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2,6/10
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Füge eine Handlung in deiner Sprache hinzuA flunky for a porno movie ring starts murdering the smut films' lead actresses.A flunky for a porno movie ring starts murdering the smut films' lead actresses.A flunky for a porno movie ring starts murdering the smut films' lead actresses.
Duke Moore
- Sgt. Randy Stone
- (as James 'Duke' Moore)
Harry Keaton
- Jaffe
- (as Harry Keatan)
Vickie Baker
- Kid at Diner
- (Nicht genannt)
Jean Baree
- Policeman
- (Nicht genannt)
Henry Bederski
- Kid at Diner
- (Nicht genannt)
Honey Bee
- Kid at Diner
- (Nicht genannt)
Judy Berares
- Frances
- (Nicht genannt)
Betty Boatner
- Shirley
- (Nicht genannt)
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In a very ironic twist, the anti-pornography film, "This Sinister Urge", was made by Ed Wood, Jr.....and all of his subsequent films were, in fact, porno movies! While by today's standards the Wood films of the 1960s and 70s were pretty tame, nonetheless they were filled with nudity and were shown in theaters in the roughest parts of town! He was responsible at that time for such 'classics' as "Sex Orgy", "Nympho Cycler", "One Million AC/DC" and "Necromania: A Tale of Weird Love"!
Of course, Ed Wood, Jr. is known less for his porn and more for his 1950s craptastic films...perhaps the worst movies of the era. Think about it...he was responsible for "Jail Bait", "Bride of the Monster", "Glen or Glenda" and "Plan 9 From Outer Space"!! All of these movies are terrible in every way...the acting, the scripts (if they even had one), direction,....the works. So is "The Sinister Urge" any better than Wood's typical output?
The film opens with a horribly filmed scene of a half-naked woman running towards the camera. It's gratuitous but also very badly done...with a very shaky camera and it's artless to say the least. Soon a weirdo shows up and is apparently chasing her. Soon, he murders her (perhaps he does more...but the film cuts away but strongly implies she's sexually assaulted). What follows is a police investigation of the crime as well as the snuff film* industry.
The acting is often terrible in this film. 'Actors' often have trouble delivering their lines or over-emphasize the wrong words or syllables. The murderer showed all the subtlety of Snidely Whiplash! With a competent director and reasonable budget, they would have re-shot these awkward scenes.
I was also surprised as the film does show some nudity...even though it's usually not associated with Wood's soft-core output. I have a hard time believing even in 1960 that Wood had an easy time showing such a film in traditional theaters and it must have either run in porno theaters or was taken on the road and shown in odd locations here and there. All I know is that for an anti-porn film, it shows a surprising amount of flesh!!
Overall, it's pretty much an Ed Wood film....need I say more?!
*Snuff films have been widely talked about over the years and supposedly show actual murders perpetrated for the audience's amusement. However, there's no evidence that any such films ever have been made. Do the research....you'll see what I mean.
Of course, Ed Wood, Jr. is known less for his porn and more for his 1950s craptastic films...perhaps the worst movies of the era. Think about it...he was responsible for "Jail Bait", "Bride of the Monster", "Glen or Glenda" and "Plan 9 From Outer Space"!! All of these movies are terrible in every way...the acting, the scripts (if they even had one), direction,....the works. So is "The Sinister Urge" any better than Wood's typical output?
The film opens with a horribly filmed scene of a half-naked woman running towards the camera. It's gratuitous but also very badly done...with a very shaky camera and it's artless to say the least. Soon a weirdo shows up and is apparently chasing her. Soon, he murders her (perhaps he does more...but the film cuts away but strongly implies she's sexually assaulted). What follows is a police investigation of the crime as well as the snuff film* industry.
The acting is often terrible in this film. 'Actors' often have trouble delivering their lines or over-emphasize the wrong words or syllables. The murderer showed all the subtlety of Snidely Whiplash! With a competent director and reasonable budget, they would have re-shot these awkward scenes.
