Ein listiger Ronin kommt in eine Stadt, die sich zwei Verbrecherbanden teilen, und beschließt, sie gegeneinander auszuspielen, um so die Stadt zu befreien.Ein listiger Ronin kommt in eine Stadt, die sich zwei Verbrecherbanden teilen, und beschließt, sie gegeneinander auszuspielen, um so die Stadt zu befreien.Ein listiger Ronin kommt in eine Stadt, die sich zwei Verbrecherbanden teilen, und beschließt, sie gegeneinander auszuspielen, um so die Stadt zu befreien.
- Für 1 Oscar nominiert
- 5 Gewinne & 2 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Yojimbo' is celebrated for Kurosawa's masterful direction, Mifune's compelling performance, and its innovative blend of genres. The film is lauded for its suspenseful narrative, dark humor, and impactful action. Critics praise Kurosawa's dynamic camera work and the film's influence on Spaghetti Westerns. Audiences appreciate its timeless appeal and intricate storytelling. Some note minor pacing issues and underdeveloped characters, but overall, it's a seminal work in world cinema.
Empfohlene Bewertungen
I just figured out why Toshirô Mifune is so mesmerizing to watch. It's just the way he expresses himself. This guy's amazing!
I've been exploring the halls of Kurosawa and it's getting hard to leave. Yojimbo is a FUN film to watch. Toshiro as the samurai steals almost every scene he is in and I think the epitome of his character is when he's in Gonji's place lying on the floor. He doesn't brag, but when he goes into action, that's it! As soon as he enters the chaotic town, he doesn't seem fazed at all and actually enjoys it. His demeanor is really amusing and it's great watching his plan unfold; how he manipulates both groups to get his way (it's really funny). Great thing too is he's not really a hero and he's not entirely a villain. He doesn't hesitate to kill, but does so methodically. You also have "characters" including Gonji, the thugs from both sides, and Unosuke with an ace up his sleeve (or robe?) which makes things really interesting.
Yojimbo's mix of dark humor, action, and a great performance from Mifune make for a Kurosawa classic.
I've been exploring the halls of Kurosawa and it's getting hard to leave. Yojimbo is a FUN film to watch. Toshiro as the samurai steals almost every scene he is in and I think the epitome of his character is when he's in Gonji's place lying on the floor. He doesn't brag, but when he goes into action, that's it! As soon as he enters the chaotic town, he doesn't seem fazed at all and actually enjoys it. His demeanor is really amusing and it's great watching his plan unfold; how he manipulates both groups to get his way (it's really funny). Great thing too is he's not really a hero and he's not entirely a villain. He doesn't hesitate to kill, but does so methodically. You also have "characters" including Gonji, the thugs from both sides, and Unosuke with an ace up his sleeve (or robe?) which makes things really interesting.
Yojimbo's mix of dark humor, action, and a great performance from Mifune make for a Kurosawa classic.
I'm not going to waste time debating which was the "greatest" or "best" of Kurosawa's movies, but if you want to know the one I enjoy the most it's 'Yojimbo'. 'Rashomon' and 'Throne Of Blood' are probably deeper and more substantial, but for sheer entertainment value 'Yojimbo' is hard to beat! Being a Kurosawa movie it's no surprise that it stars Toshiro Mifune. The two made many movies together, but this is the performance I like to watch the most. I love looking at Mifune's face! His expressions are awesome. He was without a doubt one of the 20th centuries greatest movie stars. 'Yojimbo' was a massive influence on many spaghetti westerns, specifically 'A Fistful Of Dollars', but before you bay for Sergio Leone's blood, please read Dashiell Hammett's detective classic 'Red Harvest', published in 1929 and you'll see that Kurosawa lifted his plot from it. I see no mention whatsoever of this source material in the credits for 'Yojimbo', so let's just leave the Leone bashing alone okay? Many people have convincingly argued that samurai movies were inspired by classic American westerns anyway. Walter Hill later "remade" 'Yojimbo' (or 'Red Harvest' depending on your perspective) as 'Last Man Standing' and David Lynch gave a small nod to it in his 'Wild At Heart'. You can certainly see both the samurai and spaghetti influences in Tarantino's 'Kill Bill' 1 and 2, that's for sure. "Influences", "inspirations", these are things that go around and around, it's what a writer or film maker does with them that counts. 'Yojimbo' is a classic action movie. Maybe only 'Wages Of Fear' is better. Every film buff needs this movie in their collection!
10faraaj-1
Yojimbo, based on noir writer Dashiel Hammett's Red Harvest is a magnificently entertaining film. Toshiro Mifune stars as the nobody who calls himself Sanjuro (thirty but closer to forty). He enters a town destroyed by warring factions and plays a double-game to pit one faction against the other thus destroying the criminal element.
