Der Leopard

Following his personal motto, "something has to change in order to keep everything in place," authoritative prince Fabrizio di Salina (Burt Lancaster) secures his position, and that of his social class, by resigning himself to the "Risorgimento" and making a pact with the representatives of the bourgeoisie. He marries his nephew, Tancredi Falconeri (Alain Delon) to the daughter of a nouveau riche mayor (Claudia Cardinale), who should infuse fresh blood into an old bloodline threatened with extinction: the alliance between "the Leopard" and "the Jackal" exemplifies the blend between old and new. The collector's box of this film includes an interview with Alain Delon who, in retrospect, claims that Visconti had almost played the role of prince Salina himself, given the analogies between the two characters. Like Salina, Visconti preoccupied himself with questions of disappearing social class and transience. Beyond the splendour and revelry in his films always lies a dark horizon, the imminence of death, whose premonitory signs are perceived everywhere. The closing marriage scene is a lamenting farewell to vanishing beauty. Awesome Burt Lancaster in tuxedo looks into the mirror and tears well up in his eyes. Outside, a coffin is brought out. Majestic grandeur and striking dignity intertwine with elegiac melancholy, grief and regret. The perfect illustration of Friedrich Schiller's definition of tragedy: "Tragedy is not synonymous with suffering. Rather, tragedy is the futile protest of the individual against inevitable suffering". Delon claims that today he finds himself unable to watch the film, which evokes memories and images from a world long since forgotten, let alone listen to the soundtrack, "qui me fait pleurer"...

I was rounding off a two year study in France in 1963 and I remember gazing at the marquee of a cinema in Paris shortly after the Cannes Festival, seeing "Le Guepard" advertised, beautiful Claudia Cardinale waltzing with handsome, courtly, Burt Lancaster. At the time, I made a mental note to see the movie but in fact, saw it for the first time many years later, on a black and white TV no less! Chopped up and edited as it was, in black and white, the film moved me immensely. I was absolutely thunderstruck by the dialogue which, when I read the Prince of Lampedusa's novel shortly after, I realized had been "lifted" verbatim from the novel in large chunks. What a novel and what a worthy and noble tribute to it Visconti has paid. I now own the Criterion three disk set of Il Gattopardo and never tire of watching what is for me, one of the great films of the twentieth century. Burt Lancaster, as the Prince of Salina, was an inspired choice for the cinematic role, though apparently he was not Luchino Visconti's choice. I think the Prince of Salina is Lancaster's finest performance.

If you ever have the chance to see this magnificent film in an uncut, fully restored version, with good subtitles...DO IT. This is a film of astonishing beauty, bristling with ideas and magnificent performances.Like all truly great films it is full of sublime SCENES: Prince Tancredi riding off to war in his carriage., the astonishing ball sequence, when Prince Salina gazes at the painting and comes to grips with his own mortality,and the unforgettable end, when Salina kneels on the ground and speaks to the stars.Coppola, Cimino, and Scorsese all saw this film and learned from it..the Godfather echoes it repeatedly( in fact all THREE Godfathers echo it repeatedly). Scorsese once ranked it with The Red Shoes, Citizen Kane, Otto e Mezzo and The Searchers as one of the films he "lives by." Seeing it, one understands.

Could it be that Visconti's 1963 epic--long lying in ruins until its 1983 partial restoration--is the greatest movie ever made? The real subject of this movie, surely the wisest and most beautiful of all "period pictures," is the twentieth century--what has been gained and above all what is lost. Only a Marxist duke like Visconti could have had the split sensibility, and the anecdotal knowhow, to render Sicily just before its entry to modernity with the splendor and the caginess that radiates through every frame of this masterpiece. As the prince making final compromises before leaving the faded world he has inherited, Burt Lancaster gives one of the greatest performances in movies. Possessed of both an elegiac melancholy and a shrewd, dry-eyed appraisal of the failures and the glorious extroversion of its aristocratic world, THE LEOPARD is like a dream you can't bear to let go of. Contemporary viewers will see echoes of THE DEER HUNTER, 1900 and THE AGE OF INNOCENCE--and will see those films shrivel to the size of cocktail franks.

