Das Pendel des Todes

The movie adapted from Edgar Allan Poe is par excellence a movie made up of sketches:for instance ,"tre passi nel delirio"(Fellini,Malle,Vadim,1968) encompassed three short stories.

The problem with Edgar Poe's short stories lies in the fact that they are...short!Here Richard Matheson double-jumped his contemporaries by combining elements from several Poe stories in a single classy film. Some kind of" the writer's greatest hits " so to speak.

The beloved late wife subject directly comes from "Morella" which will be filmed by Corman in "tales of terror" the following year.The doomed house which is slowly sinking down recalls "the fall of the House of Usher"."Burried alive" or "premature burial" plays a prominent part in the plot too.The walled up character was present in "the black cat" and "the cask of Amontillado".As for "the pit and the pendulum",it provides the movie with its final,but it's only a small segment of the whole.

The actors are excellent ,the sets wonderfully Gothic,but there's something hollow in these Corman movies.Fellini was able to transcend Poe (eg segment "Tobby Dammit" in "tre passi nel delirio") ,Corman remains a respectful director,and one sees little of the madness which emanates from Poe's best works.The same goes for such works as "premature burial" or "tales of terror".Outside technically,it does not show any improvement on,for instance Jean Epstein's (helped by Luis Bunuel)"chute de la maison Usher" a silent movie from 1928.

After the mysterious death of Elizabeth Barnard Medina (Barbara Steele), her brother Francis Barnard (John Kerr) travels from London to Spain and without previous notice he arrives at the castle of her husband Nicholas Medina (Vincent Price). He is received by Nicholas' sister Catherine Medina (Luana Anders) that invites Francis to have dinner with her brother and her.

Francis learns that their father Sebastian Medina was a cruel torturer of the Spanish Inquisition and Nicholas is a traumatized man that has witnessed the murder of his uncle Bartolome (Charles Victor) and his adulterer mother Isabella (Mary Menzies) being tortured and killed by his father when he was a kid. During the dinner, the family's friend Doctor Charles Leon (Antony Carbone) unexpectedly arrives and Francis discovers that his sister died of heart attack after visiting the torture chamber in the dungeons. Soon the place is haunted by strange events and Nicholas suspects of his servants Maximillian (Patrick Westwood) and Maria (Lynette Bernay) but Francis is convinced that Nicholas is the responsible for the death of his sister.

"Pit and the Pendulum" is one of the best Roger Corman's movies despite the poor scenario that shakes in many scenes. The last time that I saw this movie was on 16 November 1999 on cable television and today I have just watched it again on DVD. The creepy story of Edgar Allan Poe is still engaging even when the viewer watches more than two times. My vote is eight.

Title (Brazil): "A Mansão do Terror" ("The Manor of Horror")

'Pit And The Pendulum' sees b-grade legend Roger Corman ('Little Shop Of Horrors'), talented suspense writer Richard Matheson ('The Incredible Shrinking Man'), and horror master Vincent Price ('The Tingler') try and recreate the success of their first Poe adaptation 'House Of Usher'. And they do so admirably, '... Pendulum' being even better than the excellent '... Usher'. Matheson cleverly expands upon Poe's original tale by also mixing in elements from the earlier movie, 'The Premature Burial' and other Poe classics. John Kerr is the one weak link in this first rate thriller. An actor I'm not familiar with, he is dull and not all that good. Much better is Antony Carbone (who Corman fans will recognize from 'A Bucket Of Blood') as Price's doctor pal, and the underrated Luana Anders ('Dementia 13', 'Easy Rider') as Price's sister. Price himself is wonderful as usual as the tormented Don Medina, and an added bonus is the appearance of enduring cult figure, and one of the most beautiful actresses in movie history, Barbara Steele ('Black Sunday', 'Shivers'). Steele doesn't get as much screen time as one would wish but it's a joy to see her work alongside Price, sadly their only movie together. 'Pit And The Pendulum' is one of Corman's best horror movies, and one that will surprise many viewers today with just how atmospheric and creepy it still is. An extremely underrated film (as are Corman's other 60s Poe adaptations), and one that is a must see for all horror buffs. Highly recommended.

Three legendary figures, one in writing, and one in film-making, and one in acting are responsible for bringing The Pit and the Pendulum to life. It's Edgar Allen Poe's story about a brother struggling to come to terms about how his sister's untimely death happened. He goes to the mansion of Nicholas Medina, played by the magnificent Vincent Price, to look for answers. The Pit and the Pendulum for a 60's movie is attention getting by how powerful and mystique the actors and actresses characters are, and the brilliant story and script that intertwines very nicely. Roger Corman direction was astounding as well, making me realize why he's so acclaimed by his film-making peers. The Pit and the Pendulum is a nice little horror flick that I watched with no expectations and had no regrets spending the time and money to watch it.

Boy, If I hadn't read another review beforehand which suggested hanging around for the end of this film, even if one gets bored early on, I might have given up on it. I'm glad I stayed with it. It's true; the last part is terrific.

Once again, Vincent Price, as billed, has the lead and deserves the recognition as he emotes as only he could. The surprise is that Price plays such a wimp in this movie, which is out of character for him in his horror films but then - bang! - his REAL personality comes out. Ole Vinny fooled us all. It's shocking and it's pure Price. You'll love it! Price plays, "Nicholas," a guy with a bad family tree. His father tortured people during the Spanish Inquisition and poor "Nicholas" saw his uncle and mother die, too, in the torture chambers of his father's castle (which is a pretty cool place, by the way)..

John Kerr, a horrible actor in this movie, plays a guy ("Francis") to comes to the castle to find out what happened to his sister who had recently died. Oh yeah, she was married to Nicholas. That guy just has no luck with relatives.

I won't say what happens but involves some neat twists and helps make up for the corny and somewhat-boring dialog of the first hour. Talk about torture, though. The first hour, especially the first 20 minutes, is torture to get through. Then a couple of cool all-blue flashback scenes spiced up things for a few minutes, and then it was snooze time until the last 20 minutes which were great!

That last quarter hour is really a hoot for horror fans, especially the last shot!