IMDb-BEWERTUNG
3,6/10
1915
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPaula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.
Art Millan
- Carl Parkins
- (as Arthur Millan)
Timothy Farrell
- Lt. Holmes
- (as Timothy Farell)
Chandler McClure
- Det. Artman
- (as F. Chan McClure)
Harry Keaton
- Doctor
- (Nicht genannt)
Empfohlene Bewertungen
Ed Wood, purveyor of class and dignity with a veneer of exploitation, gives us a great story about the consequences of parental neglect, albeit wrapped in nice, tight sweaters.
The movie deals with a newspaperman's daughter (who looks about the same age as her parents) who has become a wild child because her father is too busy at work to notice that he keeps giving her the same birthday present every year. In addition, her mom's continuously on the charity circuit, so she's never around for those heart-to-heart talks that young women need. So, left to her own devices, she has a gang of other females in need of thrills who rob gas stations and rape young men.
While this tragedy is at times overly done, the point is still well made that parents need to be involved in their children's lives. Sterno says give The Violent Years some time from your life.
The movie deals with a newspaperman's daughter (who looks about the same age as her parents) who has become a wild child because her father is too busy at work to notice that he keeps giving her the same birthday present every year. In addition, her mom's continuously on the charity circuit, so she's never around for those heart-to-heart talks that young women need. So, left to her own devices, she has a gang of other females in need of thrills who rob gas stations and rape young men.
While this tragedy is at times overly done, the point is still well made that parents need to be involved in their children's lives. Sterno says give The Violent Years some time from your life.
Incredibly dumb and utterly predictable story of a rich teen girl who, not given love by her parents, starts a girl gang. They rob gas stations, rape guys (!!!) and kill a policeman.
All the "teenagers" in this film are easily in their late 20s/early 30s, the acting is all horrible and the script has every cliche imaginable with hilarious dialogue--it comes as no surprise that it was written by the immortal Ed Wood Jr.!
Worth seeing for laughs. Best lines--"They're shooting back!" and "It ain't supposed to be like this."
All the "teenagers" in this film are easily in their late 20s/early 30s, the acting is all horrible and the script has every cliche imaginable with hilarious dialogue--it comes as no surprise that it was written by the immortal Ed Wood Jr.!
Worth seeing for laughs. Best lines--"They're shooting back!" and "It ain't supposed to be like this."
Never let it be said that Ed Wood was afraid to tackle some burning social issues and he does so again here with his usual skill. The Violent Years talks about female delinquency as wealthy, but bored Jean Moorhead gathers around her some followers and they form a girl gang. These chicks are out for action and with them being masked, the law thinks that it's after your typical male holdup gang as the girls start going through all the local filling stations.
But these brazen harlots don't stop there. Unmasked they terrorize couples in a frequented lover's lane and tie up the women and then force men to their sexual wills. I don't know about you, but that's normally the kind of thing that is not best done under pressure at the point of a gun.
In the end Moorhead is pregnant and commits murder and the wages of sin are exacted by the long arm of the law in the person of noted character actor I. Stanford Jolley who looks like he's needing some laxative as he intones the sentence and his views on parents who do not give good supervision and values to their kids. Poor Jolley who is the only person in this cast who has a decent resume probably fired his agent after he signed him up for this.
Ed Wood, they'll never be another like you.
But these brazen harlots don't stop there. Unmasked they terrorize couples in a frequented lover's lane and tie up the women and then force men to their sexual wills. I don't know about you, but that's normally the kind of thing that is not best done under pressure at the point of a gun.
In the end Moorhead is pregnant and commits murder and the wages of sin are exacted by the long arm of the law in the person of noted character actor I. Stanford Jolley who looks like he's needing some laxative as he intones the sentence and his views on parents who do not give good supervision and values to their kids. Poor Jolley who is the only person in this cast who has a decent resume probably fired his agent after he signed him up for this.
Ed Wood, they'll never be another like you.
Proving Ed Wood can write just as well as he can direct, his script The Violent Years is brought to life by another director, and the result is still not good. The Violent Years comes out of an age-old theme that people mistakenly think is recent- "Today's kids are out of control and it wasn't like that when I was that age!" Except, people have been saying that forever. Check the date of the film- 1956, remembered now as a golden, Leave It to Beaver age. Like the later A Clockwork Orange, this has a gang of four teens robbing and raping- intriguingly, these four are all girls, which makes it harder to sympathize for the man who is raped- this is more male fantasy than horror.
The film starts with the girl's parents up in front of a judge, who speaks about how hard it is to try a good friend. This is indeed hard, because judges can't do it at all- they have to recuse themselves. And since when can bad parenting be punished by the law? Much of what follows is ham-handed exploration of the kind of parenting that breeds delinquency- a mom who says her daughter's issues can't be all that important. And, skipping your kid's birthdays causes crime. The girls attempting to be bad leads to leaden dialogue and acting and cheesy lines. One woman needs to be told by the man that the girls are pointing guns at them, at which point the girls compliment him for being observant. The worst the woman who gives the gang its jobs can call the girls is "jerks."
Of course, it all ends with more "If only I had..." mourning from the parents, reflecting a morality play with all the subtlety of being hit over the head with a hammer.
The film starts with the girl's parents up in front of a judge, who speaks about how hard it is to try a good friend. This is indeed hard, because judges can't do it at all- they have to recuse themselves. And since when can bad parenting be punished by the law? Much of what follows is ham-handed exploration of the kind of parenting that breeds delinquency- a mom who says her daughter's issues can't be all that important. And, skipping your kid's birthdays causes crime. The girls attempting to be bad leads to leaden dialogue and acting and cheesy lines. One woman needs to be told by the man that the girls are pointing guns at them, at which point the girls compliment him for being observant. The worst the woman who gives the gang its jobs can call the girls is "jerks."
Of course, it all ends with more "If only I had..." mourning from the parents, reflecting a morality play with all the subtlety of being hit over the head with a hammer.
In what is yet another bad juvenile delinquent movie from the moralistic 1950s, four "teenage" girls rob a gas station, erase a classroom chalkboard, and do other vile things. The four females are all miscast. They're too old to be teenagers. The main "girl", Paula, is 18 years old. But the role is given to an "actress" who looks more like she's in her thirties.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
Wusstest du schon
- WissenswertesThe four girls, who act like a violent gang of men, adopt male names: Paula is Paul, Geraldine is Gerry, Phyllis is Phil, and Georgia is George.
- PatzerDuring the shootout from the classroom, it's nighttime. However, when the cops are shooting, it's daylight.
- Alternative VersionenDifferent versions of the film contain different opening credits. One opening has the credits play over a static shot of a city skyline, while in other prints the credits play over a nondescript background with the title card appearing over a cast photo.
- VerbindungenEdited into Sleazemania Strikes Back (1985)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Violent Years?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Жестокие годы
- Drehorte
- 500 N Larchmont Blvd, Hancock Park, Los Angeles, Kalifornien, USA(Rosewood Super Service Station robbery, demolished)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 5 Min.(65 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen