IMDb-BEWERTUNG
5,7/10
2356
IHRE BEWERTUNG
Sex, Folter und Verrat im biblischen Sodom und Gomorrah. Lot, der Anführer der Hebräer, glaubt, dass sein Volk mit den Sodomiten koexistieren kann - eine verhängnisvolle Entscheidung.Sex, Folter und Verrat im biblischen Sodom und Gomorrah. Lot, der Anführer der Hebräer, glaubt, dass sein Volk mit den Sodomiten koexistieren kann - eine verhängnisvolle Entscheidung.Sex, Folter und Verrat im biblischen Sodom und Gomorrah. Lot, der Anführer der Hebräer, glaubt, dass sein Volk mit den Sodomiten koexistieren kann - eine verhängnisvolle Entscheidung.
- Auszeichnungen
- 1 Nominierung insgesamt
Pier Angeli
- Ildith
- (as Anna Maria Pierangeli)
Rossana Podestà
- Shuah
- (as Rossana Podesta)
Anthony Steffen
- The Captain
- (as Antonio De Teffe)
Feodor Chaliapin Jr.
- Alabias
- (as Feodor Chaliapin)
Mitsuko Takara
- Orphea
- (as Mitzuko Takara)
Empfohlene Bewertungen
The performance of Amouk Aimee (Queen Bera) and Stanley Baker(Asthorath) is imposing and quite delightful. Evil but lovable at the same time.
Some people complain that it wasnt about naked lust , and explicit orgies were not shown at all. Really? It was filmed in 1961, a naked picture would have been a scandal!
Instead , the scenes are seductive, filled with tasteful naughtiness that leave everything to some subtle imagination. Mitsuko Takara's dance moves are right on target and she is as seductive as beautiful.
My favorite performances came from Queen Bera and Ildith (Pier Angeli). They steal the show with their stunning beauty and performances. Stewart Grange is a bit dissapointing as Lot. And yes, there are some cheesy moments in the film.
Finally, Miklos Rosza shows why he was the master of musical performances. The soundtrack is worth everything he promises.
The movie is worth every detail. However, it cant be watched with a modern perspective.
Some people complain that it wasnt about naked lust , and explicit orgies were not shown at all. Really? It was filmed in 1961, a naked picture would have been a scandal!
Instead , the scenes are seductive, filled with tasteful naughtiness that leave everything to some subtle imagination. Mitsuko Takara's dance moves are right on target and she is as seductive as beautiful.
My favorite performances came from Queen Bera and Ildith (Pier Angeli). They steal the show with their stunning beauty and performances. Stewart Grange is a bit dissapointing as Lot. And yes, there are some cheesy moments in the film.
Finally, Miklos Rosza shows why he was the master of musical performances. The soundtrack is worth everything he promises.
The movie is worth every detail. However, it cant be watched with a modern perspective.
With the filming of Sodom and Gomorrah, Stewart Granger began a phase of his career on the European continent. Not that Sodom and Gomorrah is any great film, but it was certainly better than some of those spaghetti westerns he did in the Sixties to pay for his hedonistic life style. Something like the one they allegedly lived down Sodom way.
Of course Sodom and Gomorrah doesn't stick to the biblical version of the tale, but then neither did those DeMille epics, Samson and Delilah and The Ten Commandments. Nor is homosexuality singled out as THE sin that got the Deity all upset that he wanted to destroy the place. Then again it isn't even in the Bible.
Lot as portrayed by Stewart Granger doesn't take just his family there, he leads a whole tribe of Hebrew people there after he parts from Uncle Abraham. Pretty soon he gets all tangled up in Sodomite politics and gets a bit entangled himself with Pier Angeli who is a slave girl to Queen Anouk Aimee.
Villain of the piece is Stanley Baker who always improves every film he was ever in. He's Anouk's brother and he's got the idea he ought to be running things. He's also got an eye for Lot's daughters.
There's a very nicely staged battle sequence with the Hebrews defending the land granted them by Anouk. But the script is definitely out of the Cecil B. DeMille school of arcane Victorian writing.
Still it's entertaining in many respects.