I was also surprised as the film does show some nudity...even though it's usually not associated with Wood's soft-core output. I have a hard time believing even in 1960 that Wood had an easy time showing such a film in traditional theaters and it must have either run in porno theaters or was taken on the road and shown in odd locations here and there. All I know is that for an anti-porn film, it shows a surprising amount of flesh!!
Overall, it's pretty much an Ed Wood film....need I say more?!
*Snuff films have been widely talked about over the years and supposedly show actual murders perpetrated for the audience's amusement. However, there's no evidence that any such films ever have been made. Do the research....you'll see what I mean.
You know that when Mr. Wood made a film he did put all of his heart and soul in each one of the films (ok the ones I saw and the 50's films that most people see) The problem being is that he was completely incompetent as a director. You can't polish a turd and all of these films are turds. But he did try his best, in my opinion this is one of the best and funniest, with or without MST. A fairly static film, the only action happening with a fight scene. The rest of the film consist of all the actors explaining about the plot. Carl Anthony is the most static of this bunch. Kenne Duncan and Duke Moore, two of the laziest cops on the beat. Then the rest, Jaffe, Mr. Taxpayer, Dirk (a swell guy), Kline (KLINE!!!!!) and best of all: GLORIA. The scariest woman on the planet who's probably passed on by now of throat cancer, or squeezed to death by some of those outfits, likely from Mr. Woods own collection. Why this film is not on DVD like the rest of the Ed Wood collection I don't know. Somebody get out there and pester Wade Williams productions and get this on DVD too.
General, bland 50s fear mongering film. This was the first Ed Wood movie I ever saw and it was only because it was an episode of Mystery Science Theatre 300. The acting was wooden and forceful and the scenery looked as if it would collapse at any second. Plot concerns a syndicate of 'smut' makers and the polices crusade against it and the woman who runs the show. The bad guys get it in the end and there is a half hearted attempt is made in showing a link between crime and porn. Watch the MST3K version. It makes the movie actually worth watching.
Edward D. Wood Jr (or E.D. Wood credited for the film) is practically revered today as a filmmaker forgotten and neglected in his time as just another Shlock-Meister of B-movie (or Z-movie) cinema. His legacy is now, well, being the ultimate in bad schlock kind of movie-making, where you can almost see the sets about the tear at the seams, the actors going through their lines like they know they won't get any pay for it, and camera-work (and perhaps editing too) that becomes jarring in the worst possible ways. While the Sinister Urge, Wood's last 'real' film before diving deep into obscure porn directing (ironic considering the film's subject here), does not have a kind of classically bad way about it like Plan 9 From Outer Space. That film has since become a kind of cult classic where the actor in place of the late Bela Lugosi in the film, the various props and sets (including the 'saucers'), and horrendous narration becomes most of the ironic fun. The Sinister Urge in comparison doesn't have that impressive ambition to be something more than it can never be, as this film is nothing more than an under-cooked 'warning' film about porn movies, and the people who may kill to be apart of them.
The Sinister Urge is 71 minutes long, which doesn't overstay its welcome (though one may try and define 'welcome' with an Ed Wood picture) as a film with many static camera angles and very few moments of ingenuity. One of those- the scene where the brakes don't work with the car- is ironically successful, as it really shouldn't be at all workable as a scene, but as a little piece of suspense it could be worse. Most of the rest of the picture isn't so lucky- again, many, many actors who seem like they are not only content to not become stars, they're almost doomed to be in pictures like Wood's. Often the performances are wooden, but of course part of the real problem with watching such actors is the often silly dialog. It tries to be 'realistic', but Wood has no gripe with stopping somewhere to have a character (usually the lead cop character) to lay out a dull speech about the message of the story. On top of the story not really being too coherent, anyway, the director's method of the 'cut, print, perfect' method can be seen quite often with some laughable mistakes abound.
Now, does all of this make the Sinister Urge as astoundingly, amusingly bad as Plan 9? Not really; there's nothing too memorable about how the film is bad here, unless you're a die-hard fan of the director. He does try here and there to keep some storytelling merit, with his style being so uncomplicated and static it shows his ambition. But the lack of talent overcomes everything else, not to mention the cardboard-sided points of the film. It's also not too unworthy of the Mystery Science Theater 3000 treatment either, which has now made the film available on DVD. The commentary is spot-on usually and funny, though as with Plan 9 you may still want to make wisecracks on your own. That's Wood as the mustached guy who fights at the Cafeteria in one scene.
