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Äneas, Held von Troja

Originaltitel: La leggenda di Enea
  • 1962
  • 12
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
5,3/10
513
IHRE BEWERTUNG
Gianni Garko, Carla Marlier, Liana Orfei, Steve Reeves, and Giorgio Venturini in Äneas, Held von Troja (1962)
AdventureDrama

Aeneas führt Flüchtige aus dem Trojanischen Krieg in ein neues Land in Italien und muss sich mit neuen Bedrohungen für sein Volk auseinandersetzen.Aeneas führt Flüchtige aus dem Trojanischen Krieg in ein neues Land in Italien und muss sich mit neuen Bedrohungen für sein Volk auseinandersetzen.Aeneas führt Flüchtige aus dem Trojanischen Krieg in ein neues Land in Italien und muss sich mit neuen Bedrohungen für sein Volk auseinandersetzen.

  • Regie
    • Giorgio Venturini
  • Drehbuch
    • Publius Vergilius Maro
    • Albert Band
    • Ugo Liberatore
  • Hauptbesetzung
    • Steve Reeves
    • Giacomo Rossi Stuart
    • Carla Marlier
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,3/10
    513
    IHRE BEWERTUNG
    • Regie
      • Giorgio Venturini
    • Drehbuch
      • Publius Vergilius Maro
      • Albert Band
      • Ugo Liberatore
    • Hauptbesetzung
      • Steve Reeves
      • Giacomo Rossi Stuart
      • Carla Marlier
    • 18Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos10

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    Topbesetzung22

    Ändern
    Steve Reeves
    Steve Reeves
    • Enea…
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Euryalus
    • (as Giacomo Rossi-Stuart)
    Carla Marlier
    Carla Marlier
    • Lavinia - Latino's Daughter
    Mario Ferrari
    Mario Ferrari
    • Latino - King of Latium
    Enzo Fiermonte
    Enzo Fiermonte
    • Acate
    Gianni Garko
    Gianni Garko
    • Turno - King of the Rutuli
    Liana Orfei
    Liana Orfei
    • Camilla - Queen of the Volsci
    Nerio Bernardi
    Nerio Bernardi
    • Drance
    Robert Bettoni
    • Pallante
    Maurice Poli
    Maurice Poli
    • Mezensio - Turno's Henchman
    Lulla Selli
    • Amata - Latino's Wife
    Pietro Capanna
    • Bisia
    Benito Stefanelli
    Benito Stefanelli
    • Nisius = Euryalus' Friend
    Adriano Vitale
    • Dancer: Hunter
    Augusto Terzoni
    • Dancer: Deer
    • (Unbestätigt)
    Charles Band
    Charles Band
    • Ascanio
    • (Nicht genannt)
    Luciano Benetti
    • Sergeste
    • (Nicht genannt)
    Emilio Cigoli
    • Narrator
    • (Nicht genannt)
    • Regie
      • Giorgio Venturini
    • Drehbuch
      • Publius Vergilius Maro
      • Albert Band
      • Ugo Liberatore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen18

    5,3513
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    Empfohlene Bewertungen

    4dbborroughs

    Dumb Dumb Dumb

    Did Steve Reeves make any decent movies outside of the first two Hercules films?

    This is a sequel to the Trojan Horse.

    Trojans, fleeing from the remains of Troy end up in Italy and get mixed up with the Etruscans. The Trojans want a place to stay, but... The king is cool with it,the prince is not. A princess loves Reeves, but ends up involved with the prince... The prince sets up the Trojans and after 40 to 45 minutes of court intrigue a war breaks out, but its dull. Ultimately it comes down to Reeves and the prince fighting in silly helmets, which isn't revealing anything since its supposedly history and its in the trailer.

    I paid for this on video tape for what reason?

    Don't make my mistake, avoid this film.
    7ZeddaZogenau

    Greek and Roman History with Steve REEVES

    The Trojans in Lazio - Steve Reeves as Aeneas

    This historical adventure film by Giorgio Venturini, made in 1962, was based on motifs from Vergil's (also known as: Publius Vergilius Maro) Latin epic "Aeneid". The film, called "La leggenda di Enea" in Italian and "The Avenger" in English, is the sequel to "La battaglia di Troja" by Giorgio Ferroni, also starring Steve Reeves. The filming took place in what was then Yugoslavia.