Of course Sodom and Gomorrah doesn't stick to the biblical version of the tale, but then neither did those DeMille epics, Samson and Delilah and The Ten Commandments. Nor is homosexuality singled out as THE sin that got the Deity all upset that he wanted to destroy the place. Then again it isn't even in the Bible.
Lot as portrayed by Stewart Granger doesn't take just his family there, he leads a whole tribe of Hebrew people there after he parts from Uncle Abraham. Pretty soon he gets all tangled up in Sodomite politics and gets a bit entangled himself with Pier Angeli who is a slave girl to Queen Anouk Aimee.
Villain of the piece is Stanley Baker who always improves every film he was ever in. He's Anouk's brother and he's got the idea he ought to be running things. He's also got an eye for Lot's daughters.
There's a very nicely staged battle sequence with the Hebrews defending the land granted them by Anouk. But the script is definitely out of the Cecil B. DeMille school of arcane Victorian writing.
Still it's entertaining in many respects.
While there isn't much in this movie that is Biblically correct I still thought it was an enjoyable film all the same. Essentially, "Lot" (Stewart Granger) has decided to relocate his followers and herds to the lush plain of Jordan in which the cities of Sodom and Gomorrah are located. It is at this point where Hollywood takes over and everything is radically different from the Scriptures. Be that as it may, "Bera" (Anouk Aimee), the Queen of Sodom and Gomorrah, recognizes that the Elamites are a threat to her cities and is desperate to protect her position at all costs. So when the Hebrews (led by Lot) enter the plain of Jordan she hastily forms an alliance with them. Lot agrees due in large part to his naive assumption that he can eventually convince the people of Sodom and Gomorrah to abandon their wicked ways. What he doesn't consider is that the Hebrews are also capable of adopting the ways of Sodom and Gomorrah as well. At any rate, rather than spoil the movie for those who haven't seen it, I will just reiterate that what follows is not found in the Book of Genesis. But it is an exciting film with good acting by Stewart Granger, Pier Angeli (as Lot's wife "Ildith") and the aforementioned Anouk Aimee. It also has some nice scenery and some pretty good special effects for its time. However, it is rather long (154 minutes) and the manner in which the writers transform Lot into a combination of both Abraham and Moses is a bit far-fetched. But that's Hollywood I suppose. Slightly above average.
Not quite sure why I am bothering to right anything about this film here tonight, perhaps to give myself a break from finishing my daughter's ancient history assignment which has all but fried my brain!
Have read the majority of critiques here and with the possible exception of Steve Reeves' impressions which follow this (I think he should stick to playing Hercules!) and which are arguably intelligent, there is not much more to be added. It was neither the best nor the worst of the Biblical yarns but much as I liked it, the latter was nearer the mark. A spaghetti epic was never likely to cause waves at the Academy Awards and so the era came to a halt after this.
Having said all that however, I would like to make these observations. Over the years, so many films have yielded up memorable one-liners, which run the gauntlet of emotions from sad, funny, sicko, to tearful, powerful, even chillingly awesome ("Look behind you Dr Floyd" from 2010!) Lines such as Drax in MOONRAKER, speaking to an underling "Take Mr Bond away and see that some harm comes to him," make it all worth-while. Two lines which remain indelibly ingrained in my head for all time, are that which Charlton Heston (as Moses) speaks atop the rock overlooking the Red Sea in THE TEN COMMANDMENTS, "Behold the power of the Lord" and Stewart Granger as Lot at the very conclusion of THE LAST DAYS OF SODOM AND GOMORRAH when he sees his wife turning round, "Ildith, DON'T look back!" It makes up for every critical aspect of the previous 152 minutes. Both scenes were imbued with a quality that did something extraordinary for me.
Yep THE LAST DAYS OF SODOM AND GOMORRAH was certainly low on sin, script and biblical accuracy but it remained watchable enough, even if the girls (as one contributor quite correctly pointed out) appeared to all have had make-overs from Max Factor! Even the sex angle was highly restrained by comparison to current levels of acceptability. It remains though the ONLY film I ever watched at the local theater 5 days running. OK, so I have no taste? Gimme a break, I was only 15!
Have read the majority of critiques here and with the possible exception of Steve Reeves' impressions which follow this (I think he should stick to playing Hercules!) and which are arguably intelligent, there is not much more to be added. It was neither the best nor the worst of the Biblical yarns but much as I liked it, the latter was nearer the mark. A spaghetti epic was never likely to cause waves at the Academy Awards and so the era came to a halt after this.
Having said all that however, I would like to make these observations. Over the years, so many films have yielded up memorable one-liners, which run the gauntlet of emotions from sad, funny, sicko, to tearful, powerful, even chillingly awesome ("Look behind you Dr Floyd" from 2010!) Lines such as Drax in MOONRAKER, speaking to an underling "Take Mr Bond away and see that some harm comes to him," make it all worth-while. Two lines which remain indelibly ingrained in my head for all time, are that which Charlton Heston (as Moses) speaks atop the rock overlooking the Red Sea in THE TEN COMMANDMENTS, "Behold the power of the Lord" and Stewart Granger as Lot at the very conclusion of THE LAST DAYS OF SODOM AND GOMORRAH when he sees his wife turning round, "Ildith, DON'T look back!" It makes up for every critical aspect of the previous 152 minutes. Both scenes were imbued with a quality that did something extraordinary for me.
Yep THE LAST DAYS OF SODOM AND GOMORRAH was certainly low on sin, script and biblical accuracy but it remained watchable enough, even if the girls (as one contributor quite correctly pointed out) appeared to all have had make-overs from Max Factor! Even the sex angle was highly restrained by comparison to current levels of acceptability. It remains though the ONLY film I ever watched at the local theater 5 days running. OK, so I have no taste? Gimme a break, I was only 15!
I have to admit that I've never been able to see this film in one sitting all the way through, partly because I happen to just channel surf on TV and stumble upon it after its started and partly because I seem to catch it about an hour before I go to bed and miss the ending. Still, from what I've seen, this is a very good film about Lot, who led the Hebrew people to a fertile land on the border of the cities of Sodom and Gomorroah. Anouk Aimee does a great job portraying the queen of the cities, and Stewart Granger plays a great Lot. The supporting actors and actresses contribute quite a bit of talent as well, but what really struck me was the costumes. For a 1962 biblical film, some of the outfits that the actresses wore were a bit racy, but that is intentional as it shows the sinful ways of the city-dwellers as opposed to the practical costumes of the hard-working free Hebrews (in fact, Lot has a discussion with a slave girl who is struggling to adapt to the ways of field work and field dress after living a captive life as a well-kept palace servant). The fight scenes are particularly well done, employing a cast of thousands as opposing armies and refugees. The scene where the Hebrews defend themselves by first lighting a pit of oil and then breaking a dam to flood a valley are well done. Even though the story may not follow the tale as told in the Bible, there's enough of it there that the viewer comes away with the overall concept of the story. But - I feel that this movie could be redone to stick a bit closer to the original tale. While the queen and her brother may have been evil, there just wasn't enough evil in the cities (limited by 1962 values, I suppose) to warrant their destruction. A good film for the whole family. No nudity, no harsh language.
Wusstest du schon
- WissenswertesSeveral film critics, who had clearly consulted their Bibles, noted that Bera, the King of Sodom and Gomorrah according to the Old Testament, had unaccountably undergone a sex-change for this film becoming Queen Bera and played by Anouk Aimee.
- PatzerAlthough the special effects for 1962 or fairly good, during the destruction of Sodom the giant blocks that fall to the ground bounce around like beach balls, and in several shots are kicked around by the panicked public like chunks of plastic foam.
- Zitate
Queen Bera: Hebrews and Sodomites: Greetings!
- VerbindungenEdited into Murat - Ein Kung-Fu Türke rettet die Welt (1982)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sodom and Gomorrah
- Drehorte
- Marrakech, Marokko(flood -and battle scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 5.450.000 $
- Laufzeit2 Stunden 34 Minuten
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Sodom und Gomorrha (1962) officially released in India in English?
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