IMDb-BEWERTUNG
4,8/10
2807
IHRE BEWERTUNG
Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.Der Sohn einer Zauberin, bewaffnet mit Waffen, Rüstungen und sechs magisch herbeigerufenen Rittern, begibt sich auf die Suche, um eine Prinzessin vor einem rachsüchtigen Zauberer zu retten.
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When this came out to the people of that time it served its purpose well and became a good source of entertainment for its time. Children were deeply affected and even adults were able to sit through this making it believe it or not a family movie with fun, popcorn and memories. Scary by its time and standards and not so much today, those that captured this for the first time scored well. Who hasn't dreamed of a magic sword, a fast horse or pet, loyal friends and someone to love? How a bout a bad guy who doesn't like anyone? A silly old grandma who loves and spoils?
Why a re people so unkind to this very funny fantasy. Any adult can tell it is not meant to be taken as some sort of 'magnificent spectacle'. Yes it is low budget but it knows it, and Basil and Estelle seemed to be having a very sly old time brewing potent hammy acting to fling at each other and the hopeful cast. Kids love this film even today; it has the sort of 'crummy but fascinating' manginess cheap color fantasies have. Does anyone remember those equally hilarious and ghastly 'storybook productions' like Mother Goose or Jack and the Beanstalk? Terrible but lovably hopeless and thoroughly entertaining. THE MAGIC SWORD even has a pre 2001 Gary Lockwood; boy I bet he's glad Kubrick saw something in him after this. Kubrick would have seen this, you know, I am sure he saw everything Gary Lockwood made before casting him in 2001. And he still hired him. Besides, MAGIC SWORD has the unforgettable Estelle Winwood. She is like Edward Everett Horton in a dress. Pantomime? Sure. Hilarious? Yes. Enjoyable? Thoroughly in its mangy matinée way. Can you believe I saw this on a double feature with SINK THE BISMARK! Such were kids matinées in Australia in 1962. The next week we saw CAPTAIN SINBAD which almost looks like the out takes of THE MAGIC SWORD.
I saw this film at a matinée in 1962 when I was seven. I remembered it over the years as 70 minutes of pure excitement. I watched it again on DVD with my kids. Yes, it is low budget. Yes, it has cheesy special effects by today's standards. Yes, it has a corny plot and weak acting from some of the characters. Yet, I found it to have charm and my kids were just as enthralled as I was 43 years ago when I suspended my disbelief in the dark of the Saturday matinée. This film is, in its genre, a minor classic. Further, Basil Rathbone as the heavy is very good in the waning years of his life and career--much better than Torin Thatcher who played similar "heavy" roles in similar adventure movies.
I'm a Basil Rathbone fan, and a friend of mine picked this up for me somewhere--who knows where! The transfer isn't great, but the movie itself is wonderfully campy and has some cool moments if you're willing to stick with it and dig a little under the surface. Besides, I appreciated Mr. R.'s performance, and he managed to have some really good 'bad guy' moments in this (the scene where he had Helene watch her fellow prisoners being eaten by his dragon made an impression on me as being one of the best 'bad guy' moments I've seen, made even better by his distinctive baritone voice).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
That said, the villains were better than the 'good' guys! Sir Branton's lines were atrocious, but would have been even mildly redeemable if they'd been delivered in more than an off-hand manner. George and Helene acted like spoiled brats, though they played their parts as the gallant knight (I chuckled when the orphan George introduced himself as 'Sir George' to the king who had never seen him, much less knighted him) and damsel in distress well.
The makeup in this movie was really creepy, and I'm sure the special effects were quite cutting edge for their time. I don't think I'd recommend this for kids younger than ten, as the monsters, the dark tone of the plot, and a 'little-too-sexy-for-the-movies' moment when Helene comes up out of the bath (my copy put a mosaic over a briefly topless Helene).
To compare this film unfavorably to the high standards we hold for today's films would be unjust. This film has to be judged by the era that made it. Great films like "Jason and the Argonauts", "Hercules Unchained" and others of that ilk were popular and had an audience albeit a limited one. I remember seeing this film at the ripe age of six and being awestruck and terrified. Basil Rathbone was sinister as the evil wizard. The dragon seemed an insurmountable obstacle to the hero. There were little people inside a large bird cage crying for help,an evil temptress witch with green glowing eyes that lured one of the good guys to his doom and a horrible bubbling swamp that ate the flesh off of one of the good knights when his horse stumbled and he fell in. I'm glad I was six when I saw this film. I've remembered it for years and just thought to pay it a visit again on this site.
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- WissenswertesThe film was skewered in The Magic Sword (1992). In the "Mystery Science Theater 3000 Amazing Colossal Episode Guide" book, the show's creators admitted that "this is actually a pretty good movie."
- PatzerEven though modern Italian state did not exist until 1861, the region corresponding to it has been referred to as "Italy" since Roman times. And during the setting of this film, they would've spoken a form of Italian. And they would've been referred to as Italian-Speakers or Italians. Also, between 800 A.D. and 1806, there was an entity called the "Kingdom of Italy" which consisted of mostly of Northern and Central Italy except for Venice. It was one of the three constituent kingdoms of the so called Holy Roman Empire along with Germany and Burgundy. They were nominally ruled by the German Holy Roman Emperor, but in reality, central government was usually non-existent so the "Kingdom of Italy" only existed on paper. Still, "Sir Anthony of Italy" would not have been an incorrect title.
- Zitate
Sir Branton: Was it magic?
Lodac: No. Not magic.
Sir Branton: Then how did George escape?
Lodac: I think... yes. Something stronger than magic. The power of Patrick's faith.
- Crazy CreditsRoss Wheat (dragon-puppet operator) as "dragon trainer."
- VerbindungenEdited into Murat - Ein Kung-Fu Türke rettet die Welt (1982)
- SoundtracksFrere Jacques
(Traditional French Song)
Sung by pretty girl to French knight outside mill
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- Ascalon, das Zauberschwert
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- Laufzeit1 Stunde 20 Minuten
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By what name was Das Zauberschwert (1962) officially released in India in English?
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