It Happened Here

Like Peter Watkin's "The War Game" which came out around the same time and which imagined life, or what was left of it, in Britain after a nuclear attack, Kevin Brownlow and Andrew Mollo's "It Happened Here" imagines a Britain under the jackboot as if Hitler had succeeded in invading after the retreat at Dunkirk and like "The War Game" is filmed as if it were a documentary. If it has a fault it's that the acting, by a largely non-professional cast, feels distinctly am-dram. Otherwise this is a chilling portrait of a country under occupation, superbly shot by the great Peter Suschitzky and Brownlow. Interestingly, it shows that the British resistance could be just as brutal as the Germans are usually shown in this kind of film, making this the perfect companion piece to Cavalcanti's masterpiece "Went the Day Well".

Ignore Leonard Maltin's comments - he's clearly missed the point of the film. The "Brits" don't keep a stiff upper lip, and the cooperation between them and the Nazis is shocking. The documentary footage of Nazi soldiers parading around London etc appears ever so real. The awesome photography makes up for the weak plot and main character. A must-see.

The Battle of Algiers is another such film which mixes documentary with drama.

Must have been 1967 when I was based at High Wycombe and often went to London for the day. The film was released during this year and wandered into the cinema. The title and posters intrigued me and I was just killing time.

I was amazed at how realistic this film portrayal was and how quiet the cinema was, not a sound from start to finish. The way ID cards/papers were used, the attitude of some people that collaborated, and the resistance starting to fight back, it was just brilliant.

I'd love to see it again,let's hope it is screened on TV but I don't remember seeing it on TV to date, unless it was during the 80's when I was working abroad.

Being a Londoner, and born but a few months after England declared war on

Germany, this film has always held a special significance for me. I originally saw it when it opened in London: a mere twelve years after the worst war in living memory, had ended. I saw it for the second time recently at a friend's house. To me, it is still the best film about the occupation of a country by a foreign army. In his book, "How It Happened Here", co-director, Kevin Brownlow explains how he got the idea to

make this film. He just happened to be walking down a London street, at the

moment when a car screeched to a halt outside a shop. Four or so heavyset

men piled out of the car. They were dressed, recalls Brownlow, in grey

overcoats in a style reminiscent of Russian KGB agents. All were bulky and

acted in a furtive manner. It got Brownlow thinking: "what if....."

On a budget that can only be described as miniscule, it took Brownlow and his co-director, Andrew Mollo, eight years to complete the film. It's shot in a

quasi-documentary style, which makes it even more realistic. Their attention to detail is amazing considering the paucity of funds available - every uniform the actors wore was sewn by Mrs. Mollo. While I can't claim to personally 'remember' those years when London was

bombed constantly, I can recall the sound, or should I say lack of it (we were all inside a bomb shelter), when a German V-2 rocket (nicknamed a doodle-bug),

ran out of fuel and plummeted to the ground. We were lucky: it landed but a few streets away, killing many, many people, breaking windows, shaking chimneys and covering all our possesions in a thick layer of soot!

What's most amazing about this film is that it was made by teenagers and looks good even for being shot in 16mm. Seeing Nazis goose-stepping in front of various UK landmarks and is pretty upsetting and totally convincing. The narrative loses a lot of steam after an hour (I think this film was expanded from a short) but the faked newsreel shown in a cinema halfway through the movie is totally flawless in its imitation of German propaganda films.