    After losing the war for their hometown of Troy, the remaining Trojans flee across the Mediterranean and, under the leadership of Aeneas (Steve Reeves), reach Latium, where they finally want to settle after a long wandering. The local King Latino (Mario Ferrari) is benevolent towards the Trojan refugees and would like to allow them to settle. The leaders of the other tribes are not really happy about this, so violent conflicts arise. Important opponents are Liana Orfei as the combative Camilla (like her cousin Moira Orfei ("Ursus in the Valley of the Lions"), she comes from an Italian family of artists and was seen several times in Italian films of the time, including alongside Lex Barker in "I pirati della costa"), Gianni Garko as the frighteningly cunning Turnus and Maurice Poli as his willing henchman. Euryalus (Giacomo Rossi Stuart) and the beautiful Lavinia (Carla Marlier) stand by Aeneas and his Trojans.

    With the powerful fight scenes, in which not only Steve Reeves can shine as the title hero, and the relatively large number of characters with their different ways of acting for a peplum or sandal film, this film strives to achieve a certain level in order to do justice to the literary original become. This is also quite successful. However, it's all too easy to see the tricks in film, for example when Steve Reeves' double is used or individual fighters don't seem as motivated as they should be.

    The end of the fighting shown in the film creates the basis for the later emergence of the city of Rome, which would then result in Roman world domination for almost a whole millennium. The Trojan Aeneas is considered a pioneer of later Rome, which is what Virgil's "Aeneid" is also about. The area around today's Rome is still called Lazio, which can be seen, for example, in the name of the well-known football club Lazio Roma.

    With slight reservations, this film is not only worth seeing for fans of the peplum genre!
    5Bunuel1976

    THE AVENGER (Giorgio Rivalta and Albert Band, 1962) **

    This is an unnecessary and very much inferior sequel to THE Trojan HORSE (1961), evidently made on a reduced budget (though the murky, pan-and-scan print I watched certainly did no favors to it or the scenes from the original which were interspersed into the narrative as flashbacks!); Steve Reeves reprises his role of Enea - whose lineage, we are told, eventually led to Romulus and Remus and the founding of Rome (incidentally, the actor appeared in a peplum about that very event called DUEL OF THE TITANS [1961]!) - but his performance here is somewhat mechanical and less convincing...though that may be due to the English dubbing, whereas I had watched the earlier film in Italian!!

    As a whole, THE AVENGER (the print I watched bore the title THE LAST GLORY OF TROY, given to it when sold to TV) is only marginally better than the ordinary peplum: the plot is rather dreary this time around, in comparison to the fascinating events depicted in the original; the cast - despite the presence of Euro-Cult regulars like Gianni Garko (essaying the role of the villain) and Giacomo Rossi-Stuart (effectively dispatched by a hail of arrows in the style of Akira Kurosawa's THRONE OF BLOOD [1957]!) - is less interesting; and the battle sequences are only memorable for the ridiculously-shaped helmets with which the warriors on both fronts are saddled!!
    4Leofwine_draca

    Dull film about the founding of Rome

    THE LAST GLORY OF TROY - aka WAR OF THE Trojans, aka THE AVENGER - is the sequel to THE WOODEN HORSE OF TROY, a film that portrayed the Trojan War and also starred Steve Reeves as the eponymous hero Aeneas. This time around, the Trojans are a defeated people, having fled from their sacked city, but a mixture of courage and cunning sees them go on to found what is modern-day Rome.

    Unfortunately THE LAST GLORY OF TROY is a somewhat lacklustre sequel that more often than not is a rather BORING peplum flick. It has relatively lengthy running time, and much of that running time is made up of small talk between dull characters. Even Steve Reeves doesn't have much of a part to play here, feeling like a supporting character in his own movie, although the cast is populated with familiar faces including Giacomo Rossi-Stuart, Liana Orfei and Gianni Garko.

    The film does pick up for its second half, offering a handful of battle sequences, although the choreography isn't particularly great in these. But it lacks the tight script and focus of the first film and with six different scriptwriters credited it feels like a bit of a confused mess, struggling to make sense of itself.
    6ma-cortes

    Decent Peplum with the corpulent Steve Reeves , inspired by the classy ¨The Aeneid¨ written by Publius Vergilius Maro

    At the beginning there are some flashbacks about Aeneas and the Trojan war . As the Greek warriors under the command of Ulysses get to hide out in the Troyan horse with his fellow soldiers and get those Trojans when they take the wooden beast into their city . When they're successful and having survived the destruction of Troy , the nobleman Aeneas takes his men to getaway : Euryalus (Giacomo Rossi-Stuart) and Nisius (Benito Stefanelli) , as the survivors deciding to go off , making their way to Italy and found the city of Rome . As Aeneas leads escapees from the Trojan war to new land in Italy , and must deal with new threats to his people , as the powerful Aeneas and his mighty sword avenged a nation . This time muscleman Aeneas/Steve Reeves , helped by the Etruscos , leads the Trojans in battle against the Rutuli army commanded King Turno (Gianni Garco) .

    This is supposedly a rendition of the Aeneid by Virgil . The film has neither expecting historical , not mythological accuracy . Acceptable Peplum with drama , noisy action , thrills , sword-fights , and resulting to be pretty entertaining . It's an adventure film with all the ingredients as sword-play , action , fights , betrayal , a love story and typical confrontation between good guys and bad guys . The film displays some impressive scenes about battles in spectacular style , including lots of extras . Here Steve Reeves plays Aeneas ; He-man Steve was a hunk who made great number of roman epic films also called ¨Musclemen movies¨ . He was the most known of a number of bodybuilder and physique model types in the early 60s and won campy notice playing Herculean characters in those campy Italian sand-and-spear epics . Ursus , Maciste , Goliath , Samson , Hércules , Atlas , Rocha ..., those Italian Muscle man producers must have had a hard time figuring out what to call the musclebound actors who played all these legendary muscleman heroes . Being other second-class Muscle men players the followings : Gordon Scott , Dan Vadis , Rock Stevens , Gordon Mitchell , Brad Harris , Samson Burke , Reg Park , Ed Fury , Richard Harrison , Kirk Morris , Alan Steel or Sergio Ciani and subsequently Lou Ferrigno . As Reeves played various Sword and Sandal movies , such as : ¨The Trojan horse¨ , and his sequel : ¨The avenger¨ , ¨The giant of Marathon¨ , ¨Goliat and the Barbarians¨ , ¨The last days of Pompeii¨ , and especially ¨Hércules¨ and ¨Hércules unchained¨ by Pietro Francisci . Although Steve also played adventure genre as ¨Pirates of the seven seas¨ , ¨ The thief of Baghdad¨ and ¨Morgan the pirate¨ . Support cast is pretty good , such as : Gianni Garco : famous Spaghetti hero as Sartana , Liana Orfei , Nerio Bernardi , Ferrari , Enzo Fiermonte and the ordinary master of arms : Benito Stefanelli who also did some of the stunts , trained the other players in fencing and choreographed the battles .

    The motion picture was regularly directed by Giorgo Rivalta who produced several adventure movies as : ¨Il Cavaliere Di Maison Rouge¨ , ¨La Vendetta Dei Tughs¨ , ¨Misteri Della Giungla Nera¨ , ¨Treasure of Bengala¨ , ¨I Piombi Di Venezia¨ , ¨Son of Lagardere¨ and ¨Le Marchand De Venise¨ and directed ¨Los Cosacos¨ , ¨Il Prigioniero Del Re¨ and ¨The avenger¨ . Being co-directed by veteran filmmaker Albert Band . Albert was one of Hollywood's most prolific filmmakers who started his career in the early 50s . He began financing a number of motion pictures through the seventies and seventies and directing in Italy some films as Spaghetti westerns : ¨The tramplers¨ and ¨Massacre in grand canyon¨ . Albert helped his son , Charles Band, bring together his own production company, 'Empire Pictures' , in the early eighties , producing/directing films as : ¨Zoltan hound of Drácula¨ , ¨Ghoulies¨ , ¨Doctor Mordrid¨ , ¨Robot Jox¨ , ¨Robot wars¨ . Upon the collapse of Empire Pictures in the early nineties, Band continued to work with his son and help bring a number of low-budget and medium budget films to the Hollywood screen and direct to video releases such as : ¨Pet Shop¨ , ¨Prehysteria! 1 and 2¨ , ¨Dragonworld¨ , ¨Oblivion¨ , ¨Remote¨ , ¨Trancers¨ series , among others.

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    Handlung

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    • Wissenswertes
      The actor playing Niso, Benito Stefanelli, also did some of the stunts, trained the other actors in fencing and choreographed the sword-fights.
    • Patzer
      Early in the movie, an army is seen passing by a maize field; this plant, however, was cultivated in Europe only since 1525, having been brought to the continent by Christopher Columbus.
    • Crazy Credits
      Co-screenwriter Albert Band is the sole credited director on English language versions of the film.
    • Verbindungen
      Featured in Kolossal - i magnifici Macisti (1977)

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    Details

    Ändern
    • Erscheinungsdatum
      • 4. Oktober 1963 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Frankreich
      • Jugoslawien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • The Last Glory of Troy
    • Produktionsfirmen
      • Mercury Films
      • La Société des Films Sirius
      • Compagnie Industrielle et Commerciale Cinématographique (CICC)
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    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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    Gianni Garko, Carla Marlier, Liana Orfei, Steve Reeves, and Giorgio Venturini in Äneas, Held von Troja (1962)
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    By what name was Äneas, Held von Troja (1962) officially released in Canada in English?
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