IMDb-BEWERTUNG
6,9/10
6195
IHRE BEWERTUNG
Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...
- Auszeichnungen
- 2 Nominierungen insgesamt
Anne Newman Bacal
- Miss Thompson
- (as Anne Newman)
Empfohlene Bewertungen
Doris Day was one of my favorites in the 50s and 60s, even in her
final clunkers, she always rose above the material. Thankfully in
the early 60s she was at her most productive, giving really fine
comic performances that not even Goldie Hawn could match in
quality. Here's she's the attractive housewife to James Garner's
equally attractive pediatrician husband. They live in the burbs, and
at a dinner party, she's suddenly offered the opportunity to become
a pitchwoman for a line of laundry detergent. It's not a hard
job--the advertising agency simply shoots the TV spots in her
home. But Doris becomes a star, and her well-ordered life veers
completely out of control. Her mildly chauvinistic husband (typical
of the times) hates her working, taking time from him and the kids
(okay for him to be constantly busy and challenged by his work).
You need know nothing more of the plot, which involves the head
of the agency's wife giving birth in a limousine, and the by now
somewhat separated Day/Garner partnership finds their spat over
with a big embrace before the final credits.
A smart script by Carl Reiner and Doris at her comic and
glamorous best (the costumes are really gorgeous early 60s
knockouts) with wonderful chemistry supplied by hunky Garner.
The kids are cute, Arlene Francis and Edward Andrews are fine
comic foils. I've seen this movie a half a dozen times, and always
watch when it's on late-night TV. The scene where Doris finally
loses her temper over her husband's un-reasonable jealousy and
anger over his wife's career, is a howler. As she demonstrated in
all her movies with Rock Hudson, nobody can boil over in comic
rage better than the adorable Miss Day.
final clunkers, she always rose above the material. Thankfully in
the early 60s she was at her most productive, giving really fine
comic performances that not even Goldie Hawn could match in
quality. Here's she's the attractive housewife to James Garner's
equally attractive pediatrician husband. They live in the burbs, and
at a dinner party, she's suddenly offered the opportunity to become
a pitchwoman for a line of laundry detergent. It's not a hard
job--the advertising agency simply shoots the TV spots in her
home. But Doris becomes a star, and her well-ordered life veers
completely out of control. Her mildly chauvinistic husband (typical
of the times) hates her working, taking time from him and the kids
(okay for him to be constantly busy and challenged by his work).
You need know nothing more of the plot, which involves the head
of the agency's wife giving birth in a limousine, and the by now
somewhat separated Day/Garner partnership finds their spat over
with a big embrace before the final credits.
A smart script by Carl Reiner and Doris at her comic and
glamorous best (the costumes are really gorgeous early 60s
knockouts) with wonderful chemistry supplied by hunky Garner.
The kids are cute, Arlene Francis and Edward Andrews are fine
comic foils. I've seen this movie a half a dozen times, and always
watch when it's on late-night TV. The scene where Doris finally
loses her temper over her husband's un-reasonable jealousy and
anger over his wife's career, is a howler. As she demonstrated in
all her movies with Rock Hudson, nobody can boil over in comic
rage better than the adorable Miss Day.
"The Thrill Of It All" was one of my best childhood memories. In the days prior to wall-to-wall cable stations, there were certain films that enjoyed a regular place on the weekend matinée lineup on local TV stations. This was one of them. And the funny thing is when I originally saw it, I never thought of it as dated or sexist (this is a memory from about 28 years ago). Even though I grew up in a household where both my parents worked (and my dad never gave it a second thought since there were six of us), I merely accepted the script as a reflection of the 1963 sensibility and not my own. You really can't watch a movie that's older than you are (I'm guessing lots of you are under 40) and expect it to reflect modern-day sensibilities. That said, the film is expertly written taking several stabs and jabs at the TV advertising (as well as the network) industry. Doris Day was the quintessential modern wife/mother on-screen at the time, and James Garner was a perfect spousal foil for her. And what a touch of class by Arlene "What's My Line" Francis as an elegant expectant (albeit older) mother and nervous expectant father Edward Andrews.
I know a lot of people may say this movie is sexist,and it certainly does focus on a man's ego(which still exists within many men today)but this movie is one my all time favorites.I love Doris Day and James Garner was so attractive in this movie that they make a very sexy,cute couple.I love the atmosphere of comedies from the early 60's,nothing can compare to them today.As far as so many people making comments on older women not having babies in the 60's,tell that to my mom who had me in 1964 at the youthful age of 41.The commercials are a hoot that Doris does and her daughter is adorable!!I found the Spot Checker chick much more offensive,with her non-existent intelligence, than the sexist view of Mr.Garner in this movie. 9 out of 10 stars from me on this timeless gem of a movie.
Quite watchable after 40 years, this frothy domestic comedy still retains a clever sophistication in retrospect. Most notable are the timeless digs at TV advertising and blonde sexpots, delivered by some of the best comedic actors of their day. The routine, bourgeoise attitudes of the day haven't changed enough to make this one too dated.
I LOVE this movie. It's super kitschy, especially the '60s opening graphics, and the plot is really fun. Doris Day was at her most beautiful during this time period... the fashions she wears in this film are really stunning, and even the most casual outfits are classics. The "sexist" plot does annoy me a little - and I'm over 40 - but it's pretty typical Carl Reiner fare from this era. As most may recall, he was the force behind the Dick Van Dyke Show, which also reflected this attitude between Rob & Laura. As "hip" and sexy a couple as they were, Rob still didn't want Laura to work outside the home. I wish James Garner (as Dr. Boyer) could have relaxed and enjoyed his wife's career success a little... who wouldn't want more money?? But I suppose his resistance was crucial to the storyline here. Other than these minor points, this movie remains really good entertainment, well acted and with wonderful chemistry between Garner and Miss Day. Highly recommended!
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- WissenswertesThe ad agency's viewing room has both color and black-and-white televisions side by side. This was common in the 1960s, allowing the executives to see how the commercial would appear in both color and B&W.
- PatzerWhen the Boyers are being driven to the Fraleighs' home, the limo driver looks at them in the rear view mirror, but the image is not reversed. Mrs. Boyer is still on the right of Dr. Boyer.
- Crazy CreditsThe credit for David Webb's Jewels is followed with "Cameos by Carl Reiner". (A cameo being a form of jewelry, but in this case substituting as Reiner's credit for his series of appearances within the film.)
- VerbindungenEdited into Geschichte(n) des Kinos: La monnaie de l'absolu (1999)
- SoundtracksThe Thrill Of It All
Music by Arnold Schwarzwald
Lyrics by Frederick Herbert
Vocals by The Johnny Mann Singers
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- Bruttoertrag in den USA und Kanada
- 11.779.093 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
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- Seitenverhältnis
- 1.85 : 1
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