Ich war eine männliche Kriegsbraut

One of the most undervalued screwball comedies... I think this picture is equal to classics like "It Happened One Night","Bringing Up Baby" or "My Man Godfrey".In this movie Ann Sheridan has the rare opportunity to show that she's not just a great dramatic actress but also has a impressive comedian talent - neither Katharine Hepburn nor Carole Lombard would have made it better.Cary Grant acts also quite good,but he has no chance against Ann with her sharp-tongued,dry commentaries...The dialogues and the action are very funny,I even laugh about it when I see that feature the 10th time...part of the plot is nonsense,of course,but there are also some sarcastic digs on the bureaucratic system. If you like screwball comedies,this movie is a MUST!!!

As a fan of Cary Grant's work in such comedies as Philadelphia Story and Bringing Up Baby, I was thoroughly disappointed by this movie.

It has a few shining, laugh out loud moments in the beginning and in the well known cross-dressing segment near the ending, but I found the middle to be long, slow and not very entertaining. The plot wasn't very interesting and Grant's adventures became repetitive and boring. Also, Grant isn't very convincing as a Frenchman, and I kept forgetting why he had trouble getting into the States in the first place. If you have trouble sitting through slow-moving movies, I would definitely not recommend this.

However, on the opposite side, there are a few funny moments, a cute romantic plot, and, of course, Cary Grant. See it if you wish, but be warned not to have too high of expectations.

In doing this film Howard Hawks was greatly influenced by his own Bringing Up Baby. Certainly Cary Grant had never been that henpecked on the screen since that classic film. And Ann Sheridan's WAC character was certainly based on Katharine Hepburn's in Bringing Up Baby. I wouldn't be surprised if this film wasn't originally offered to Hepburn.

I Was a Male War Bride divides neatly in two parts. In fact I'm convinced that a great deal was eliminated from the beginning because the film seems to start in the middle of the story. When it begins Sheridan, a member of the U.S. Women's Army Corps and Grant a French Army officer already know each other and well. Sheridan pushes Grant around the same way Hepburn did in Bringing Up Baby. After a whole lot of verbal banter with Sheridan taking the lead in it, they decide they're in love and want to be married.

But we're dealing with the army and there is a law about American soldiers taking foreign brides while on occupation duty. But no one had the foresight to realize that WACS may find husbands as well. The second half of the film are the frustrations in dealing with all the red tape.

It may seem ridiculous, but we're not only dealing with bureaucratic minds, but military bureaucratic minds. That mindset operates in every army on the planet. What's obvious to us, these folks can't or won't grasp.

Sheridan and Grant team well together. There are no other good secondary characters developed, most of the time it's Grant and Sheridan on the screen together. Sheridan does admirably as a Katharine Hepburn substitute.

You see I Was A Male War Bride and you can understand the military's opposition to gays in their ranks. They don't take to change easily and in fact do it worse than most segments of society.

Howard Hawks proves once again why he is considered to be the director's director. The story is fairly simplistic, but with the help of brilliant actors and ingenious dialogue he turned it into a masterpiece and a classic. And it's a damn funny movie, too.

I expected an explanation how the limey Grant got to join the French army, until the credits rolled and forced me to realise that he was meant to be genuine, native French. The good thing here is that Grant never in the least tries to act French, which is probably a good idea as it would have proved to be annoying in the long run. He merely wears a képi.

The chemistry between Ann Sheridan and Cary Grant is amazing, and Ann is so damn sexy. I particularly enjoyed her role as a strong yet sensuous woman, who, in contrast with many other female roles of the time, comes across as plenty fresh and modern.

The movie is a light-hearted comedy for the first half, and then suddenly turns into an almost Kafkaian nightmare for the rest. Grant really shows us his thespic stuff when he's battling being turned into a woman for bureaucratic reasons.

I'm giving this only nine points because I want to leave me some room for improvement. But it's a brilliant and very enjoyable movie, which is sadly underrated.

Although the film shows hundreds of American female military personnel stationed in Germany after World War II, apparently few were interested in the local men. According to Howard Hawks's "I Was a Male War Bride," only the male soldiers wed Europeans, and the military bureaucracy and red tape were stacked against American women marrying European men. With that premise, an American Lieutenant, Ann Sheridan, falls for Frenchman Cary Grant, and the couple resort to extraordinary ploys to both comply with and circumvent the rules to marry and bring Grant to the U.S. as Sheridan's "bride." Although Grant is about as French as Big Ben and looks as feminine in drag as Sylvester Stallone, Cary is Cary and brings charm and charisma to his improbable role of Captain Henri Rochard. Tough and sexy Sheridan is better cast, but the sum of the two stars exceeds either apart. Cary and Ann have chemistry and work well together in a plot that could have easily fallen apart with a less skilled team of actors and director.

Grant plays the patient and suffering spouse, who must endlessly explain that he is married to an American soldier and entitled to shelter and transportation in a system that does not recognize his gender as compatible with his situation. Throughout, Grant's face and body language speak volumes about the frustration of dealing with bureaucracy and filling in forms in triplicate. Although at times Sheridan seems oblivious to the depth of Grant's problems, her performance is fine, and she convincingly captures the transition from an initial loathing of to an eventual attraction to Rochard. Shot on location in post-war Germany, the black-and-white photography captures the beauty of the countryside and the devastation of the cities with documentary like precision. Hawks keeps the proceedings well paced, and, while rarely laugh-out-loud funny, "I Was a Male War Bride" and its megawatt stars provide excellent entertainment.