IMDb-BEWERTUNG
6,5/10
5213
IHRE BEWERTUNG
Ein Künstler entfernt sich von seiner neuen Frau, während ihn ein irrationaler Horror vor einer vorzeitigen Beerdigung verzehrt.Ein Künstler entfernt sich von seiner neuen Frau, während ihn ein irrationaler Horror vor einer vorzeitigen Beerdigung verzehrt.Ein Künstler entfernt sich von seiner neuen Frau, während ihn ein irrationaler Horror vor einer vorzeitigen Beerdigung verzehrt.
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Intensely gloomy it may be, but an impressive example how a determined cinematic stylist can make a real virtue of a low budget. This was the third of director Roger Corman's AIP chillers based on Poe stories, and the only one not to star Vincent Price. Here, Ray Milland is the protagonist whose family history of catalepsy makes him fear burial alive.
Entirely shot on the sound stage, Corman and his regular art director Danial Haller have created a wonderfully expressionist garden of gnarled trees and shrubs wreathed with dry ice. Even the interior of Milland's mansion seems like a grave, notably in the scene where Hazel Court and Richard Bull take tea in a drawing room with wood-panelled walls, dark green wallpaper, with the dead tree pressing oppressively against the windows.
A number of other directorial touches make even this relatively minor Corman effort a winner. Court's shadow passing phantom-like over the sleeping Milland. The sudden shock moments when the sinister gravediggers Sweeny and Moe appear. And the blue-suffused dream-sequence in which Milland hallucinates the fate he fears most is quite masterfully shot, cut and scored (Ronald Stein).
A dark, dank little gem.
Entirely shot on the sound stage, Corman and his regular art director Danial Haller have created a wonderfully expressionist garden of gnarled trees and shrubs wreathed with dry ice. Even the interior of Milland's mansion seems like a grave, notably in the scene where Hazel Court and Richard Bull take tea in a drawing room with wood-panelled walls, dark green wallpaper, with the dead tree pressing oppressively against the windows.
A number of other directorial touches make even this relatively minor Corman effort a winner. Court's shadow passing phantom-like over the sleeping Milland. The sudden shock moments when the sinister gravediggers Sweeny and Moe appear. And the blue-suffused dream-sequence in which Milland hallucinates the fate he fears most is quite masterfully shot, cut and scored (Ronald Stein).
A dark, dank little gem.
This is an excellent horror movie.To be buried alive is a fear we all share ,and although it's not really new (outside Poe's obsession there's a sequence in Dreyer's "Vampyr") ,it's terribly effective.
Ray Milland portrays a man whose obsession knows no bound.His mausoleum which he shows to a distraught wife and to his good sensible friend and the nightmare are worth the price of admission.The foggy ghastly atmosphere -pure English sixties studios - adds to the almost unbearable suspense.The screenplay,which,like all the other Corman's adaptations ,is rather far from Poe's short novel,is full of good ideas (the undertakers whistling a gentle tune when they open a grave,the cat,the unexpected final twist which is quite successful).
"Premature Burial" is to be recommended to horror movies buffs.
The fear of being buried alive never came to an end ;two examples "Oxygen" featuring Adrian Brody and "Spoorlos" (aka "L'Homme Qui Voulait Savoir")
Ray Milland portrays a man whose obsession knows no bound.His mausoleum which he shows to a distraught wife and to his good sensible friend and the nightmare are worth the price of admission.The foggy ghastly atmosphere -pure English sixties studios - adds to the almost unbearable suspense.The screenplay,which,like all the other Corman's adaptations ,is rather far from Poe's short novel,is full of good ideas (the undertakers whistling a gentle tune when they open a grave,the cat,the unexpected final twist which is quite successful).
"Premature Burial" is to be recommended to horror movies buffs.
