Stählerne Schwingen

i thought this was a fairly decent war picture.it's not what i would call a classic,but it passes the time.the action sequences are pretty good,sometimes exciting.there's some obvious stock war scene footage mixed in with the film scenes.the acting is decent enough but not stellar,by any means,with maybe a bit of overacting going on possibly intentional.there's a bit of lite comedy thrown in that works well.the movie definitely has a pro war slant to it,so if that's not your thing,you may want to avoid it.otherwise,i'd say the movie is worth a watch on a lazy day when you have nothing better to do.for me,Flying Leathernecks is a 6/10

I had previously watched this one on TV, but I recall being underwhelmed by it: I liked the film better a second time around, but it’s clearly no classic (despite director Ray and co-star Robert Ryan’s involvement); contrary to Ray’s best work, which is marked by his personal touch, he’s strictly a director-for-hire on this particular title.

The film is one of several war-themed Wayne vehicles from this era, a good number of which I’ve yet to catch up with – FLYING TIGERS (1942), THE FIGHTING SEABEES (1944), BACK TO BATAAN (1945) and OPERATION PACIFIC (1951). It’s similar to Wayne’s FORT APACHE (1948), where he’s now portraying the martinet role played in that John Ford cavalry picture by Henry Fonda – though he’s well-matched with the long-suffering Ryan (cast against type as an overly sensitive executive officer dedicated to his squad). The latter element, then, links the film with such archetypal flying pictures as ONLY ANGELS HAVE WINGS (1939) and TWELVE O’CLOCK HIGH (1949) – where the group leader is constantly forced to make tough decisions in which the life of his men has to be put in jeopardy. For this reason, too, Wayne’s a generally glum presence here – apart from his interaction with Jay C. Flippen as an amiably roguish old-timer; from the remaining supporting cast, Don Taylor is equally notable as the wise-guy crew member who happens to be a relative of Ryan’s.

The action sequences are exciting (domestic asides are unsurprisingly dull but thankfully brief).even if utilizing an astonishing amount of grainy WWII stock footage which, while giving it a sense of raw authenticity, also tends to stick out rather too obviously alongside the soft yet agreeable Technicolor adopted for the rest of the film! In the end, FLYING LEATHERNECKS may be corny but it’s reasonably enjoyable – and occasionally stirring – for all that.

I have seen "Flying Leathernecks" countless times since I was a boy. This morning on TCM, it was on again and I almost missed my Saturday morningtee-time with my golf buddies. They were forgiving though, as they, like me, had grown up with the stories of our fathers, uncles and cousins whohad served in WWII and of course, it was a JOHN WAYNE film. You ALWAYS have to stop and watch the Duke anytime he takes on the Japanese. The movie utilizes much Navy combat film from WWII, most of it not of the Guadacanal campaign and the aerial "combat" was typical of most war flicks in the 1940s and '50s. While it has many production errors (not matching recreated action with actual combat footage, reversing damage/wounds on planes and pilots, etc.) it is still a good movie to kick back with and watch a simple story.

The central story is elementary. Wayne arrives to command a group of Hellcats on Guadalcanal. His executive officer is Robert Ryan. Wayne is a taciturn, no-nonsense typa guy who doesn't suffer humanitarians easily. Ryan is a humanitarian. (A fairly decent reflection of offscreen attitudes here.)

Ryan is always saying things about his wisecracking, fun-loving men like, "They're just kids." And Wayne's first priority is to force them to become disciplined and efficient warriors. He's distant enough that when he sends the men a bottle of saki, he tells the messenger not to reveal the identity of the donor. Not that Ryan is a namby-pamby. He's shown as gentle but not coddling. And he's smart too. One of his men complains that every time he goes up, his chances of coming down alive are narrowed. Ryan explains Baldt's theorem, or whatever it is, which states that your chances remain the same no matter how many times you've flown. Just like flipping a coin. With each flip, your chance of getting heads or tails is even, no matter how many times you've flipped it. (This ignores something called The Law of Limits, I think, but I don't want to get in over my head here so I'll quit.) Okay, maybe Ryan thinks too much, but at least statistics isn't as bad as a taste for Shakespeare, which was John Agar's failing in "Sands of Iwo Jima." Math is a man's job, finally, whereas Shakespeare is only one step removed from fairyhood.

