Das Zauberschwert

I'm a Basil Rathbone fan, and a friend of mine picked this up for me somewhere--who knows where! The transfer isn't great, but the movie itself is wonderfully campy and has some cool moments if you're willing to stick with it and dig a little under the surface. Besides, I appreciated Mr. R.'s performance, and he managed to have some really good 'bad guy' moments in this (the scene where he had Helene watch her fellow prisoners being eaten by his dragon made an impression on me as being one of the best 'bad guy' moments I've seen, made even better by his distinctive baritone voice).

That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.

The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).

To compare this film unfavorably to the high standards we hold for today's films would be unjust. This film has to be judged by the era that made it. Great films like "Jason and the Argonauts", "Hercules Unchained" and others of that ilk were popular and had an audience albeit a limited one. I remember seeing this film at the ripe age of six and being awestruck and terrified. Basil Rathbone was sinister as the evil wizard. The dragon seemed an insurmountable obstacle to the hero. There were little people inside a large bird cage crying for help,an evil temptress witch with green glowing eyes that lured one of the good guys to his doom and a horrible bubbling swamp that ate the flesh off of one of the good knights when his horse stumbled and he fell in. I'm glad I was six when I saw this film. I've remembered it for years and just thought to pay it a visit again on this site.

Why a re people so unkind to this very funny fantasy. Any adult can tell it is not meant to be taken as some sort of 'magnificent spectacle'. Yes it is low budget but it knows it, and Basil and Estelle seemed to be having a very sly old time brewing potent hammy acting to fling at each other and the hopeful cast. Kids love this film even today; it has the sort of 'crummy but fascinating' manginess cheap color fantasies have. Does anyone remember those equally hilarious and ghastly 'storybook productions' like Mother Goose or Jack and the Beanstalk? Terrible but lovably hopeless and thoroughly entertaining. THE MAGIC SWORD even has a pre 2001 Gary Lockwood; boy I bet he's glad Kubrick saw something in him after this. Kubrick would have seen this, you know, I am sure he saw everything Gary Lockwood made before casting him in 2001. And he still hired him. Besides, MAGIC SWORD has the unforgettable Estelle Winwood. She is like Edward Everett Horton in a dress. Pantomime? Sure. Hilarious? Yes. Enjoyable? Thoroughly in its mangy matinée way. Can you believe I saw this on a double feature with SINK THE BISMARK! Such were kids matinées in Australia in 1962. The next week we saw CAPTAIN SINBAD which almost looks like the out takes of THE MAGIC SWORD.

THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.

The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.

I was 7 years old when this movie came out, and although I didn't see it then, I bet I would have loved it. Swashbuckling knights, a quest, plenty of adventure, some pretty evil bad guys, and a few memorable creepy images. Of course, I wound up seeing it at the age of 47, and I have to admit it's for the most part pretty cheesy. Gary Lockwood and Anne Helm are so badly miscast it's hilarious, the attempts at humor are excruciatingly bad, the plot is kind of lumpy (the 7 curses don't seem to have any pattern to them), and so on. But hey -- some films are for kids and not adults, and this is about as good as you're going to get from Bert I. Gordon. Let's give him his due on this one.