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Was diese Frau so alles treibt

Originaltitel: The Thrill of It All
  • 1963
  • 0
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
6,9/10
6195
IHRE BEWERTUNG
Doris Day and James Garner in Was diese Frau so alles treibt (1963)
Trailer ansehen
trailer wiedergeben2:07
1 Video
70 Fotos
Feel-Good-RomanzeScrewball-KomödieKomödieRomanze

Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...Als Beverly eine Rolle in einem Werbeclip zugesprochen wird und sie eine erfolgreiche Fernsehkarriere startet, gerät das harmonische Familienleben aus den Fugen...

  • Regie
    • Norman Jewison
  • Drehbuch
    • Carl Reiner
    • Larry Gelbart
  • Hauptbesetzung
    • Doris Day
    • James Garner
    • Arlene Francis
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    6195
    IHRE BEWERTUNG
    • Regie
      • Norman Jewison
    • Drehbuch
      • Carl Reiner
      • Larry Gelbart
    • Hauptbesetzung
      • Doris Day
      • James Garner
      • Arlene Francis
    • 73Benutzerrezensionen
    • 12Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:07
    Trailer

    Fotos70

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    + 62
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    Topbesetzung74

    Ändern
    Doris Day
    Doris Day
    • Beverly Boyer
    James Garner
    James Garner
    • Dr. Gerald Boyer
    Arlene Francis
    Arlene Francis
    • Mrs. Fraleigh
    Edward Andrews
    Edward Andrews
    • Gardiner Fraleigh
    Reginald Owen
    Reginald Owen
    • Old Tom Fraleigh
    Zasu Pitts
    Zasu Pitts
    • Olivia
    Elliott Reid
    Elliott Reid
    • Mike Palmer
    Alice Pearce
    Alice Pearce
    • Irving's Wife
    Kym Karath
    Kym Karath
    • Maggie Boyer
    Brian Nash
    • Andy Boyer
    Lucy Landau
    • Mrs. Goethe
    Paul Hartman
    Paul Hartman
    • Dr. Taylor
    Hayden Rorke
    Hayden Rorke
    • Billings
    Alex Gerry
    Alex Gerry
    • Stokely
    Robert Gallagher
    • Van Camp
    Anne Newman Bacal
    • Miss Thompson
    • (as Anne Newman)
    Burt Mustin
    Burt Mustin
    • Fraleigh Butler
    Hedley Mattingly
    • Sidney
    • Regie
      • Norman Jewison
    • Drehbuch
      • Carl Reiner
      • Larry Gelbart
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen73

    6,96.1K
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    Empfohlene Bewertungen

    gregorybnyc

    Nobody Lost Their Temper Like Doris

    Doris Day was one of my favorites in the 50s and 60s, even in her

    final clunkers, she always rose above the material. Thankfully in

    the early 60s she was at her most productive, giving really fine

    comic performances that not even Goldie Hawn could match in

    quality. Here's she's the attractive housewife to James Garner's

    equally attractive pediatrician husband. They live in the burbs, and

    at a dinner party, she's suddenly offered the opportunity to become

    a pitchwoman for a line of laundry detergent. It's not a hard

    job--the advertising agency simply shoots the TV spots in her

    home. But Doris becomes a star, and her well-ordered life veers

    completely out of control. Her mildly chauvinistic husband (typical

    of the times) hates her working, taking time from him and the kids

    (okay for him to be constantly busy and challenged by his work).

    You need know nothing more of the plot, which involves the head

    of the agency's wife giving birth in a limousine, and the by now

    somewhat separated Day/Garner partnership finds their spat over

    with a big embrace before the final credits.

    A smart script by Carl Reiner and Doris at her comic and

    glamorous best (the costumes are really gorgeous early 60s

    knockouts) with wonderful chemistry supplied by hunky Garner.

    The kids are cute, Arlene Francis and Edward Andrews are fine

    comic foils. I've seen this movie a half a dozen times, and always

    watch when it's on late-night TV. The scene where Doris finally

    loses her temper over her husband's un-reasonable jealousy and

    anger over his wife's career, is a howler. As she demonstrated in

    all her movies with Rock Hudson, nobody can boil over in comic

    rage better than the adorable Miss Day.
    movibuf1962

    Sophisticated memories from childhood.