The Sinister Urge is 71 minutes long, which doesn't overstay its welcome (though one may try and define 'welcome' with an Ed Wood picture) as a film with many static camera angles and very few moments of ingenuity. One of those- the scene where the brakes don't work with the car- is ironically successful, as it really shouldn't be at all workable as a scene, but as a little piece of suspense it could be worse. Most of the rest of the picture isn't so lucky- again, many, many actors who seem like they are not only content to not become stars, they're almost doomed to be in pictures like Wood's. Often the performances are wooden, but of course part of the real problem with watching such actors is the often silly dialog. It tries to be 'realistic', but Wood has no gripe with stopping somewhere to have a character (usually the lead cop character) to lay out a dull speech about the message of the story. On top of the story not really being too coherent, anyway, the director's method of the 'cut, print, perfect' method can be seen quite often with some laughable mistakes abound.
Now, does all of this make the Sinister Urge as astoundingly, amusingly bad as Plan 9? Not really; there's nothing too memorable about how the film is bad here, unless you're a die-hard fan of the director. He does try here and there to keep some storytelling merit, with his style being so uncomplicated and static it shows his ambition. But the lack of talent overcomes everything else, not to mention the cardboard-sided points of the film. It's also not too unworthy of the Mystery Science Theater 3000 treatment either, which has now made the film available on DVD. The commentary is spot-on usually and funny, though as with Plan 9 you may still want to make wisecracks on your own. That's Wood as the mustached guy who fights at the Cafeteria in one scene.
Some people believe that Ed Wood knew exactly what he was doing: that he *intended* to make "bad" movies in order to make people laugh. There are plenty of good reasons not to buy into that theory, and THE SINISTER URGE is Exhibit A.
PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA, and BRIDE OF THE MONSTER are endearing in their goofy lunacy. This one, though just as bad as the rest of Wood's oeuvre, is mostly just plodding and dull.
Not that there isn't entertainment to be had here, at least for the bad movie connoisseur: my personal favorite is the obvious use of pre-existing (and completely unrelated) footage, shoehorned in on the waste-not want-not principle and "justified" through the use of atrocious dubbing and risible expository dialogue (which takes place *after* the inserted scene, making it even more ludicrous).
But that's not the sort of thing calculated to make a mainstream audience roar with laughter.
I can imagine someone trying to make a movie like PLAN 9. I can't imagine anyone trying to make a movie like this.
PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA, and BRIDE OF THE MONSTER are endearing in their goofy lunacy. This one, though just as bad as the rest of Wood's oeuvre, is mostly just plodding and dull.
Not that there isn't entertainment to be had here, at least for the bad movie connoisseur: my personal favorite is the obvious use of pre-existing (and completely unrelated) footage, shoehorned in on the waste-not want-not principle and "justified" through the use of atrocious dubbing and risible expository dialogue (which takes place *after* the inserted scene, making it even more ludicrous).
But that's not the sort of thing calculated to make a mainstream audience roar with laughter.
I can imagine someone trying to make a movie like PLAN 9. I can't imagine anyone trying to make a movie like this.
Wusstest du schon
- WissenswertesIronically, this "pornography expose" was Edward D. Wood Jr.'s last legitimate film before delving into writing softcore pornography himself.
- PatzerPolice leave the police station in a black and white 1959 Ford and arrive at the City Park in a black and white 1960 Dodge Dart.
- Zitate
[Mary sees Ed Wood posters on pornographer Johnny Ride's office wall.]
Mary Smith: Are gangster and horror films all you produce?
Johnny Ryde: Those are made by friends of mine. I think you'll find my type of picture entirely different.
- VerbindungenEdited into Sleazemania Strikes Back (1985)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Зловещий толчок
- Drehorte
- Griffith Park, Los Angeles, Kalifornien, USA(site of Griffith Park Observatory)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.152 $ (geschätzt)
- Laufzeit
- 1 Std. 11 Min.(71 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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