IMDb-BEWERTUNG
7,0/10
6076
IHRE BEWERTUNG
Eine junge Frau, die einen Riesengorilla von klein auf aufgezogen hat, bringt ihn Jahre später nach Hollywood, um ihr Glück zu suchen.Eine junge Frau, die einen Riesengorilla von klein auf aufgezogen hat, bringt ihn Jahre später nach Hollywood, um ihr Glück zu suchen.Eine junge Frau, die einen Riesengorilla von klein auf aufgezogen hat, bringt ihn Jahre später nach Hollywood, um ihr Glück zu suchen.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 1 Gewinn & 3 Nominierungen insgesamt
Mary Gordon
- Old Woman
- (Unbestätigt)
Iris Adrian
- Gloria
- (Nicht genannt)
Bobby Barber
- Diner Patron
- (Nicht genannt)
Pat Barton
- Cigarette Girl
- (Nicht genannt)
Ian Batchelor
- Strongman
- (Nicht genannt)
Sharon Bell
- Girl
- (Nicht genannt)
Empfohlene Bewertungen
RKO managed to put out a sweet movie, even with the cheesy backdrops (the African scenes) and special effects (they obviously used toy vehicles in one scene). You'll root for the good guys and laugh at the rougish character played by Robert Armstrong as he schemes to get Joe back home. Look for Irene Ryan (who later played "Granny" on the Beverly Hillbillies) in a quick scene in the nightclub.
Thanksgiving just can't be Thanksgiving without Mighty Joe Young. From as far back as I can remember, until about 10 years ago, WOR, channel 9 in New York City, played a King Kong festival on Thanksgiving day, and then a Godzilla festival on Friday, dubbing it "Monster Weekend." Of the 3 "ape movies" played back-to-back (King Kong, Son of Kong, and Mighty Joe Young), this was far and away the best. There were several reasons for it. (1) Mighty Joe Young has the best special effects of all the ape movies (and, truth be known, far better than those of most of the Godzillas -- which were filmed 10-20 years later!). (2) Mighty Joe Young has the best story. It's about a little girl who adopts a young gorilla in Africa on her family's plantation, and she grows up with it. The gorilla turns out to be the largest in the world (but nowhere near the size of Kong). Joe is affectionate with his "sister", and very protective of her, and the animators gave him a wonderful range of facial expressions and emotions. (3) Mighty Joe Young has the best climax, and the best ending.
All told, Mighty Joe Young is a terriffic movie. It was light years ahead of its time in so many ways, including special effects. It is well worth the time to see it.
My score: 8/10
All told, Mighty Joe Young is a terriffic movie. It was light years ahead of its time in so many ways, including special effects. It is well worth the time to see it.
My score: 8/10
MIGHTY JOE YOUNG is essentially a smaller, pared-down re-run of KING KONG, with everything taking place on a smaller scale and perhaps a slightly younger audience in mind. It's nevertheless an extremely watchable and at times powerful piece, one that's at its best when depicting the worst of human nature; namely Joe's transformation from king of the jungle to a side-show freak.
Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.
KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.
Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.
KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.
Great film about an oversize gorilla (about 10-11 feet), its owner (Terry Moore) and what happens when an unscrupulous promoter Max O'Hara (Robert Armstrong) lures them from Africa to America to become a hit. Let's get the bad stuff out of the way--the story is nothing new; Terry Moore and Ben Johnson are among the worst actors I've ever seen and there's zero lack of characterization among the humans. But when Joe Young appears all is forgiven. He looks great, moves realistically and has incredible facial motions. You can tell exactly what he's thinking by his expressions! Also, the scenes where he's grappling with humans, horses, lions look extremely realistic--that's saying a lot for a film that's over 50 years old! A fun family film. Try to see restored prints--there's a final sequence involving a burning building in which the whole reel is tinted red--very nicely done.
An African girl (Terry Moore) is best friends with a twelve-foot tall ape named Joe she grew up with. American promoter Max O'Hara (Robert Armstrong) persuades the girl to bring her ape to America to take part in his show. You can pretty much guess how this will go wrong even if you haven't seen King Kong.
First big role for Ben Johnson as a cowboy who falls for Moore. He's pretty wooden here but then again he was a fairly wooden actor throughout his career. He does his usual John Wayne, Jr. routine. Lots of "Yassir" and "Ah reckon" type stuff. Robert Armstrong plays a role very much like Carl Denham from King Kong, although a little more comedic. Terry Moore is more Helen Mack than Fay Wray. That is to say she's cute but not much screen presence.
Re-teaming of many of the King Kong team for a story that is very similar to that film, although different enough to keep this from being considered a remake. The story is mostly kid stuff and fluff but cute nonetheless. The Willis O'Brien/Ray Harryhausen special effects alone are worth checking this movie out.
First big role for Ben Johnson as a cowboy who falls for Moore. He's pretty wooden here but then again he was a fairly wooden actor throughout his career. He does his usual John Wayne, Jr. routine. Lots of "Yassir" and "Ah reckon" type stuff. Robert Armstrong plays a role very much like Carl Denham from King Kong, although a little more comedic. Terry Moore is more Helen Mack than Fay Wray. That is to say she's cute but not much screen presence.
Re-teaming of many of the King Kong team for a story that is very similar to that film, although different enough to keep this from being considered a remake. The story is mostly kid stuff and fluff but cute nonetheless. The Willis O'Brien/Ray Harryhausen special effects alone are worth checking this movie out.
Wusstest du schon
- WissenswertesThis was the first feature film to which Ray Harryhausen contributed stop-motion animation effects.
- PatzerJoe's size varies immensely throughout film.
- Crazy CreditsOpening credits cast list: "AND Mr. Joseph Young As Himself"
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenEdited into Finger weg von meiner Frau (1966)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El gran gorila
- Drehorte
- Thousand Oaks, Kalifornien, USA(nightclub sequence with lions)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.800.000 $ (geschätzt)
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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