The fear of being buried alive never came to an end ;two examples "Oxygen" featuring Adrian Brody and "Spoorlos" (aka "L'Homme Qui Voulait Savoir")
This is the only film in Corman's Poe cycle without Vincent Price. He chose instead Ray Milland as the man haunted by fear of being buried alive. In fact Milland portrays the protagonist more "seriously" than Price would have, or more "realisticaly". This is a good film for those who like the subject. Some critics have talked about films filled with fascination with death, quoting some times "Obsession" by Brian de Palma, for example. But if there is a "necrophiliac" film ever, this is "Premature Burial". Loosely based in Edgar Allan Poe's unfilmable tale, it has a magnificent plot and many hints and blinks. It is a disturbing film, too. Its atmosphere is perfectly gloomy. Milland seems genuinely tormented by his fears, and he delivers some modified Poe lines with intensity. I think that this picture is in the better half of the Poe cycle, and has a particular quality of its own.
Guy Carrell suffers with catalepsy, a condition that makes him appear dead, a condition that heightens his primal fear, that if being buried alive.
A wonderfully macabre tale from Edgar Allan Poe, Directed by Roger Corman, horror fans are probably more aware of some of his other titles, such as The Pit and The Pendulum.
It's a well paced film, the pace quickens as the story develops, it features some fine horror moments, the thought of being buried alive is a true primal fear for many, and they didn't hold back.
I loved the way the newly married couple were taking a stroll, collecting flowers from The Graveyard, no wonder he got a little tetchy.
It's a very nicely made film, you'll instantly be aware of the strong production values, great sets and costumes, it holds up well.
First time round, it surprised me seeing Ray Milland cast as the leading man, a role that would probably have gone to Vincent Price had be been available, but Milland was a fine actor, not known for horror, but he definitely adds some Star quality.
7/10.
A wonderfully macabre tale from Edgar Allan Poe, Directed by Roger Corman, horror fans are probably more aware of some of his other titles, such as The Pit and The Pendulum.
It's a well paced film, the pace quickens as the story develops, it features some fine horror moments, the thought of being buried alive is a true primal fear for many, and they didn't hold back.
I loved the way the newly married couple were taking a stroll, collecting flowers from The Graveyard, no wonder he got a little tetchy.
It's a very nicely made film, you'll instantly be aware of the strong production values, great sets and costumes, it holds up well.
First time round, it surprised me seeing Ray Milland cast as the leading man, a role that would probably have gone to Vincent Price had be been available, but Milland was a fine actor, not known for horror, but he definitely adds some Star quality.
7/10.
With Vincent Price busy elsewhere, Roger Corman shoveled the dirt on Ray Milland for this adaptation of Poe's "The Premature Burial." A bit too mature for the role, Milland nonetheless gives a good account of himself as an artist convinced that he'll meet the same fate as many of his ancestors by being buried alive. This movie offers some fairly useful tips for those who have a similar fear, but after watching it you might agree with me that cremation is the way to go.
Corman keeps things nice and creepy throughout, and your skin is sure to crawl at the appropriate moments. This is no match for the director's magnificent "Pit and the Pendulum," but it's an above-average horror flick recommended for everyone but the ghouls employed in the funeral industry.
Corman keeps things nice and creepy throughout, and your skin is sure to crawl at the appropriate moments. This is no match for the director's magnificent "Pit and the Pendulum," but it's an above-average horror flick recommended for everyone but the ghouls employed in the funeral industry.
Wusstest du schon
- WissenswertesRoger Corman started this film outside of American International Pictures. Since Vincent Price had been signed to an exclusive contract with AIP, Corman chose Ray Milland for the lead role. American International would acquire the production just as principal photography began.
- PatzerWhen about to show his guests the cup of poison, Guy refers to this as the coup de grace, but mispronounces it as "coup de gras" (as in "foie gras" or "Mardi Gras"). It is very unlikely that a well educated English grandee such as Guy would make such a mistake.
- Zitate
Guy Carrell: Can you possibly conceive it. The unendurable oppression of the lungs, the stifling fumes of the earth, the rigid embrace of the coffin, the blackness of absolute night and the silence, like an overwhelming sea.
- Alternative VersionenThe original UK cinema version was cut by the BBFC to remove shots of maggots being poured from a cup and to edit scenes of Emily's body being covered with earth. The Optimum DVD is the uncut print.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: Premature Burial (1975)
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- The Premature Burial
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- Budget
- 1.250.000 $ (geschätzt)
- Laufzeit
- 1 Std. 21 Min.(81 min)
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- 2.35 : 1
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