Der längste Tag

This is perhaps one of the most ambitious, epic WW2 films to have been made; certainly it is the last of the classic B&W films made about the subject. Featuring an all-star cast (John Wayne, Richard Burton, Kurt Jurgens... even a cameo by Sean Connery!), it comprehensively details the build-up and execution of the Normandy landings in 1944, taking care to show how the event was perceived by Allied and Axis soldiers and commanders, as well as the Free French resistance. This is a film that takes great care in documenting the events of the day, without lapsing into sickly sentimentalism or getting distracted with fictional characters' personal lives (a failing of many WW2 movies since about 1970), or over-emphasising any one nation's importance in the operation (although, admittedly, Canadians may feel a little short-changed).

Classic moments abound, notably the landing at St.Mere-Eglise and the soldier who gets caught in the church steeple, the frustrations of the front-line German commanders and fighters, and the numerous cameos for film nerds to keep track of.

If you want a wartime romance, or an appearance by Matt Damon or Ben Affleck, or long, loving shots of the Stars & Stripes in slo-mo, or a gritty blood'n'guts fest, you'll be disappointed. This film has broader concerns, and was made with much more thoroughness. There is no agenda at work here, pro-war or anti-. It is solely concerned with documenting Operation "Overlord" for the film-going public, and succeeds brilliantly; a shame then, that it has not made the top 50 war films list.

A must-see for any fan of war films.

Invariably compared with "Saving Private Ryan" (SPR), this scores over the more modern work because of the focus on all the major sides of the action (British, American, French and German).

All languages are used (with subtitles as appropriate - eg the Germans speak in German, etc).

While true that the battle scenes are not gory as SPR's, and that the sounds of battle are muted during the dialog (unlike SPR's), it should be borne in mind that in '62, the audience rating of the time *was* a General Release ("G" in the US, "A" in the UK (I'm guessing for the UK, but it is now PG)) - which more detail would not have allowed.

I think part of the purpose of this film is to allow *everyone* to see what happened 18 years before!

THE LONGEST DAY is one of the if not the greatest World War II movie epics. However, it is unfair to compare it to Steven Spielberg's SAVING PRIVATE RYAN. To do so would really be comparing apples and oranges. Spielberg's movie was meant to convey the gore and horror of war and succeeded quite admirably. In THE LONGEST DAY, which was shot in semi-documentary style, Zanuck's intent was to show the monumental effort involved, on the part of the allies, in mounting a successful cross channel invasion. In that regard this film also succeeded quite admirably. It should be regarded more as a history lesson rather than as simply dramatic entertainment. The historical value of the film far outweighs any minor dramatic licenses taken by Zanuck.

This was an another one of these all-star casts that you don't see in more modern times, in which about everyone who was actor made an appearance....or it just seems that way. For those unfamiliar with this film, take a look back on the main page here and check out the famous names in this movie. Click the "more" under the cast overview and you'll see all the names. It's unbelievable. Some of them, to be fair, had very short roles in here, such as Henry Fonda, Rod Steiger and Roddy McDowell, but this is a real "Who's Who" of the acting profession in 1962. There are also a lot of German actors in here speaking German (with subtitles provided), perhaps numbering even more than the English-speaking stars. That's because the famous day of June 6, 1944, is seen from both sides of the conflict.

At three hours, it gives you plenty of D-Day World War II action. Almost two-thirds of the movie involves action from that famous invasion. In some spots, it just gets to be too much. Frankly, the whole film is too much and almost bogs down in too many areas....and it shouldn't, but it is a very technical film. And, for a film 45 years old, the action is pretty realistic. I thought the best shots were the overheads during one particular scenes when the Alies were going through a town.

I am anything but a WWII expert so how much detail of the infamous 'D-Day" here is correct, Since they went into such detail, I'll assume they were fairly accurate. I can't say but this movie educated me on the size of the task. I had no idea "D-Day" was this huge in scope: three million men and 5,000 ships??!!! Amazing.

The Longest Day (1962) - CO-Directors: Ken Annakin & Andrew Morton Everyone knows this was producer Darryl F. Zanuck's baby and it earns its place in cinema history as one of those epic style movies that treats its subject matter with the most serious of attitudes. Obviously a war is no laughing matter but, for better or worse, movies tend to simplify logistics while highlighting emotional chords, such as bravery and homemade apple pie. Zanuck, however, wanted the audience to understand the scope and grandeur of an enterprise like D-Day.

Utilizing a cast of thousands, half of which seemed to be cameo appearances by major stars of the day, Zanuck presents on wide screen all the action and turmoil that surrounded this turning point of WW II. The ever-fighting Republican John Wayne is there, along with Democrat Henry Fonda, tough guy Bob Mitchum, brooding Richard Burton, sexy Sean Connery and pit bullish Rod Steiger. Still for my money, one of the best landing on the beach scenes ever filmed. Sorry Mr.Spielberg. (B&W)