Vier für Texas

Though it starts off slow and at times is a bit cheesey, this Rat Packer film is actually a lot of fun and the story line is actually pretty good. This film is a must see for Ursula Andress fans. Her performance is great and she is wonderful at being sensual without appearing slutty. She also looks amazing; I have never wanted to be Dean Martin so much in my life.

Frank Sinatra plays Texas big-shot who teams up with saloon-owner Dean Martin to thwart an evil banker; Anita Ekberg and Ursula Andress play--what else?--the bosomy love-interests. Comedic western directed and co-written by the uneven Robert Aldrich, who doesn't seem to notice that Sinatra and the gang are running precariously low on steam. Sammy Davis, Jr. and Peter Lawford aren't around this time, but the supporting cast does include Charles Bronson, Richard Jaekel, Mike Mazurki and Victor Buono, as well as a cameo by The Three Stooges (!). Star-vehicle is curiously talky and slow on adventure, not to mention laughs. *1/2 from ****

This sometimes lively comedy western , though frankly tiring , contains a great but wasted cast . It starts with the opening credits: The characters and events depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or events is purely coincidental . ¨4 for Texas¨ is set in the old west where outlaws and powerful people fight for a stash of gold . It packs a motley group of roles : A swindler insurance agent (Frank Sinatra) , an adventurer (Dean Martin) who winds up with a bag of someones else's cash , a banker (Victor Buono) is up to no good in Galveston and he hires a hired gun (Charles Bronson making the most impression) . As starring duo : Sinatra , Martin , play a couple of lovable rogues who make a last-ditch alliance to defeat even bigger crooks themselves . As Sinatra attempts to get the better of both of them . Later on ,there appears two beautiful girls (Anita Ekberg , Úrsula Andress , though one of the roles was originally intented for Gina Lollobrigida) to conquer them . The far out story of the far west. How the West Was Lost! They're Busting Up The West Like It's Never Been Busted Up Before! It's a daisy!

A lousy blend of comedy , Western , thrills , excessive dialogue with no sense and far too dependant on the femine charisma of two Euro-stars . All this unfolds with a runaway cruise control male that leads to mayhem and confusion . Embarring , absurding , ridiculous screenplay full of silliness and non-sense from Teddi Sherman and Robert Aldrich himself . The whole affair is slowly coloured chuckle from beginning to end with a briefly satisfactory , if somewhat obvious climax . The opening scenes are magnificent , as a stagecoach manned by Sinatra beats off attackers before crashing breathtakingly on the dust . Unfortunately , only the final at the ¨La Maison Rouge¨ , an overloaded Mississippi riverboat side-wheeler , comes up to this standard comic western movie . Co-stars two gorgeous ladies , Anita Ekberg , Úrsula Andress , more exposed by their silly dialogue than their low-cut costumes . Both of them give statuesque immovility to their interpretations . Here only stands out Charles Bronson at the liveliest presence in the movie. There are some bright guest appearances , especially that by Victor Buono , Nick Dennis , Richard Jaeckel , Mike Mazurki , Virginia Christine , Ellen Corby , Abraham Sofaer , final film of Jack Lambert, and Jack Elam .

Sharply filmed in Technicolor by prestigious cameramen as Ernest Laszlo , Joseph Biroc , Brunet Guffey , Alan Rudolph . Catching and lively musical score by Nelson Riddle . The picture was lousily directed by Aldrich . Perhap's Aldrich's later hit with ¨Dirty Dozen¨ can be attributed , in part , to this exercice in how not to make a comic western . Here Aldrich directs the slight story at tortoise pace and receives awful performances . This is Aldrich's absurd contribution to Sinatra clan , following hard on the heels of ¨Ocean's eleven¨ , ¨Robin and the 7 Hoods¨ and ¨Sergeant 3¨ . After a surprising payday for ¨What ever happened to Baby Jane ?¨ , Robert assembled a nice cast and sizeable budget and 2 Euro hotties for what proved one of his dullest films . Aldrich's first feature film was in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : below average . Rating 3.5/10 .

Meeting each other on a stagecoach full of money where they both defend it from Matson's attack, Zack Thomas and Joe Jarrett immediately get off to a bad start when Jarrett steals the money. When the two later come up against each other in the town where Zack is in charge under the control of the corrupt banker Harvey Burden. However while they plot against each other, bigger forces in the town have a much darker conspiracy.

I watched this as a reasonable fan of the rat pack and their cocky, wise-cracking sense of humour that they usually bring to their films. However here that is almost totally lacking. With the exception of the opening 15 minutes, the film is almost totally devoid of fun. The film opens with Jarrett and Thomas against each other in a simple robbery, however it later meanders through cat and mouse games (which don't work) until it gets to the obvious conclusion (which is so lazy that it even ends with Martin saying `and, oh yeah, this is the end').

None of the action or dialogue is even remotely funny or fun. The whole vehicle had the same kind of movement that Martin's steamer displays – heavy, sluggish and relentlessly moving forward no matter what, these things are not good qualities in a comedy western. I really wanted to like the film, but there was even too little of value for me. The two leads are OK but really have nothing to work with at all, they have one reasonable scene together at the start but from then they are just freewheeling along. Support from Charles Bronson, Jack Elam, Andrews, Buono and the Three Stooges is all pretty wasted and no one is really given very much to work with at all.

Overall this is an example of a poor film from the Rat Pack – lifeless, self indulgent and lacking in fun or wit, made solely on the basis of the two stars being famous and thus bringing an audience with them when the film plays. A bit more wit and sparky dialogue in the script and the loss of some running time could have vastly improved what is really a pretty poor film.

Bronson—in this supposed comedy-western—as outlaw leader Matson who works for crooked banker Victor Buono, helps start the film off on a high note of action… He and his henchmen attack a stagecoach whose passengers include Dean Martin and Frank Sinatra…

After repulsing the bandits, Zack (Sinatra) discloses a bag containing $100,000, and Joe (Martin) unexpectedly relieves him of the money at gunpoint…

In Galveston, Joe deposits the money in a bank run by Harvey Burden (Buono), a thief who has supported Zack's efforts to become the town's gambling king…

When Zack arrives in town, Matson tries to kill him, but Joe interferes, saving Zack's life…Then Zack learns that Joe intends to compete with him by converting an abandoned riverboat into a gambling saloon… Outraged, he raises a gang, intending to take over the boat on opening night… But Burden has plans of his own…

Much of the plot, such as it is, is taken up with the comic rivalry between Martin and Sinatra, involving with womanizing and gambling… The three Stooges doing one of their ancient routines provide a gay moment… Anita Ekberg and Ursula Andress are an absolute pleasure to look at… And if you want to know the answer of Joe to Ursula's commentary: "You didn't notice what I'm wearing," don't miss this nice, civilized picture