
    • Shorty Younger
    Arthur O'Connell
    Arthur O'Connell
    • Fred Rose
    Shary Marshall
    Shary Marshall
    • Ann Younger
    Rex Ingram
    Rex Ingram
    • Teetot
    Chris Crosby
    • Sam Priddy
    Rex Holman
    Rex Holman
    • Charley Bybee
    Hortense Petra
    • Wilma - The Cashier
    Roy Engel
    Roy Engel
    • Joe Rauch
    Donald Losby
    • Young Hank Williams
    Kevin Tate
    Kevin Tate
    • Boy Fishing
    Hank Williams Jr.
    Hank Williams Jr.
    • Hank Williams
    • (Gesang)
    John Alban
    John Alban
    • Theatre Patron
    • (Nicht genannt)
    David Armstrong
    • Spectator
    • (Nicht genannt)
    Phil Arnold
    Phil Arnold
    • Pie-Eating Contest Barker
    • (Nicht genannt)
    Larry Barton
    • Undetermined Secondary Role
    • (Nicht genannt)
    Harold Belfer
    • Dancer
    • (Nicht genannt)
    • Regie
      • Gene Nelson
    • Drehbuch
      • Stanford Whitmore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    6,5956
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    Empfohlene Bewertungen

    5blizzy63

    The real Hank Williams Story deserves better.

    While watching this 1964 biopic, I constantly drew the conclusion that this story needs and deserves to be updated in our contemporary styles a la 'I Walk the Line' and 'Ray'. Each time we hear Hank's songs and recall in our minds the true story of his life and gifted talent, we know that he deserves an honest portrayal on film with higher than average production values. I liked that this film was in B&W. It made the setting of the '40s and early '50s realistic. Unfortunately, the movie sets looked too incredibly stock studio back lot. The half a dozen seedy bars down the back alley beside the Grand Ole Opry was suddenly too stylized a scene (and consequently, less believable). Hank and Audrey's super-stardom mansion looked like they borrowed it from a David Niven melodrama set. George Hamilton was OK as Hank. Sometimes I believed him as Hank, sometimes I just saw George Hamilton. Often, the seams were showing in this film: Hollywood studio, 1964. The story seemed one-sided (the Audrey Williams story)and with too much standard Hollywood melodrama (Red Buttons: Look off into the distance past the camera and make a speech to Hank. Repeat later.). Based on what we know of Hank's real story, much of it seems to be missing in this movie. We saw Hank fall off a horse and hurt his back but where's the pain killers that contributed to his death? (And I won't mention the fact that in the end he was remarried to a second woman.) The music in this movie often bothered me. Hank's song were great but their renditions (apparently by Hank Williams Jr.) sounded too Nashville studios, hi-fi 1964. (I don't remember Hank Sr. being accompanied by back-up singers...oooh, aaah!) This movie almost felt like the altered version of a great and troubled performer's story...safe to tell to the kids and grandma ('Don't mention the pills, just say he died of a broken heart.'). The ending was fitting for the great Hank, though. A filled theater and an empty stage. The show that he was headed to but didn't make. Because I know of the greatness of his talent and contributions to music, I thought that it was right on the mark. It put tears in my eyes. It was the best and truest part of the movie.
    6wjfickling

    A very bad film redeemed by the music

    I have seen examples of egregious miscasting before, but nothing so ludicrous as casting George Hamilton as Hank Williams. What were they thinking? This bronzed playboy from "Where the Boys Are," this at-the-time beau of Lynda Byrd Johnson, as the dirt poor, up from poverty Hank Williams? Supposedly Williams' widow vetoed Elvis Presley, but at least Elvis would have lent some authenticity to the role, and could have sung as well. Hamilton's lip-synching the Williams songs is especially ludicrous. The acting by the other leads--Susan Oliver, Red Buttons, Arthur O'Connell--is passable, but that of some of the actors in smaller parts is wretched beyond belief. This film must have seemed old fashioned even in 1964. It is more reminiscent of some of the B studio biopics of the 40s and 50s.

    This having been said, the film does remind us that Williams was a great songwriter. We get to hear nearly all of his great songs in this film, and, according to the film's credits, they were sung by Hank Williams Jr., who would have been 15 at the time! Hank Jr. does a good job of imitating his father's style, and at times sounds just like him. There is no hint that he would later develop a style of his own, quite different from his father's.