This known novel is magnificently brought to the screen with colorful images , impressive soundtrack , visually absorbing cinematography and sensitive as well as thoughtful events . An epic story dealing with Fabrizio Cordero , the Prince of Salina , the Leopard (Burt Lancaster , though 20th Century Fox asked Visconti to choose from among Anthony Quinn, Spencer Tracy and Lancaster ; Luchino wanted Laurence Olivier for the title role and he wanted to cast Nikolai Cherkasov , too). Salina is an upright aristocrat who attempts coming to terms with the new rulers of Sicily as well as overcome his family and class amid the troublesome social upheavals . Fabrizio observes the waning of his noble home and attempts to help build a new Sicily but his nephew Tancredi (Alain Delon , though Horst Buchholz turned down the role) , Prince of Falconeri (Alain Delon) assures his status by marrying Don Calogero Sedara's (Paolo Stoppa) gorgeous daughter Angelica (Claudia Cardinale) .

Luchino Visconti's enduring romantic adventure deals with the tumultuous social upheavals of 1860's Sicily , and it is paced in slow and deliberate rhythm . The film traces the rising and falling of Fabrizio Corbero , Prince of Salina and the corresponding rise to eminence of the hugely wealthy ex-peasant Don Calogero . However , the film results to be overlong , it seems longer than its 187 minutes running time . Based on the classic novel written by Giuseppe Tomasi di Lampedusa , being scripted by Suso Cecchi D'Amico , Pasquale Festa Campanile and considered to be the best screen adaptation ever . Such was Luchino Visconti's attention to detail that it was shot in actual historical palaces , including authentic pictures , objects and tools . Concluding the climatic scene in the sumptuous forty-minute ball and long banquet where Tancredi introduces Angelica to society , it is deemed to be one of the greatest set pieces in film history . Originally released in USA in a badly dubbed 165 minutes version , picture was restored in 1983 to proper form .

Masterful interpretation by the great Burt Lancaster , The Prince of Salina , a noble aristocrat of impeccable integrity who tries to preserve his family against their dark destination and nice acting by Alain Delon as his ambitious nephew who swims with the tide and assures his own position . Support cast is pretty well , they give top-notch performances such as Paolo Stoppa , Romolo Valli , Terence Hill , Pierre Clémenti , Giuliano Gemma and Ida Galli . Colorful and evocative cinematography in Technirama wide screen system, by Giuseppe Rotunno . Classical and emotive score by Nino Rota . The motion picture was masterfully directed by Luchino Visconti and was shot over 11 of the hottest weeks of the year , being Martin Scorsese's favorite movie .

This celebrated story was well based on historical deeds , these were the followings : Sicily was invaded by "A corps of volunteers led by Giuseppe Garibaldi landed in Sicily in order to conquer the Kingdom of the Two Sicilies, ruled by the Bourbons" . The Expedition of the Thousand was an event of the Italian Risorgimento that took place in 1860. A corps of volunteers led by Giuseppe Garibaldi landed in Sicily in order to conquer the Kingdom of the Two Sicilies, ruled by the Bourbons. The project was an ambitious and risky venture aiming to conquer, with a thousand men, a kingdom with a larger regular army and a more powerful navy. The expedition was a success and concluded with a plebiscite that brought Naples and Sicily into the Kingdom of Sardinia, the last territorial conquest before the creation of the Kingdom of Italy on 17 March 1861.The sea venture was the only desired action that was jointly decided by the "four fathers of the nation" Giuseppe Mazzini, Giuseppe Garibaldi, Victor Emmanuel II, and Camillo Cavour, pursuing divergent goals. It is difficult to determine the true instigator: Mazzini desired to release the Mezzogiorno and Rome, whereas Garibaldi wanted to conquer in the name of Victor Emmanuel II, the Kingdom of the Two Sicilies and continue to Rome to complete the unity of Italy, and Cavour wanted to avoid at all costs conflict with his French ally, Napoleon III, who protected Rome.The expedition also brings new large collective ambiguity and misunderstanding: for Garibaldi, it is to achieve a united Italy; to the Sicilian bourgeoisie, an independent Sicily as part of the kingdom of Italy, and for the mass farmers, the end of oppression and land distribution