Füge eine Handlung in deiner Sprache hinzuWhen a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.When a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.When a kind-hearted sailor is made to join an English vessel at war in 1797, he finds himself caught between devotion to his crewmates and obedience to their hated, cruel master-at-arms.
- Für 1 Oscar nominiert
- 2 Gewinne & 8 Nominierungen insgesamt
Ray McAnally
- William O'Daniel - Maintopman
- (as Ray McAnnally)
Niall MacGinnis
- Nathaniel Graveling - Ship's Master, Rights of Man
- (as Niall McGinnis)
Empfohlene Bewertungen
If you've read the Melville story, this film will be a delightful surprise, especially in contrast to what usually happens to film adaptations of literature. For those of you who've never heard of Herman Melville, it's no matter. This film can stand on its own without reference or support from its original source.
A cheerful, innocent young man with wide eyes and blonde hair is conscripted from his commercial schooner to serve aboard an English Royal Merchant ship, which is akin to being Shang-Hai'd, but without the knock to the head. Everyone on both his old and new ship loves Billy Budd, an affable, competent young seaman who can fathom no sinister purpose in man nor beast, until he meets the master-at-arms of his new vessel.
I don't want to give away any more of the story, so give this lovely film a try if the premise interests you.
A cheerful, innocent young man with wide eyes and blonde hair is conscripted from his commercial schooner to serve aboard an English Royal Merchant ship, which is akin to being Shang-Hai'd, but without the knock to the head. Everyone on both his old and new ship loves Billy Budd, an affable, competent young seaman who can fathom no sinister purpose in man nor beast, until he meets the master-at-arms of his new vessel.
I don't want to give away any more of the story, so give this lovely film a try if the premise interests you.
Peter Ustinov is generally a lot better at being a raconteur, chat-show guest and portly, engaging presenter of documentaries than film director, but this adaptation of Melville's short novel (note that the screenplay is based on a previous stage version) is surprisingly gripping. Terence Stamp, in his first movie role, is excellent as the benign life-force, Billy. Pressganged into service aboard a Royal Navy Man'o'War (clunky symbolism - the ship Billy leaves is called the "Rights of Man"), he soon wins over the crew with his guileless respect for justice and fair play. Robert Ryan is superb as Claggart, although perhaps this actor's tremendous capacity for sheer charmless evil overbalances the plot. When Claggart is struck down by the momentarily enraged Billy, he dies with a smile on his face, a detail which isn't in the book. It makes Claggart into a malevolent genius, when Melville wrote him as a preternaturally bitter and empty man. But that's showbiz for you.
There's a lovely scene between Stamp and Ryan, presumably missed by those who refuse to recognise the latter's genius, in which Billy almost manages to win Claggart over; you can see Ryan's eyes getting almost misty (he was a great eye actor) as he contemplates the spectacle of his own bleakness compared to Billy's warmth. But then, as he suddenly growls "You would charm me, too. Get away!" it's as if he suspected Billy if coming onto him. Remarkable touch.
John Neville and David McCallum are fine as the officers with tortured consciences; Ustinov has to carry off the difficult moral turnaround, kind of the opposite of what Fonda spends a whole film doing in "Twelve Angry Men", and has seldom acted so well. Perhaps in the book he's a less significant character, but for dramatic purposes the role obviously needed expanding, and it's done with taste and restraint. Supporting roles are all finely rendered, with Melvyn Douglas especially red-eyed and gravelly as the religious Dansker. Good stuff. And unusually for an adaptation, a sizable chunk of the dialogue is authentic Melville.
There's a lovely scene between Stamp and Ryan, presumably missed by those who refuse to recognise the latter's genius, in which Billy almost manages to win Claggart over; you can see Ryan's eyes getting almost misty (he was a great eye actor) as he contemplates the spectacle of his own bleakness compared to Billy's warmth. But then, as he suddenly growls "You would charm me, too. Get away!" it's as if he suspected Billy if coming onto him. Remarkable touch.
John Neville and David McCallum are fine as the officers with tortured consciences; Ustinov has to carry off the difficult moral turnaround, kind of the opposite of what Fonda spends a whole film doing in "Twelve Angry Men", and has seldom acted so well. Perhaps in the book he's a less significant character, but for dramatic purposes the role obviously needed expanding, and it's done with taste and restraint. Supporting roles are all finely rendered, with Melvyn Douglas especially red-eyed and gravelly as the religious Dansker. Good stuff. And unusually for an adaptation, a sizable chunk of the dialogue is authentic Melville.
One of the best dramas of the sixties. The acting in this movie is superb. With an all star cast of Robert Ryan, Peter Ustinov, Melvyn Douglas and Terrance Stamp you can't go wrong. Filmed in glorious black and white. Ustinov at his best as the perplexed Captain and my favorite Robert Ryan as the sadistic Master of Arms. Billy Budd is a high seas adventure which won't disappoint.
This movie was adapted by a novel from Herman Melville and directed by Peter Ustinov. It was unfortunate that this movie came out at the same time as Mutiny On The Bounty and as overshadowed by that movie. This is a much better movie and has a great cast with Peter Ustinov playing the captain, Melvyn Douglas playing an old sailor, Terence Stamp playing the title character and Robert Ryan playing John Claggart, the Master-at-arms. Robert Ryan easily steals the movie and when Ustinov was casting this picture he didn't know why Ryan would want this role when he was trying to stay away from roles like this. Ryan always played great villains and this was one of his best roles. Everyone in this movie was great and so is the film.
This film which was made at the now legendary, Allied Artists Studios (cough cough) is nothing short of a Masterpiece. Filmed totally on board a reconstructed Man O'War, it features Oscar level performances by Peter Ustinov, Terrance Stamp, Melvin Douglas and the performance of a lifetime by Robert Ryan (as Klaggart, the very human manifestation of evil). If one accepts this movie as a biblical allegory, then it could not end any other way. This is not your typical Hollywood fare, it is filled with intelligent performances, and good direction under difficult conditions. And it's in glorious black and white.
Wusstest du schon
- WissenswertesHerman Melville had been writing poetry for thirty years when he returned to fiction with "Billy Budd" in late 1888. Still unfinished when he died in 1891, it was forgotten. Melville's biographer accidentally stumbled upon it when going through a trunk of Melville's papers in his granddaughter's New Jersey house in 1919. Melville's widow worked to help complete it, and it was finally published in 1924. Over the years, other unsatisfactory versions were published, but it wasn't until Melville's original notes were found that the definitive version was ultimately published in 1962. Coincidentally, Sir Peter Ustinov's movie version was released the same year.
- PatzerWhen Billy Budd first comes onboard the British ship, he witnesses a sailor being flogged and is told by everyone that no one even knows what the sailor had done. This would not be the case in the Royal Navy, since at all floggings the Captain was required to read in front of the crew the specific Article of War which had been violated and then state the number of lashes for the offense.
- Zitate
Billy Budd: There are many ways to lie, Mr. Claggert, but there is only one way to tell the truth.
- Crazy CreditsAs the cast is listed onscreen, the actors are heard stating their characters' names and ranks.
- Alternative VersionenWest German theatrical version was cut by approx. five minutes.
- VerbindungenFeatured in Der Mann, der vom Himmel fiel (1976)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Billy Budd
- Drehorte
- Sierra Helada, Alicante, Comunidad Valenciana, Spanien(final scene: naval battle under the cliffs)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 2 Std. 3 Min.(123 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen