IMDb-BEWERTUNG
4,8/10
2811
IHRE BEWERTUNG
Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
Empfohlene Bewertungen
A friend of mine lent me their copy of The Magic Sword, a 1962 film directed by Bert I. Gordon. While it's still fresh on my mind, I thought I would crank out a review.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
The Magic Sword (AKA: The Seven Curses of Lodac/St. George and the Seven Curses) is directed by Bert I. Gordon who also co-writes with Bernard Schoenfeld. It stars Basil Rathbone, Estelle Winwood, Gary Lockwood, Anne Helm, Liam Sullivan and Danielle De Metz. Music is by Richard Markowitz and cinematography by Paul Vogel.
A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.
Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.
In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10
A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.
Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.
In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10
When this came out to the people of that time it served its purpose well and became a good source of entertainment for its time. Children were deeply affected and even adults were able to sit through this making it believe it or not a family movie with fun, popcorn and memories. Scary by its time and standards and not so much today, those that captured this for the first time scored well. Who hasn't dreamed of a magic sword, a fast horse or pet, loyal friends and someone to love? How a bout a bad guy who doesn't like anyone? A silly old grandma who loves and spoils?
I was 7 years old when this movie came out, and although I didn't see it then, I bet I would have loved it. Swashbuckling knights, a quest, plenty of adventure, some pretty evil bad guys, and a few memorable creepy images. Of course, I wound up seeing it at the age of 47, and I have to admit it's for the most part pretty cheesy. Gary Lockwood and Anne Helm are so badly miscast it's hilarious, the attempts at humor are excruciatingly bad, the plot is kind of lumpy (the 7 curses don't seem to have any pattern to them), and so on. But hey -- some films are for kids and not adults, and this is about as good as you're going to get from Bert I. Gordon. Let's give him his due on this one.
I'm a Basil Rathbone fan, and a friend of mine picked this up for me somewhere--who knows where! The transfer isn't great, but the movie itself is wonderfully campy and has some cool moments if you're willing to stick with it and dig a little under the surface. Besides, I appreciated Mr. R.'s performance, and he managed to have some really good 'bad guy' moments in this (the scene where he had Helene watch her fellow prisoners being eaten by his dragon made an impression on me as being one of the best 'bad guy' moments I've seen, made even better by his distinctive baritone voice).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
Wusstest du schon
- WissenswertesThe film was skewered in The Magic Sword (1992). In the "Mystery Science Theater 3000 Amazing Colossal Episode Guide" book, the show's creators admitted that "this is actually a pretty good movie."
- PatzerEven though modern Italian state did not exist until 1861, the region corresponding to it has been referred to as "Italy" since Roman times. And during the setting of this film, they would've spoken a form of Italian. And they would've been referred to as Italian-Speakers or Italians. Also, between 800 A.D. and 1806, there was an entity called the "Kingdom of Italy" which consisted of mostly of Northern and Central Italy except for Venice. It was one of the three constituent kingdoms of the so called Holy Roman Empire along with Germany and Burgundy. They were nominally ruled by the German Holy Roman Emperor, but in reality, central government was usually non-existent so the "Kingdom of Italy" only existed on paper. Still, "Sir Anthony of Italy" would not have been an incorrect title.
- Zitate
Sir Branton: Was it magic?
Lodac: No. Not magic.
Sir Branton: Then how did George escape?
Lodac: I think... yes. Something stronger than magic. The power of Patrick's faith.
- Crazy CreditsRoss Wheat (dragon-puppet operator) as "dragon trainer."
- VerbindungenEdited into Murat - Ein Kung-Fu Türke rettet die Welt (1982)
- SoundtracksFrere Jacques
(Traditional French Song)
Sung by pretty girl to French knight outside mill
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Magic Sword?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Ascalon, das Zauberschwert
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 20 Minuten
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen