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Marnie

  • 1964
  • PG
  • 2 Std. 10 Min.
IMDb-BEWERTUNG
7,1/10
56.499
IHRE BEWERTUNG
Sean Connery and Tippi Hedren in Marnie (1964)
Theatrical Trailer from Universal Pictures
trailer wiedergeben4:45
1 Video
99+ Fotos
Psychologischer ThrillerPsychologisches DramaDramaKriminalitätMysteriumRomanzeThriller

Mark heiratet Marnie, obwohl sie eine notorische Diebin ist und schwerwiegende psychische Probleme hat. Er unterstützt sie dabei, sich diesen zu stellen und sie zu lösen.Mark heiratet Marnie, obwohl sie eine notorische Diebin ist und schwerwiegende psychische Probleme hat. Er unterstützt sie dabei, sich diesen zu stellen und sie zu lösen.Mark heiratet Marnie, obwohl sie eine notorische Diebin ist und schwerwiegende psychische Probleme hat. Er unterstützt sie dabei, sich diesen zu stellen und sie zu lösen.

  • Regie
    • Alfred Hitchcock
  • Drehbuch
    • Winston Graham
    • Jay Presson Allen
  • Hauptbesetzung
    • Tippi Hedren
    • Sean Connery
    • Martin Gabel
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    56.499
    IHRE BEWERTUNG
    • Regie
      • Alfred Hitchcock
    • Drehbuch
      • Winston Graham
      • Jay Presson Allen
    • Hauptbesetzung
      • Tippi Hedren
      • Sean Connery
      • Martin Gabel
    • 300Benutzerrezensionen
    • 72Kritische Rezensionen
    • 73Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos1

    Marnie
    Trailer 4:45
    Marnie

    Fotos318

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    Topbesetzung43

    Ändern
    Tippi Hedren
    Tippi Hedren
    • Marnie Edgar Rutland
    • (as 'Tippi' Hedren)
    Sean Connery
    Sean Connery
    • Mark Rutland
    Martin Gabel
    Martin Gabel
    • Sidney Strutt
    Louise Latham
    Louise Latham
    • Bernice Edgar
    Diane Baker
    Diane Baker
    • Lil Mainwaring
    Alan Napier
    Alan Napier
    • Mr. Rutland
    Bob Sweeney
    Bob Sweeney
    • Cousin Bob
    Milton Selzer
    Milton Selzer
    • Man at Track
    Henry Beckman
    Henry Beckman
    • First Detective
    Edith Evanson
    Edith Evanson
    • Rita - Cleaning Woman
    Mariette Hartley
    Mariette Hartley
    • Susan Clabon
    Bruce Dern
    Bruce Dern
    • Sailor
    S. John Launer
    S. John Launer
    • Sam Ward
    Meg Wyllie
    Meg Wyllie
    • Mrs. Turpin
    Leon Alton
    Leon Alton
    • Party Guest
    • (Nicht genannt)
    John Alvin
    John Alvin
    • Hotel Chauffeur
    • (Nicht genannt)
    Kimberly Beck
    Kimberly Beck
    • Jessica 'Jessie' Cotton
    • (Nicht genannt)
    Lillian Bronson
    Lillian Bronson
    • Mrs. Maitland
    • (Nicht genannt)
    • Regie
      • Alfred Hitchcock
    • Drehbuch
      • Winston Graham
      • Jay Presson Allen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen300

    7,156.4K
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    Empfohlene Bewertungen

    8TheLittleSongbird

    Fascinating and underrated

    Marnie is not perfect, the horse riding scenes are artificially edited and some of the sets seemed somewhat plastic-theatre-backdrop standard. However, while Marnie is not one of Hitchcock's very finest films, it is one of his most underrated. And I don't think it is close to his worst, his weakest overall for me is Jamaica Inn and Topaz the worst of his late-period films. Hitchcock directs splendidly with a lot of memorable touches in the final thirty minutes that are his style all over, while the photography is suave, atmospheric and above all striking. Bernard Hermann's score, while not quite as good as his ones for Vertigo and Psycho, fits perfectly and has a very haunting edge. The dialogue has wit and intensity, which makes the many talky scenes in Marnie interesting. The story is slow in pace but didn't bore me, here there are themes that are not easy to talk about that are explored compellingly and tastefully. The final thirty minutes is edge-of-your-seat stuff, to me the best final act of any Hitchcock film pro-Psycho. The characters are not easy to engage with and very complex, especially Hedren's, but all the actors give their all to making them interesting to the viewer. Grace Kelly may be more people's idea of icy aloofness needed for the woman who steals to forget, but Tippi Hedren particularly in the final act does a very good job(though I preferred her in The Birds). Sean Connery has a very atypical role, his character is somewhat boorish and calculating but he brings those qualities across as well as his trademark suavity and charm. Diane Baker is terrific, and Louise Latham is genuinely frightening as the mother figure. Bruce Dern and Martin Gabel don't have as much to do, but they are good too. To conclude, a fascinating film. 8/10 Bethany Cox
    7JuguAbraham