    The songs are the only reason to watch this film. But, that is a pretty good reason.
    8krorie

    The Spirit of Hank Williams Is Captured On Film

    This is an exceptional musical biography of one of the greatest singer-songwriters-entertainers of the 20th century. Single handedly this country boy from the backwoods of Alabama changed American country music and in the process crossed over and changed popular music as well. His influence is still felt today from the legacy of Ray Charles to the driving force of Hank Williams Jr. Surprisingly the lead role in the movie is done quite well by George Hamilton, usually seen as just another pretty face in those days. It is amazing that fourteen-year-old Hank Jr. does such a fantastic job dubbing his dad's music for Hamilton. In some ways his rendition of Hank Sr.'s most poetic song, "I'm So Lonesome I Could Cry," is better than the original. He almost captures all the pain and loneliness of his dad's magnificent voice.

    Though there are many liberties taken with Hank Sr.'s life story, the film keeps the spirit of the man and the legend alive and burning brightly. One reason for the biographical changes besides poetic license to make the film more dramatic was the forced reliance on the no-talent Miss Audrey, Hank Sr.'s ex, as adviser for the movie and mentor for Hank Jr. who sang for his father. This led to all kinds of omissions and changes such as no mention of Hank Sr.'s new bride to whom he was married just before his untimely passing.

    The latest findings on Hank Sr.'s death, that he died from mixing alcohol and pain killers of the early 50's variety, does not conflict all that much with the ending of the movie. He did die in the backseat of his Cadillac while being chauffeured to a New Year's show in Canton, Ohio.

    Undoubtedly he died New Year's Eve 1952 but was not pronounced dead until New Year's Day 1953. Hank therefore has the unenviable distinction of having died in two different calendar years. I was nine years old at the time and I remember that my family (poor country folks from the hills of Arkansas) took it as if it were a death in the family. That is how much of an icon he had become during his few short years of stardom.

    So even though the facts of Hank's life may be wrong from time to time in the movie, his spirit is captured making this a great tribute to the man and his music.
    rudy-30

    Wonderful biography of Hank Williams Sr.

    This movie is a warm and touching portrait of the late great Hank Williams, Sr. George Hamilton really makes you feel the heartbreak behind each performance. Susan Oliver is also fine as his long-suffering wife. I remember seeing this film at least twice during the 1960's. In fact, I was inspired to copy one scene, but for modesty's sake, you'll have to see the film.
    8the_great

    ...this movie shows us the magic of songwriting...

    If you are a songwriter or have ever written a song, you must marvel at the work of Hank Williams, and this movie shows us the magic of songwriting. Where do the greatest songs come from? And if we happen to write one, is it our responsibility to let the world hear it?

    Unlike so many other movies based on the lives of legendary musicians, this one is fun to watch (and not just listen). George Hamilton is great as Hank Williams, and it's his performance that saves the biopic from turning to a tiresome melodrama somewhere in the middle. You see, he doesn't seem to be all that serious even when the script calls him to be, and that my friend, however strange it may seem, is the key to success. So many biopics based on the stories of bitter ex wives and rivals suggest that our favorite artists never had a sense of humor.

    All the actors do a good job. Beautiful Susan Oliver plays a credible nag, and although the script doesn't put the blame on anyone (which is good), the performance allows us to question her motives from the get go.

    All the songs heard in this movie are classics. We hear two different versions of I saw the light, and the later one makes otherwise a sad ending the perfect ending.

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    Handlung

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    • Wissenswertes
      Elvis Presley was considered for the role of Hank Williams but Hanks first wife, Audrey Williams, vetoed the idea. She felt that Elvis would become the focus of the movie.
    • Patzer
      In the film, Hank is singing with a medicine show when the "Drifting Cowboys" band finds and recruits him. In actuality, he formed the band himself in 1947.
    • Zitate

      Hank Williams: Woman, who are you to tell me what I am? These are my friends. My kind of people!

    • Alternative Versionen
      When Turner Entertainment group edited the film for television, Hank Williams' mother Lillie and his second wife Billie Jean were completely removed. Also shown on TV in a colorized version.
    • Verbindungen
      Featured in MGM 40th Anniversary (1964)
    • Soundtracks
      Jesus Loves Me
      (uncredited)

      Music by William B. Bradbury

      Lyrics by Anna B. Warner

      Performed by Donald Losby

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • Dezember 1964 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El precio de la fama
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • Four Leaf Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 39 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 2.35 : 1

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    Your Cheatin' Heart (1964)
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    By what name was Your Cheatin' Heart (1964) officially released in India in English?
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