Anyway the conflict intensifies and Ryan finally turns on Wayne, saying, "I've had a belly full of you!" There is a fierce confrontation and Wayne departs to train pilots elsewhere in ground support using Corsairs, a legendary Pacific fighter. He does not recommend Ryan as his replacement because Ryan, as we all know, hasn't got the guts for command.

Now -- you've got the picture of the conflict. We have, on the one hand, the stern, distant, not unfeeling Wayne leader. And on the other hand we have the casual, humanitarian Ryan who identifies with his men too much. Okay. The conflict is resolved at the end of the picture and the two men agree to meet later and get drunk together. I ask you: in whose favor is this conflict resolved? No power on earth could drag the answer from me.

This movie was directed by Nicholas Ray, although you'd never know it. Comedy relief is provided by the scrounging line chief, J. C. Flippen, who refers to non-aviation types as "mud Marines" and is patronizingly tolerated by Wayne. All the combat footage is from official Navy film. You have seen every shot exactly one thousand, two hundred, and forty-two times before.

Those F4U Corsairs were marvelous airplanes with a top speed of about 450 miles an hour.

A Howard Hughes War breathtaking film that probably accounts for the brilliance of the cinematography of the aerial dogfights . Classic war film with a magnificent John Wayne as tough Major fighting Japanese and a nice secondary cast who provide stalwart support . This is a flag-waging and patriotic tribute to US fliers . Very decent war scenes along with documentary footage that convey us the assault troops supported by aviation to establish on the Pacific islands, but like the navy, the US army and Air Force fought its way from island to island in the Pacific . The squadron's designation in the movie was VMF-247 "Wildcats" but in the movie was based on VMF-223 "The Bulldogs". The Leathernecks of the film's title is military slang . Leatherneck is a common nickname for marines of the United States Marine Corps (USMC). The film's dedication states : "Dedicated to the United States Marine Corps, and especially to Marine aviation . Appreciation is gratefully acknowledged for their participation and assistance which made this picture possible" . Regarding Marine Major Dan Kirby (John Wayne) is tough on his group of World War II aviators , he is even tougher than his subordinate Captain Carl Griffin (Robert Ryan) . As squadron leader fights with his fellow officer in Guadalcanal island . Both of them are two-fisted officers whose inevitable feud ranges from the wartime Pacific to peacetime America . As Kirby proves that his method is more suited to the demands of war and he leads his soldiers to into victorious battle , winning the devotion and admiration of his fliers . As when the real fighting begins all is forgotten . They subsequently bomb a convoy that is nicknamed by Kirby as ¨Tokyo Express¨.

The film is based correctly on Guadalcanal battle in a hard-fought US operation , one of the most difficult campaigns of the Pacific theater , detailing this fight as well as other battles in Orient . This is a Howard Hughes production as the opening credits declare . It is well known that Hughes himself was an aviation aficionado who also produced Hell's angel (1930), Sky Devils (1932) and Jet Pilot (1957), the latter of which also starred John Wayne . It's a good film dealing with war in human terms . This colorful movie contains action , breathtaking battles , thrills , stock-shots , historical events and the dogfighting scenes are impressively made . Stalwart main cast , Wayne and Ryan , both of whom give splendid interpretations . Being stunning supported by Don Taylor , Barry Kelley , James Bell , James Dobson , and special mention for J.C. Flippen as grizzled veteran . Big production design , lavishly produced , brilliant photography and rousing soundtrack by ordinary Roy Webb as you'd expect from RKO Pictures at the time . Superp photography in glimmer color by William E Snyder , superbly captured in bright , sharp Technicolor which nowadays' processors never seem able to reproduce .

The picture was compellingly directed by Nicholas Ray , author of various master pieces and hits as Rebel without cause , The savage innocents , Johnny Guitar , King of Kings , 55 days at Pekin and many others . Nicholas has a sensitive handling of actors and provides an exact compositional sense . Ray is a classic director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people. ¨Flying leathernecks¨ is often considered merely another assignment of Nicholas Ray's at RKO for Howard Hughes to prove his political and professional alliance during the Red Scare and being Nicholas Ray's first film in color.