    Unusual Hitchcock—where marriage is preferred over jail by a strong-willed woman

    This is not the stuff that director Hitchcock is usually attracted to. Hitchcock was scared of jails. In this film, the lead female character prefers to be bridled by marriage rather than jail. It is an intriguing choice for a character who had earlier stated to her husband "You don't love me. I am something you have caught. Some kind of wild animal you have trapped." Aware of this, the young lady who has so far fooled a lot of rich men and escaped the law, prefers marriage to jail. She is smart, a woman who embezzles her employers to buy rich gifts for her mother, aware of modesty in dress (keeps pulling her skirt over her knees) and a convincing liar. Like "Notorious," the marriage is one of convenience, or so it appears—the end of the film is open-ended.

    For those who are not aware of it, Hitchcock fired the initial scriptwriter (a male), who honestly felt the rape of the wife by the husband was out character with male lead played by Sean Connery. The replaced scriptwriter (a lady) wrote the sequence which was used, in a suggestive way rather than a graphic way. Hitchcock loved to slip in sex even if it was out of character. Lesbianism is suggested by the husband's sister-in-law's remark "What a dish!" a remark one would associate from the opposite sex. (Hitchcock similarly played with homosexuality in "Rope"). A critical scene that could be mistaken for child molestation was probably an innocent gesture mistaken by the mother.

    Hitchcock usually was attentive to visuals and sound. This is an unusual film where the director swings from one extreme of high sophistication to absolute stupidity. The opening shots of the woman walking away with the yellow handbag are stunning. The silent "cleaning" of the office safe, while a deaf woman cleans the office is simply outstanding. Yet the crass painting of a dock near Marnie's mother's house would make a school kid laugh out loud. Why would a woman who is scared of red wear red lipstick or not react when her husband's sister-in-law wears red at a party? Similarly, the shot of Marnie's hand not being able to pick up the money in the safe is an unconvincing shot, if ever there was one.

    The film can be appreciated and be equally dismissed. The acting by all the main characters was good but Louise Latham performance (and make up!) needs to be singled out for praise. Kubrick seems to have copied Hitchcock's Marie's voice differentiation in the young child's voice in "The Shining." I am not surprised if people swing from liking the film to dismissing it and back again. It has great elements and bad elements as well—yet the bottom line is, it entertains!
    8RonellSowes

    Watch It For The Style And Stars

    One's interest or appreciation of Marnie is proportional to that of Hitchcock. The film isn't bad but it certainly has its flaws. The pacing is very subdued and there's a bit too much melodrama and stretches on the plot for it to truly thrive. But anyone who's actually interested probably will give as little thought all the psychological hooey as Hitch did. The focus of the movie is in the little details. The techniques and styles that make this an Alfred Hitchcock film. And of course the final help this film needed can be found with Sean Connery in between Bonds and at his best. And the master of suspense is supported by that sort of 'dream team' of Tomasini, Burks and Herrmann. With them he created some of the most elegant films and in this case he has Connery and Hedren to populate it.
    8TexMetal4JC

    Yet another underrated Hitchcock

    The rumors surrounding Marnie - the last in an amazing run of truly great Hitchcock movies that lasted from 1950-1964 - are plentiful. All of them consist of director Alfred Hitchcock's growing obsession for Tippi Hedrin (who starred in The Birds one year earlier). By the end of the movie, Hitchcock would not talk to Hedrin or even refer to her by name (this following a supposed failed pass at Hedrin), and his friends say Marnie was the last movie Hitchcock truly cared about.

    Regardless of the rumors, Marnie was a box-office failure and went unnoticed until recently when DVD brought back Hitchcock's unremarkable films, along with his classics. And behold, from the ashes ariseth... Marnie.

