Panik um King Kong

In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara (Robert Armstrong) organizes a safari to Africa with the Oklahoma cowboy Gregg (Ben Johnson) to bring attractions to his new night-club in Hollywood. They capture several lions and out of blue, they see a huge gorilla nearby their camping and they try to capture the animal. However, the teenager Jill Young (Terry Moore) stops the men that intended to kill her gorilla. Max seduces Jill with a fancy life in Hollywood and she signs a contract with him where the gorilla Joseph "Joe" Young would be the lead attraction. Soon she realizes that her dream is a nightmare to Joe and she asks Max to return to Africa. However he persuades her to stay a little longer in the show business. But when three alcoholic costumers give booze to Joe, the gorilla destroys the spot and is sentenced by the justice to be sacrificed. Will Jill, Gregg and Max succeed in saving Joe?

"Mighty Joe Young" is a surprisingly excellent movie, with a story that entwines drama, romance and adventure and with awesome special effects for a 1949 movie. I bought this DVD a couple of years ago, but I was expecting a lame rip-off of King Kong based on the awful Brazilian title. However, the plot is engaging, with lots of emotions and many plot points and Joe's runaway is spectacular. My vote is eight.

Title (Brazil): "Monstro de um Mundo Perdido" ("Monster of a Lost World")

"Mighty Joe Young" was the third of Producer Merian C. Cooper's giant ape trilogy following "King Kong" and "Son of Kong" both released in 1933. It was directed by Cooper's old pal Ernest B. Schoedsack, who also had directed the first two. At this time Cooper was producing pictures in partnership with John Ford. Ford's influence can be seen in this film. Ford's protégé of the time, Ben Johnson is cast in the lead, Ford regular Jack Pennick appears in a bit as a truck driver and the "Fordian" humor is evident, particularly in the nightclub sequence.

Robert Armstrong, who had played a similar role in the Kongs, returns as Max O'Hara a fast talking promoter who was reportedly based on producer Cooper. This film also marked the passing of the torch from legendary stop motion animator Willis O'Brien to the then young Ray Harryhausen.

The film opens in Africa where the young Jill Young "buys" a baby gorilla and names him Joe. Fast forward 12 years where Max O'Hara is planning to go to Africa to capture wild animals for his African themed restaurant. A young wrangler, Glenn Johnson (Ben Johnson) applies for a job and accompanies the group to the Dark Continent. Suddenly their camp is turned upside down by the now 12 foot tall "Mighty Joe Young". Amid the confusion, the now grown Jill (Terry Moore) emerges and calms the ape.

O'Hara seeing an opportunity, convinces the girl to bring the ape to America to perform in his nightclub. Along the way Jill and Glenn become an item. Following a successful introduction in "civilization", Joe is taunted by three drunks (Douglas Fowley, Nestor Paiva, Paul Guilfoyle). They then sneak down to where the gorilla is caged and feed him liquor. Well..you know what happens next. Joe escapes and runs amok in the nightclub, releasing the lions and wrecking the joint.

Jill, Glenn and O'Hara seeing the plight of Joe decide to take him back to his home. The police having been ordered to destroy the beast in pursue them. Along the way, they come upon a fire (filmed in a red sepia tone) in a children's orphanage. Joe becomes a hero and everyone lives happily ever after.

One cannot comment upon "Mighty Joe Young" without praising the special effects. Under the supervision of O'Brien, Harryhausen creates some amazing effects. Gone are the jerky movements of the Kongs. The facial expressions of the ape are simply amazing. Its movements are very realistic and convincing. The wrecking of the nightclub and the orphanage sequence are unbelievable. In spite of the sanitized script (no one is actually killed), the effects carry the day.

For both Johnson and Moore, this was their first leading roles. Johnson who at this time as an actor made a great cowboy, went on to a distinguished career lasting almost 50 years (including an Oscar in 1971). Moore, who provides an informed commentary (along with Harryhausen)on the DVD, became more famous for her alleged marriage to the then middle aged playboy, Howard Hughes.

Also on board are Frank McHugh as O'Hara's assistant, Regis Toomey as Jill's father and a number of then famous wrestlers playing the strongmen in the night club sequence: Primo Carnera, Carl "Killer" Davis, William "Wee Willie" Davis, Man Mountain Dean and Henry Kulky who went on to a acting career of his own. Also watch for Ellen Corby and Charles Lane in bits.

Not in the same class as "King Kong" but an entertaining film nonetheless.

MIGHTY JOE YOUNG is essentially a smaller, pared-down re-run of KING KONG, with everything taking place on a smaller scale and perhaps a slightly younger audience in mind. It's nevertheless an extremely watchable and at times powerful piece, one that's at its best when depicting the worst of human nature; namely Joe's transformation from king of the jungle to a side-show freak.

Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.

KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.

Thanksgiving just can't be Thanksgiving without Mighty Joe Young. From as far back as I can remember, until about 10 years ago, WOR, channel 9 in New York City, played a King Kong festival on Thanksgiving day, and then a Godzilla festival on Friday, dubbing it "Monster Weekend." Of the 3 "ape movies" played back-to-back (King Kong, Son of Kong, and Mighty Joe Young), this was far and away the best. There were several reasons for it. (1) Mighty Joe Young has the best special effects of all the ape movies (and, truth be known, far better than those of most of the Godzillas -- which were filmed 10-20 years later!). (2) Mighty Joe Young has the best story. It's about a little girl who adopts a young gorilla in Africa on her family's plantation, and she grows up with it. The gorilla turns out to be the largest in the world (but nowhere near the size of Kong). Joe is affectionate with his "sister", and very protective of her, and the animators gave him a wonderful range of facial expressions and emotions. (3) Mighty Joe Young has the best climax, and the best ending.

All told, Mighty Joe Young is a terriffic movie. It was light years ahead of its time in so many ways, including special effects. It is well worth the time to see it.

My score: 8/10

Great film about an oversize gorilla (about 10-11 feet), its owner (Terry Moore) and what happens when an unscrupulous promoter Max O'Hara (Robert Armstrong) lures them from Africa to America to become a hit. Let's get the bad stuff out of the way--the story is nothing new; Terry Moore and Ben Johnson are among the worst actors I've ever seen and there's zero lack of characterization among the humans. But when Joe Young appears all is forgiven. He looks great, moves realistically and has incredible facial motions. You can tell exactly what he's thinking by his expressions! Also, the scenes where he's grappling with humans, horses, lions look extremely realistic--that's saying a lot for a film that's over 50 years old! A fun family film. Try to see restored prints--there's a final sequence involving a burning building in which the whole reel is tinted red--very nicely done.