Die Rache des Herkules

Broderick Crawford is a slimy politician in a toga and Mark Forest (bodybuilder Lou Degni) is muscleman Goliath in this kitsch epic from Italy, exploited to the max in the U.S. by American International pictures during the drive-in heydays of the late 50's and early 60's. This one's quite a potboiler, with a various assortment of cheesy monster creations (including some very brief stop-motion footage by Jim Danforth), the usual buxom babes with big Roman hairdos and, of course, the solid and stiff muscleman hero performing various feats of strength (like wrestling a bear suit and, rather impressively, genuinely warding off a real elephant!). It's all a lot of nostalgic fun and the new DVD release is a revelation in quality, bringing back the bright color and widescreen TotalScope ratio of the original theatrical presentation. The DVD is also packed with campy tributes to the whole muscleman, sword-and-sandal genre, including a gallery of trailers, shorts and even an entire second strongman feature, the truly ridiculous CONQUERER OF ATLANTIS! Get ready for a great late-night schlockfest with this package!

I had previously watched this in Italian during a pretty disastrous screening at the B-movie retrospective at the 2004 Venice Film Festival where the whole audience howled with laughter; in hindsight, I have to say that watching it on the big screen certainly magnifies its inherent faults tenfold. Actually, now that I've given it another look, it's not worse than most other peplums - though certainly not up to Cottafavi's best work, THE 100 HORSEMEN (1964) but his offbeat framing and vivid sense of color enlivens several sequences to be sure. For the record, Cottafavi also made that which is arguably the best Hercules film of all, HERCULES AND THE CAPTIVE WOMEN (1961), whose shortened US version (alas) has just been released on R1 DVD.

Anyway, the plot kicks into action immediately as Mark Forest (playing the titular he-man, named Hercules in the original Italian-language version) goes to recover a diamond from a monster-infested cave which includes a hilarious large cat creature with bat wings which I clearly recall sending the Venice Film Festival audience in hysterics! The villain of the piece is Broderick Crawford who naturally chews up the scenery and approaches the role as if he were playing a gangster; at one point he even puts down his equally crooked, if actually brighter, henchman by calling him a "moron"...after which Crawford is apparently revitalized and inspired into devising newer and more ingenious traps to spring for Hercules...er...Goliath! The busy plot line, of course, involves several action set-pieces, court intrigues, much invoking of the Greek gods, women threatened with torture...and more laughable monsters (the dragon of the English title is so cheap that only its head ever makes any significant appearance). There is the usual coterie of maidens in these mythological epics who, thankfully, are very easy on the eyes here especially Leonora Ruffo (as Goliath's wife; she went on to repeat the role in Mario Bava's HERCLUES IN THE HAUNTED WORLD [1961]) and Gaby Andre' (as a duplicitous slave who also falls for Goliath).

The version I watched this time around, via Alpha's DVD, was the AIP English-dubbed and rescored one (by the ubiquitous Les Baxter); surprisingly, it was a widescreen print - but the colors were way too much on the red side so that I had to tone down the colors on my TV set to make the whole thing viewable!

P.S. Amusingly, my father and I attended a multi-part course on film appreciation some 10 years ago and when the lecturer mentioned such peplums in a positive light, my father, knowing the man to be a University professor, exclaimed loudly: "Don't tell me you appreciate that stuff?"

I saw the poster for GOLIATH AND THE DRAGON outside a theater when I was a kid and was dying to see it. Unfortunately I had to wait over thirty years until just the other day when I found a cheap VHS copy in a video store. Was it worth the wait? Absolutely --- but not for the reasons I'd expected. In addition to the cool poster what intrigued me about the film were the Jim Danforth stop motion sequences added for the American release. Pictures of the dragon made it look pretty good. Unfortunately the model is poorly used in the film itself, and nowhere is it shown off to such good advantage as in the publicity stills. Animation-wise the film was a major disappointment.

And other-wise? Well, you gotta give this movie a big A for Ambition. Hercules (excuse me, GOLIATH) doesn't just duke it out with soldiers, he battles a three headed dog, a bat monster, a centaur, a bear, and at one point even wrestles an elephant to the ground! Unfortunately none of these conflicts is handled with anything like the skill needed to really bring them off, but you've gotta love them for trying. And the movie, goofy and slipshod as it is, never bores. Peplum fans should check it out.

I saw the Alpha Video DVD of GOLIATH AND THE DRAGON, which is from a well-preserved widescreen print, and it's dazzling to look at! To be sure, the color balance goes a bit wonky in a few outdoor scenes, but the aquamarine trees and purple skies almost seem intentional, given the strangeness of director Vittorio Cottafavi's vision. If all the old sword and sandal epics were in this good a shape, the genre would attract many more fans.

The movie itself is a delirious muscleman fantasy from start to finish. A bearded Mark Forest shows off the biggest pecs and widest lats of his generation, and melts everyone with his smile (except scar-faced Broderick Crawford as the cranky villain). The costumes are beautiful, the sets are extravagant, the exterior landscapes are a lush paradise, the monsters are huge puppets, and just when you think the story can't become more bizarre...it does! An absurdly majestic music score by Les Baxter strives to match the melodrama of a hero who dares to revolt against the gods themselves.

Cottafavi will try just about anything to dazzle and disorient the viewer. In one scene, as our hero approaches, looms above, and then passes over the camera, the point of view turns completely upside-down; the effect is so audacious I had to laugh out loud! This is fearless (and yes, perhaps sometimes mindless) film-making, and the result is truly dreamlike, if not downright mythic.

This myth-opera Peplum deals about Hercules , he finishes the seven works going to inferno in the center of earth , a hell plenty of craters , volcano , yellow fume and red foggy in gaudy colors and groundbreaking atmosphere . There he battles can Cerbero with various heads spitting fire and a flying monster similar a large bat (creatures made by Carlo Rambaldi : ET) . Later on , there takes place a palace intrigue with a tyrant named Euristeo (a scarface Broderick Crawford , in the U.S. version, it's not his voice, but a voice actor impersonating him) attempting to rule over the city of Tebas and our hero unhesitatingly goes into action and must use his strength to save his wife and son of a cruel torture with elephants ; plus , he confronts Zeus represented by a great sculpture . Here Hercules is married to Deianira (Leonora Ruffo) and has a rebel and angry son (Moretti) facing off his father , but he's impeded on relationship with Thea and even he's tied a tree by Hércules . Finally , it takes place an exciting final confrontation into a snakes pit .

This muscle-man epic displays action , adventures , mythology, bizarre and luxurious scenarios and results to be quite amusing . The movie has not mythological accuracy , neither expectation historical . This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Awards . Stunningly cheap special effects like the shots and close-ups of a giant bear that's a man suited struggling against Hércules . Besides , it appears usual Eurotrash babes such as Wandisa Guisa and Leonora Ruffo and a habitual Spaghetti Western : Robert Hundar as a centaur . Mark Forest is good and strong playing the mythical hunk who finds several risks while attempting to defeat his enemies and fighting monsters and numerous odds . Forest played the hero in great number of movies and was randomly assigned the identity of Hércules , Goliath , Samsom for US version . Bouncing and robust Forest was a muscle-man who allegedly left the Gladiators genre for the Opera and he currently teaches in the L.A. zone . He was one along with the biggest chests like are Gordon Scott , Alan Steel , Reg Park , Ed Fury , Dan Vadis , all of them to seek fortune acting absurdly mythological figures but nobody topped Steve Reeves in popularity .

This motion picture is an enjoyable sword and sandals story , being compellingly directed by Vittorio Cottafavi (1914-1998), he was a complete artist , painter and Peplum expert , as he directed : ¨Conquest of Atlántida¨ , ¨Legions of Cleopatra¨ , ¨Mesallina¨ and ¨Rebellion of gladiators¨ . Originally titled "Hercule's Revenge", but since Universal owned the rights to Hercules at the time, the title was changed and the name of the main character was changed to Goliath.