    Starring Hedrin as Marnie and Sean Connery as the man who falls in love with her, this movie tells of a compulsive thief and pathalogical liar who is caught by Connery and blackmailed into marrying him. Connery finds that Hedrin has incredible fears of red and thunderstorms, refuses to let men touch her and has disturbing dreams brought on by knocks at her door. Connery must play the dual role of keeping Marnie away from the police while trying to find out why she does what she does.

    This is indeed an excellent Hitchcock film. He reminds the audience that he did start out directing silent movies, and uses this silence very well in the robbery/cleaning lady scene. The moments leading up to Marnie's revealing flashback are incredible, and the movie reeks of typical Hitchcock: slow, methodic pacing to a brilliant and stunning climax.

    Marnie is not a patented "Hitchcock classic": The fades-to-red have not aged well (if they ever did look good), the horse-riding scenes just don't work, and the backgrounds are obviously fake (although it has been speculated that Hitchcock did this on purpose -- whatever the case he later regretted it). But the basic premise, the acting, the directing are all top notch and have turned Marnie into another of the "Underrated Hitchcock"s.

    8/10
    movie_lover_gurl

    An underrated masterpiece!

    When Marnie was first released it was (quite unfairly) dismissed by critics. It has since been come to be known as one of Hitchcock's great films though. Tippi Hedren stars as Marnie. She is a liar and a thief. She has stolen large amounts of money from her employers on various occasions. Things start to change as she begins to work for the dashing Mark Rutland though. He becomes romantically interested in her but not wanting to get close to anybody she decides to steal the money and escape as quickly as she can. However, Mark catches her red handed and he gives her the choice of marrying him or being held accountable for her crimes. She chooses to marry him but he comes to find out that she can't stand to be touched by any man. He realizes that she has a deep seated problem from her past and that he must now help her to confront this. Marnie is a wonderful film and it is very underrated. A lot of people have watched it and it has gone over their heads therefore leading to the underrated status. It is much the same with Tippi Hedren's performance. Even though it is brilliant alot of people cannot see how wonderful it really is. Sean Connery is also very good.

    It is really too bad that some people can't see Marnie for the masterpiece that it is. It's really quite pointless to call Marnie a "flawed" film as well. If Marnie is truly watched intelligently you will see that this is not the case. Marnie deserves far more credit than it gets. If you watch it I hope that you enjoy it as much as I have.

    5 stars / 5 stars

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    Handlung

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    • Wissenswertes
      Sir Alfred Hitchcock, following his usual practice, bid for the movie rights to Winston Graham's novel anonymously, so as to keep the price down. However, in this instance, the scheme backfired; the anonymity of the purchaser made Graham suspicious, although he regarded the amount of money on offer as extremely generous. He instructed his agent to ask for twice as much. Hitchcock agreed, on condition that the deal be closed immediately. When Graham discovered who it was who had bought the rights, he said he would have given them away free for the honor of having one of his stories filmed by Alfred Hitchcock.
    • Patzer
      Through the porthole on the ship, the water is moving in one direction, but in the next shot, it is moving in the opposite direction.
    • Zitate

      Marnie Edgar: You don't love me. I'm just something you've caught! You think I'm some sort of animal you've trapped!

      Mark Rutland: That's right--you are. And I've caught something really wild this time, haven't I? I've tracked you and caught you, and by God, I'm going to keep you.

    • Alternative Versionen
      Dialogue in the final scene reveals that Marnie's mother had given up her virginity at 15 to Marnie's father in exchange for a sweater. Just before the film's release the studio had second thoughts about this part, and Alfred Hitchcock agreed to cut the lines. But hundreds of prints had already been made, and rather than incur the cost of reprinting the final reel of each, the studio released them as they were, so there were two versions of the film from the outset.
    • Verbindungen
      Edited into Geschichte(n) des Kinos: Une histoire seule (1989)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. Dezember 1964 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Alfred Hitchcock's Marnie
    • Drehorte
      • Unionville Village, Kennett Square, Pennsylvania, USA(mansion)
    • Produktionsfirma
      • Alfred J. Hitchcock Productions
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    Box Office

    Ändern
    • Budget
      • 3.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 8.211 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 10 Minuten
    • Seitenverhältnis
      • 1.85 : 1

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