Of Human Hearts

Jason Wilkins (James Stewart) grows up poor and resentful towards his minister father Ethan (Walter Huston). Ethan is a good man but stern and rigid in his beliefs. Ethan's self-sacrificing wife Mary (Beulah Bondi) tries to balance his hardness by being as kind and gentle to their son as she can. When Jason is older he leaves home to go study to become a doctor. He's supported through this by money his parents send him from things they sell. After Ethan's father dies, Jason begins to neglect his mother more, writing home less and less except to ask for money. Eventually he stops writing altogether.

This is an interesting one. I expected after reading some of the lukewarm reviews that it would be a stinker but I actually liked it. It's flawed, for sure, but it's also unique. There is a somewhat muddled message I suppose. The first half of the movie, where Jason is a child (excellently played by Gene Reynolds) creates a sympathetic portrait of him and an unsympathetic one of his father. But after Jason has grown up, he's a selfish ingrate who needs to be slapped around. His father, while still a hard-ass, is shown to have a kinder side and a genuine concern for his fellow man. The two halves do not necessarily have to be out of sync with one another. It's perfectly reasonable to assume that Jason's harsh upbringing has led him to being bitter and selfish. The problem is that the film doesn't seem to take this point of view. Once Jason is an adult, the focus is on his faults only and there's never a hint that his father was ever wrong at all. Add to that the shameful treatment of his saintly mother and Jason becomes downright villainous.

Still, it's an interesting drama with a homespun folksy charm and healthy doses of humor sprinkled throughout. The leads are all good. Guy Kibbee, Charles Coburn, Gene Lockhart, Charley Grapewin, and Sterling Holloway are among the wonderful character actors who brighten things up. Adorable Ann Rutherford is always nice to see, even though she gets little to do here but look pretty. The most famous scene from the movie is where Abraham Lincoln (John Carradine) lays the verbal smack down on Jason. This scene is mocked by many but I loved it. Was it hokey? Sure, but it was also fun and added a nice twist to the movie's climax. A better movie than I think its given credit for being. Stewart and Huston fans should enjoy it.

This movie is a reminder of the treasures we have to enjoy from the early eras of movie-making. Walter Huston portrays a minister who has sensitivity and understanding for his parishioners but is bound by the restrictive morals of his background. The story takes place in the period before and during the Civil War. The minister has moments when he really is an admirable man; he even has the courage to grab and stop a runaway horse. That horse becomes a thread that winds through the rest of the movie. However, his treatment of his young son is a good example of why ministers' children are often described as troubled. Beaulah Bondi plays the saintly wife/mother whose love binds the family. Her unconditional love and sacrifice first console the boy and then elicit a narrow selfishness from the boy when he leaves home and goes to medical school in Baltimore.

There are some wonderful moments in this movie. It is notable that James Stewart could play such a callow young man who takes advantage of his mother's generosity.

This is a pre-civil war and civil war movie.

It stars Walter Huston, Beulah Bondi and Jimmy Stewart as a minister's family with little money and a number of misunderstandings between Father Ethan and son, Jason. The mother, Mary, ends up trying to be the constant peace keeper.

Ethan wants his son to be a preacher. The dream of Jason's heart is be a doctor. Mary loves her husband but wants to see their son happy in the life's work he desires to do. Jason is to self-centered to see what his bickering with his father is doing to his mother.

In anger Jason runs off. Goes to school and then war. His mother doesn't hear from him for several years and she finally contacts President Lincoln (John Carradine) to learn where her son is and if he's alright.

Lincoln's reaction is predictable since we must remember Lincoln lost his mother, Nancy, at a young age. Now a decision must be made on what Jason will do. How much has he grown up? Will he realize he has broken his mother's heart?

It's at least a big box of hankies movie for all of us.

This is a story about family relationships, set in the time before and during the American Civil War. Ethan Wilkins is a poor and honest man who ministers to the human soul, while his son Jason yearns to be a doctor, helping people in the earthly realm. It is a compelling story about striving for excellence, the reality and tension fathers and sons can experience when a son comes of age, and the love of a mother that can never die.

While both inspiring and at times reminding us of our own failures, it provides a message of hope as well. There is a richness here that is timeless. This film develops its characters at the beginning, not rushing to get to the point. You get to know them. The Civil War elements are very much in the background and clearly secondary to the main theme. This is not a war movie. It is a story about real people.

The surprise at the end of this drama is both forceful and full of genuine emotion. A absolute must see for John Huston and Jimmy Stewart fans, and deserves to be a classic in its own right. Easily one of Stewart's best.

Antebellum, or pre-Civil War America, is seldom dealt with in movies. In the studio age it was largely ignored. Of Human Hearts is an exception. Set in frontier Ohio it concerns the rebellious son of a decent but inflexible minister who seeks to be a doctor and learn about the world. He get more than he bargained for after the guns fire on Fort Sumter, and the film traces his life from uneasy boyhood to uncomfortable manhood. James Stewart excels in an early lead role; and as his father Walter Huston is suitably starchy and forbidding. The backlot recreation of early small town America is wonderfully realized by director Clarence Brown and Company. There are some splendid supporting performances by, among other, Beulah Bondi, Charlie Grapewin, and especially Charles Coburn, as the village doctor who likes to drink and who becomes Stewart's mentor. As an historical footnote it's worth mentioning that the film was produced by Metro-Goldwyn-Mayer in the late thirties, and is an atypical product for them, as they were poaching, as it were, on movie territory that one associates with the more folsky Fox studios of the time, and did a rather good job at it, too.