Yojimbo (aka The Bodyguard) is one of the coolest and most stylish films ever made. Starring Toshiro Mifune, Kurosawa's favorite actor, as the scruffy looking Samurai, Yojimbo has all of Kurosawa's qualities and none of the flaws. The music score is an essential element of the plot and strikingly good, but admittedly bettered by the Ennio Morricone version in the Spaghetti Western remake Fistful of Dollars. The visuals are great, from the samurai swordplay, to the desolate streets, the town crier announcing its 3 a.m. to the brutal torture scene.
One of the unique things about Yojimbo is the central character. He is an anti-hero. We see him initially as a killer and a man greedy for money. But then, he saves a family by re-uniting mother and child and giving them all the money he was advanced. Mifune has never been cooler than in this film and Eastwood could only aspire to equal such a performance.
Of the two remakes, I liked Fistful of Dollars for starting the Spaghetti Western genre, although Yojimbo is a far more superior and stylish film. The gangster version, Last Man Standing, was not very good and Bruce Willis made for a poor substitute to Yojimbo. This film looks fresh and undated even today - watch it!
Yojimbo (aka The Bodyguard) is one of the coolest and most stylish films ever made. Starring Toshiro Mifune, Kurosawa's favorite actor, as the scruffy looking Samurai, Yojimbo has all of Kurosawa's qualities and none of the flaws. The music score is an essential element of the plot and strikingly good, but admittedly bettered by the Ennio Morricone version in the Spaghetti Western remake Fistful of Dollars. The visuals are great, from the samurai swordplay, to the desolate streets, the town crier announcing its 3 a.m. to the brutal torture scene.
One of the unique things about Yojimbo is the central character. He is an anti-hero. We see him initially as a killer and a man greedy for money. But then, he saves a family by re-uniting mother and child and giving them all the money he was advanced. Mifune has never been cooler than in this film and Eastwood could only aspire to equal such a performance.
Of the two remakes, I liked Fistful of Dollars for starting the Spaghetti Western genre, although Yojimbo is a far more superior and stylish film. The gangster version, Last Man Standing, was not very good and Bruce Willis made for a poor substitute to Yojimbo. This film looks fresh and undated even today - watch it!
10Peach-2
Only a handful of directors know atmosphere the way Akira Kurosawa does, only a handful. Yojinbo opens with a tracking shot of a ronin samurai walking down a dusty road. The camera wisely stays behind the samurai, played by Toshiro Mifune, so we cannot see his face or expressions. This samurai is desperate. Mifune has no master and no money. Kurosawa doesn't let you see his desperation, instead focusing on the back of his head and his profile to set up one of the most memorable characters in cinema history. The film has been copied many times, its practically the most influential film of the modern action genre. Yojinbo isn't action packed however, Kurosawa takes his time setting up characters and plot. The fact that this masterless samurai has deep compassion for strangers is different than most modern action movies alone. Toshiro Mifune is magical in the lead role. His presence is felt all throughout the film even when he isn't on camera. All film buffs should watch this film, it is a perfect example of a director and actor with confidence in their craft.
Yojimbo is one of Akira Kurosawa's most celebrated films in his career and was remade by Sergio Leone into A Fistful of Dollars. It is considered an essential film and a classic in the samurai genre. Toshiro Mifune was excellent as the nameless ronin who sets out to protect the town, being a man of few words. Kurosawa is of course excellent at setting up the conflict in the town and how it affects the people whilst also delivering on fine samurai sword fights (a man even has his hand cut off). Kurosawa wonderfully lets his scenes play out with plenty of long shots and small camera movements. Kurosawa and his actors also inject some occasional moments of humours to help lighten the mood when need be. But for the most Yojimbo is a serious drama with some very dark elements. Out of the Kurosawa films I have seen I personally prefer Seven Samurai for its scale and Rashomon for its ambition, but Yojimbo is still a worthy film and true film buffs need to watch it.
Wusstest du schon
- WissenswertesAkira Kurosawa told Toshirô Mifune that his character was like a wolf or a dog and told Tatsuya Nakadai that his character was like a snake. Inspired by this direction, Mifune came up with Sanjuro's trademark shoulder twitch, similar to the way a dog or wolf tries to get off fleas.
- PatzerIn the initial fight scene, The Samurai cuts the first two adversaries in the mid-section, then slices the last man's arm off. That last man is first seen from behind holding the sword in his right arm above his head, but the arm holding the sword shown moments later is a left arm.
- Alternative VersionenThe initial US release ran only 75 minutes, 35 minutes shorter than the original version at 110 minutes.
- VerbindungenFeatured in 62nd Annual Academy Awards (1990)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 46.808 $
- Eröffnungswochenende in den USA und in Kanada
- 15.942 $
- 28. Juli 2002
- Weltweiter Bruttoertrag
- 68.196 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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