IMDb-BEWERTUNG
6,5/10
1685
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.An actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.An actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Robert Cummings
- Bob Moore
- (as Bob Cummings)
Tatsuo Saitô
- Kenichi Takata
- (as Tatsuo Saito)
Ichirô Hayakawa
- Hisako
- (as I. Hayakawa)
Junko Aoki
- Geisha
- (Nicht genannt)
Nobuo Chiba
- Shig
- (Nicht genannt)
Marion Furness
- Bob's girlfriend
- (Nicht genannt)
Kazue Kaneko
- Geisha
- (Nicht genannt)
Satoko Kuni
- Maid
- (Nicht genannt)
Mayumi Momose
- Geisha
- (Nicht genannt)
Nariko Muramatsu
- Head waitress
- (Nicht genannt)
Empfohlene Bewertungen
This film is at the top of my "guilty pleasures" list of films; not a great film but one for which I have great affection. I first saw it in the mid 60's when I was a teenager at a Saturday afternoon matinée. Then, I had no idea what the title meant. The word geisha was totally new to me. At that age I would go to a Saturday matinée and watch whatever was offered, and as I watched this film I found myself falling in love with Shirley MacLaine, the music of Puccini's "Madama Butterfly" and Japan. I credit it with starting my abiding interest in and fascination with the culture of Japan and for my making several visits to that country as an adult. I watch it once a year between Christmas and New Year on my now worn VHS tape version. I have been looking forward, in vain, to it's release on DVD which for some reason has yet to happen and to seeing it once again in all its wide screen charm. p.s. Finally, Paramount has condescended to release this film in DVD format and it looks and sounds great.
My Geisha is a film that I'm not sure why it is overlooked. Essentially Shirley MacLaine plays two roles in this film. One she's Lucy Dell, a Hollywood Actress not unlike Shirley MacLaine. But with a lot of heavy makeup she's also playing a geisha girl who husband/director Yves Montand picks to star in a film version of Madame Butterfly.
Shirley at that time was married to Steve Parker who lived and worked in Japan and they had one of the weirdest marriages on record. They stayed together almost thirty years, basically because they only saw each other once or twice a year with her living in Hollywood. But this film with Steve Parker producing it for his wife brought them together for a much longer sojourn.
Montand directs his wife's films and she's known as a good comic actress in the profession. He and her perennial leading man Bob Cummings want to do a serious drama, Madame Butterfly, film the Puccini opera with dubbed in singers.
MacLaine and producer Edward G. Robinson go to Japan, Shirley in secret and for a lark she puts on geisha makeup and outfit. Montand and Cummings are so taken with her that Montand hires the geisha that Shirley is pretending to be as the lead in Madame Butterfly.
The masquerade is kept going, but the joke runs into some unforeseen complications for all concerned.
My Geisha glides effortlessly from comedy to drama when the careers and egos of both MacLaine and Montand are on the line. It works out in a highly unusual way. Both Montand and MacLaine do very well by their lead parts with Bob Cummings portraying a wolfish leading man and Edward G. Robinson to dispense wise counsel for all.
It's a very good part for Shirley MacLaine. She summons some hidden depths for the film in portraying the tragic geisha of Madame Butterfly. It's one of her best films.
Shirley at that time was married to Steve Parker who lived and worked in Japan and they had one of the weirdest marriages on record. They stayed together almost thirty years, basically because they only saw each other once or twice a year with her living in Hollywood. But this film with Steve Parker producing it for his wife brought them together for a much longer sojourn.
Montand directs his wife's films and she's known as a good comic actress in the profession. He and her perennial leading man Bob Cummings want to do a serious drama, Madame Butterfly, film the Puccini opera with dubbed in singers.
MacLaine and producer Edward G. Robinson go to Japan, Shirley in secret and for a lark she puts on geisha makeup and outfit. Montand and Cummings are so taken with her that Montand hires the geisha that Shirley is pretending to be as the lead in Madame Butterfly.
The masquerade is kept going, but the joke runs into some unforeseen complications for all concerned.
My Geisha glides effortlessly from comedy to drama when the careers and egos of both MacLaine and Montand are on the line. It works out in a highly unusual way. Both Montand and MacLaine do very well by their lead parts with Bob Cummings portraying a wolfish leading man and Edward G. Robinson to dispense wise counsel for all.
It's a very good part for Shirley MacLaine. She summons some hidden depths for the film in portraying the tragic geisha of Madame Butterfly. It's one of her best films.
"my geisha" is charming. suspend belief a bit, and one realises how good an actress shirley maclaine is and how convincingly she becomes a geisha.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
Although I only saw this movie once over ten years ago on late night TV,I was struck by the beautiful scenery and the storyline somehow reminded me of James Mason & Judy Garland "A star is born".Shirley Mclaine is a favorite of mine and she managed to imbue the Japanese persona so purely and one could feel Yves Montand frustration and eagerness to achieve success without his wife.I cannot recall much more of this film but I do know that my best friend Maruschka has watched it so many times that her tape copy is wearing out.It is a classic love story. Very hard to find a copy for it and I would love to see it out on DVD.I would then surprise my friend by buying her a copy (and one for me also).Millie
10dlgart
What on the surface appears to be an improbable plot line becomes increasingly plausible due to the combination of great make up work, spectacular costuming, (Edith Head) and a truly amazing performance by Shirley Maclaine. Crisp, sharp focus, color cinematography, interesting locations and set design, combine with a genuine fondness for Japanese culture resulting in an admirable early 60's comedy/drama.
Wusstest du schon
- WissenswertesShu Uemura took over the makeup for MacLaine's Geisha role after Michael Westmore fell ill. The international recognition Uemura received for his work enabled him to launch his own cosmetics company.
- PatzerA huge premiere is planned for the movie Lucy is working on mere days after the final scene is shot; in reality, a major film of the magnitude she's starring in would take months for editing and other post-production work.
- Zitate
Kazumi Ito: No one before you, my husband, not even I.
- VerbindungenFeatured in The 54th Annual Academy Awards (1982)
- SoundtracksMADAMA BUTTERFLY
Sequences
Written by Giacomo Puccini, Luigi Illica, Giuseppe Giacosa
Performed by Shirley MacLaine (dubbed by Michiku Sunahara) and Robert Cummings (dubbed by Barry Morell)
Conducted by Franz Waxman
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Seitenverhältnis
- 2.35 : 1
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