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6,4/10
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IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn Central America, an action-adventure novelist and a journalist for a magazine find themselves at the mercy of Nazi war criminals.In Central America, an action-adventure novelist and a journalist for a magazine find themselves at the mercy of Nazi war criminals.In Central America, an action-adventure novelist and a journalist for a magazine find themselves at the mercy of Nazi war criminals.
- Regie
- Drehbuch
- Hauptbesetzung
Tony Carbajal
- Mexican pilot
- (as Jose Antonio Carbajal)
José Chávez
- Pedro
- (as José Chávez Trowe)
Leonor Gómez
- Maria
- (Nicht genannt)
Carlos Hennings
- Jan, Pilot
- (Nicht genannt)
Francisco Reiguera
- Hotel owner
- (Nicht genannt)
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Richard Widmark, a Hemingway type writer who craves the solitude of J.D. Salinger, is found in an obscure Mexican village by Jane Greer. Jane's a reporter for a tattletale magazine, but Widmark doesn't find this out till they've started kanoodling. He offers to fly her back to Mexico City.
While enroute they go off course and crash in the jungle. They come upon an Englishman and a Dutch archaeologist, so they say. In reality it's a diplomat who was a member of the pro-Nazi Cliveden set and who defected during World War II. The Dutchman with him is really a former Wehrmacht high officer and his brother-in-law.
Trevor Howard and Peter Van Eyck don't want word of their secret to get out so Widmark and Greer have to die. Now starts the chase through the jungle like The Most Dangerous Game.
Of course this is a remake of that film, but the characters are a bit more complex. Widmark's an alcoholic writer who craves his privacy as much as Howard and Van Eyck do. Greer's a reporter who's gone after Widmark's story and now has an even bigger one potentially.
In the original film it was more of a morality play. Joel McCrea and Leslie Banks were certainly classical hero and villain respectively and Fay Wray was not the independent woman that Greer is.
Still this is a good remake helped a lot by the outdoor locations instead of RKO's backlot jungle.
While enroute they go off course and crash in the jungle. They come upon an Englishman and a Dutch archaeologist, so they say. In reality it's a diplomat who was a member of the pro-Nazi Cliveden set and who defected during World War II. The Dutchman with him is really a former Wehrmacht high officer and his brother-in-law.
Trevor Howard and Peter Van Eyck don't want word of their secret to get out so Widmark and Greer have to die. Now starts the chase through the jungle like The Most Dangerous Game.
Of course this is a remake of that film, but the characters are a bit more complex. Widmark's an alcoholic writer who craves his privacy as much as Howard and Van Eyck do. Greer's a reporter who's gone after Widmark's story and now has an even bigger one potentially.
In the original film it was more of a morality play. Joel McCrea and Leslie Banks were certainly classical hero and villain respectively and Fay Wray was not the independent woman that Greer is.
Still this is a good remake helped a lot by the outdoor locations instead of RKO's backlot jungle.
Thrilling suspense in this jungle adventure with fantastic stars Widmark and Greer. some good dialogue, but the story doesn't really convince; it's just a vehicle for the situational suspense and romance. Widmark is a Hemingway-style author and Greer a journalist who finds him in hiding and tricks him into revealing his confidence (which, disappointingly, involves nothing more than a cliched love drama).
Nice direction, very effective photography in sharp color. Greer was never lovelier and, except in the incomparable Robert Mitchum, never found a better leading man. It's a shame that Hollywood allowed Mr. Howard Hughes to throw her into a ditch (figuratively, of course), because this lady had real talent.
Nice direction, very effective photography in sharp color. Greer was never lovelier and, except in the incomparable Robert Mitchum, never found a better leading man. It's a shame that Hollywood allowed Mr. Howard Hughes to throw her into a ditch (figuratively, of course), because this lady had real talent.
What initially looks as if it is going to be a character study of a washed-up Hemngway-type novelist wallowing in self-pity and local liquor in some tiny south American village suddenly changes tack to become a sort of remake of The Most Dangerous Game and, in truth, the first half of the plot was probably more interesting for me. Once Trevor Howard and Peter van Eyck are introduced as a Nazi sympathiser and war criminal hiding out in the jungle into which Widmark and Jane Greer crash land, the film pretty much forgets any ideas of delving into how Latimer can overcome the writer's block that is driving him towards self destruction and concentrates instead on a straightforward cat-and-mouse chase formula. That's not to say the second half of the film isn't enjoyable it is: it just isn't as interesting as the first 40 minutes.
The film benefits greatly from location shooting, and all four principal characters give reasonable performances. Widmark is as reliable as ever, while Howard portrays Browne the antithesis of all those stiff-upper-lipped WWII types he so often played in exactly the same manner in which he played all those stiff-upper lip WWII types, and it works quite well. There's no hint of innate character deficiencies in the characterisations of the Nazi's either, no sneering disdain for anything non-German, no mad dreams of a resurgence of the Nazi dream. Howard and van Eyck are just a pair of criminals on the run, as desperate to escape their jungle prison as they are to evade capture.
The film benefits greatly from location shooting, and all four principal characters give reasonable performances. Widmark is as reliable as ever, while Howard portrays Browne the antithesis of all those stiff-upper-lipped WWII types he so often played in exactly the same manner in which he played all those stiff-upper lip WWII types, and it works quite well. There's no hint of innate character deficiencies in the characterisations of the Nazi's either, no sneering disdain for anything non-German, no mad dreams of a resurgence of the Nazi dream. Howard and van Eyck are just a pair of criminals on the run, as desperate to escape their jungle prison as they are to evade capture.
Viewed most of the films that Richard Widmark starred in, however, I finally discovered this film being shown on TV in the wee hours of the morning and found this to be a great film Classic. Richard Widmark, (Mike Latimer) and Jane Greer gave an outstanding performance together, sometimes fighting like cats and dogs and struggling to get away from Trevor Howard, (Browne) who plays a very wicked character who will stop at nothing to get just what he desires in life. This entire cast of actors all gave an outstanding performance, but Widmark and Greer really put their heart and soul into this picture. Jane Greer experience a spinal injury during the making of this film, and years later she became very ill and needed surgery, which corrected her problem. It was during a scene in this picture where Jane goes through swampy water which contains many dangerous viruses.
I had the privilege of seeing Richard Widmark in person a few years ago when he appeared at the Lincoln Center Film Society. Nearing 90 then, he had recently remarried after the death of his wife of many years. His appearance was remarkably unchanged: ruggedly handsome, that same, strong, rough speaking voice, and one of the best pairs of cheekbones in the business - right up there with Jack Palance, Loretta Young, and Elvis.
Widmark gets to show his stuff admirably in "Run for the Sun," which costars Jane Greer. He plays a writer a la Hemingway who has given up his career and is living in oblivion in Mexico. Greer plays a reporter who finds him with the intention of doing a story about him. She doesn't reveal her intentions, instead deciding to return to New York, and Widmark offers to fly her to Acapulco. They crash in the jungle and wind up at the compound of Trevor Howard.
This is supposedly a vague remake of "The Most Dangerous Game," which I haven't seen, so I can't make any comparisons. This film, though a little too long, is very exciting, particularly the last section, and will really hold the viewer's attention. Both Widmark and Greer are excellent. Greer is in her early thirties here and finally in a color movie, and she's beautiful despite a couple of frumpy hairdos and outfits. Trevor Howard underplays as the villain and is an introverted menace.
Very enjoyable.
Widmark gets to show his stuff admirably in "Run for the Sun," which costars Jane Greer. He plays a writer a la Hemingway who has given up his career and is living in oblivion in Mexico. Greer plays a reporter who finds him with the intention of doing a story about him. She doesn't reveal her intentions, instead deciding to return to New York, and Widmark offers to fly her to Acapulco. They crash in the jungle and wind up at the compound of Trevor Howard.
This is supposedly a vague remake of "The Most Dangerous Game," which I haven't seen, so I can't make any comparisons. This film, though a little too long, is very exciting, particularly the last section, and will really hold the viewer's attention. Both Widmark and Greer are excellent. Greer is in her early thirties here and finally in a color movie, and she's beautiful despite a couple of frumpy hairdos and outfits. Trevor Howard underplays as the villain and is an introverted menace.
Very enjoyable.
Wusstest du schon
- WissenswertesRichard Widmark thought this was one of his worst films and used to tell his kids that if they didn't behave themselves, they'd have to watch it.
- PatzerLatimer's light plane runs out of fuel and the engine quits, which forces him to glide the plane in for a landing. This being the case, the propeller should have stopped spinning, yet the entire time AFTER he's out of gas and the engine has supposedly quit, you can clearly see the propeller spinning at high RPM, which would indicate an engine still running normally, with ample fuel.
- VerbindungenVersion of Graf Zaroff - Genie des Bösen (1932)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Run for the Sun
- Drehorte
- Atlacomulco, Estado de México, Mexiko(Van Anders and Browne's base at a 16th century hacienda and sugar plantation-refinery built by Hernan Cortes)
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.725.000 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 2.00:1
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Oberste Lücke
By what name was Der Sonne entgegen (1956) officially released in India in English?
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