    "The Thrill Of It All" was one of my best childhood memories. In the days prior to wall-to-wall cable stations, there were certain films that enjoyed a regular place on the weekend matinée lineup on local TV stations. This was one of them. And the funny thing is when I originally saw it, I never thought of it as dated or sexist (this is a memory from about 28 years ago). Even though I grew up in a household where both my parents worked (and my dad never gave it a second thought since there were six of us), I merely accepted the script as a reflection of the 1963 sensibility and not my own. You really can't watch a movie that's older than you are (I'm guessing lots of you are under 40) and expect it to reflect modern-day sensibilities. That said, the film is expertly written taking several stabs and jabs at the TV advertising (as well as the network) industry. Doris Day was the quintessential modern wife/mother on-screen at the time, and James Garner was a perfect spousal foil for her. And what a touch of class by Arlene "What's My Line" Francis as an elegant expectant (albeit older) mother and nervous expectant father Edward Andrews.
    MistressKitty

    It is a thrill to watch!!!

    I know a lot of people may say this movie is sexist,and it certainly does focus on a man's ego(which still exists within many men today)but this movie is one my all time favorites.I love Doris Day and James Garner was so attractive in this movie that they make a very sexy,cute couple.I love the atmosphere of comedies from the early 60's,nothing can compare to them today.As far as so many people making comments on older women not having babies in the 60's,tell that to my mom who had me in 1964 at the youthful age of 41.The commercials are a hoot that Doris does and her daughter is adorable!!I found the Spot Checker chick much more offensive,with her non-existent intelligence, than the sexist view of Mr.Garner in this movie. 9 out of 10 stars from me on this timeless gem of a movie.
    TheVid

    Extremely pleasant Doris Day vehicle with some clever undertones.

    Quite watchable after 40 years, this frothy domestic comedy still retains a clever sophistication in retrospect. Most notable are the timeless digs at TV advertising and blonde sexpots, delivered by some of the best comedic actors of their day. The routine, bourgeoise attitudes of the day haven't changed enough to make this one too dated.
    9tackett-1

    A Doris Day Classic

    I LOVE this movie. It's super kitschy, especially the '60s opening graphics, and the plot is really fun. Doris Day was at her most beautiful during this time period... the fashions she wears in this film are really stunning, and even the most casual outfits are classics. The "sexist" plot does annoy me a little - and I'm over 40 - but it's pretty typical Carl Reiner fare from this era. As most may recall, he was the force behind the Dick Van Dyke Show, which also reflected this attitude between Rob & Laura. As "hip" and sexy a couple as they were, Rob still didn't want Laura to work outside the home. I wish James Garner (as Dr. Boyer) could have relaxed and enjoyed his wife's career success a little... who wouldn't want more money?? But I suppose his resistance was crucial to the storyline here. Other than these minor points, this movie remains really good entertainment, well acted and with wonderful chemistry between Garner and Miss Day. Highly recommended!

    Handlung

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    • Wissenswertes
      The ad agency's viewing room has both color and black-and-white televisions side by side. This was common in the 1960s, allowing the executives to see how the commercial would appear in both color and B&W.
    • Patzer
      When the Boyers are being driven to the Fraleighs' home, the limo driver looks at them in the rear view mirror, but the image is not reversed. Mrs. Boyer is still on the right of Dr. Boyer.
    • Zitate

      Cabbie: To err is human, to forgive is humaner!

    • Crazy Credits
      The credit for David Webb's Jewels is followed with "Cameos by Carl Reiner". (A cameo being a form of jewelry, but in this case substituting as Reiner's credit for his series of appearances within the film.)
    • Verbindungen
      Edited into Geschichte(n) des Kinos: La monnaie de l'absolu (1999)
    • Soundtracks
      The Thrill Of It All
      Music by Arnold Schwarzwald

      Lyrics by Frederick Herbert

      Vocals by The Johnny Mann Singers

    Top-Auswahl

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    FAQ16

    • How long is The Thrill of It All?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 17. Dezember 1963 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Deutsch
    • Auch bekannt als
      • The Thrill of It All
    • Drehorte
      • Colonial Street, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA
    • Produktionsfirmen
      • Ross Hunter Productions
      • Arwin Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 11.779.093 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 48 Min.(108 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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