Das Wiegenlied der Verdammten

Peter O'Toole stars as Murphy, sole survivor of a ship torpedoed by a German U-boat at the close of WW2. He generates a lot of hatred towards the Germans and sets about to extract revenge for his fallen comrades. This is a story of hatred gone ballistic and obsession for revenge. It seems that Murphy has gone mad. Towards the end of the film, a means to get his revenge becomes available and he sets out to kill the U=boat. Will he succeed? A very good film!

MURPHY'S WAR… Peter O'Toole…Director Peter Yates… Central Casting sent Jerry Floyd, Nick (the bubble) and myself down to Portsmouth or Southampton (cant remember which) to play German U Boat crew. We'd be there for a couple of days and stay in a local B/B over night. When we get called onto the set we go below decks on a British submarine that is decked out like a second world war German U Boat. Now it seems in the film the U Boat has run aground on a sand bank on an inlet river in South America and is waiting for the tide to turn so it can re-float. Meanwhile Peter O'Toole is trying to chop a very large tree down and put it across our Sub. (Thus, causing us some discomfort.) (Got the plot so far, he's dropping trees, and I'm in the basement..) A cute make up girl asks me to strip to the waist (and I think, from the shoes up, what no flowers? We've only just met) but she has to put make up on my face and body to make me look tanned as if I was in South America. Bert Batt the 1st A.D. took us all to see the Director Peter Yates (of Bullitt fame) and I was chosen to be the blue eyed German working the controls of the Sub.. After a few different angles the make up girl applies sweat to my hair and face. The camera is stuck an inch from my nose. (Now we are talking about close ups here. My face plastered sixty foot by eighty foot at the Odeon Marble Arch. She could have saved on the sweat, I was sweating for England.) Peter was guiding me through the shots. ''Imagine you can hear a noise above you. Now imagine there's a noise to your left, now to your right. Don't move your head Back too far, we're close on your eyes.'' Then it was ''CUT, see you in the morning Eight O clock.. Thanks Harry that was good''. Well that was good for me too. It took me hours to come down. Me, Jerry and Nick went out on the town and got very drunk. (Well it makes a change)? The next day I'm back at the controls of the Sub and I'm thinking is it to be another starring role. Peter tells us today's the day the Sub gets hit and there could be a drop of water splashing around. First scene control room…I'm standing at the controls and Peter talks me through it. ''Now concentrate on the controls Harry and keep looking about. It seems the tide is coming in and you're going to be all right. Now give a huge sigh of relief. It's very quiet now but suddenly, !!!!! CRASH !!!!. That's the cue for the Prop men to sling big buckets of freezing cold water over me. ''You're panicking now Harry (He's got good eyesight) More water on him and CUT. I spent most of the rest of the day sitting on the Sub deck enjoying the warm sun while the Stuntmen got their share of the water. We shot some other stuff in one of the cabins drinking beers then it was time to head off back to London. Thanks Mr. Yates. (You must remember in the film game that all the shots don't make it to the big screen, a lot end up on the cutting room floor

Two World War was just ending , a German submarine , U-Boat , commanded by a captain called Lauchs (Horst Janson) sinks an English ship and gun down most of its crew . Then , a sole survivor of the ship , the revenge-minded Murphy (Peter O'Toole) carries on his own war , no matter what the cost to himself . The Irishman survives and returns to health thanks to a nurse named Hayden (Sian Phillips , real-life O'Toole's wife) . Murphy's war is about to begin from a settlement on the banks of the Orinoco River .

Thrilling and exciting screenplay concerning about an obsessive seaman with an eagerly determination to seek vendetta on the Germans , even after he learns the war has ended . Interesting and moving script by prestigious Sterling Silliphant , saddling some nice action scenes at the ending , when it takes place a relentless pursuit between a boat and the sub , specially in the last reel . Sensational acting by Peter O'Toole as the lone survivor from a British naval ship who seeks revenge when his ship is sunk by the Germans and gunned down most of its crew . However , his extreme obsession with desire for vengeance upon the Germans isn't believable , but the moments that click make the movie more than worthwhile . This character about an avenger who seeks revenge on those who killed his crewmates bears remarkable resemblance to ¨Moby Dick's Captain Ahab¨ by Herman Melville . Other important players are : Philippe Noiret as his supporter and sympathetic helper gives a mesmerizing acting , Siân Phillips as a good-tempered nurse and Horst Janson as a captain who massacred the Allied shipmates in the water .

Magnificent color cinematography on tropical places by Douglas Slocombe . Adequate as well as stirring musical score by John Barry . The motion picture was compellingly made by Peter Yates and splendidly edited by film editor John Glen , subsequently director of James Bond movies . Never a prolific director, Peter Yates subsequently made only a few more films . His best films include the stylish and ingenious caper comedy Hot Rock (1972); the underwater adventure Deep (1977), based on the novel and screenplay by Peter Benchley ; and the quirky coming-of-age comedy Breaking away (1979). For the latter, Yates received simultaneous Oscar nominations as Best Director and Best Producer and the enjoyably old-fashioned comedy Curtain call (1998), starring Michael Caine and Maggie Smith as a couple of theatrical ghosts . He was nominated again for a more cerebral 'actor's piece', The dresser (1983), starring Albert Finney and Tom Courtenay , based on a play about an ageing stage actor and his long-standing assistant. It was followed by a flop titled Eleni (1985) with John Malkovich . Most memorable, perhaps, were the courtroom thriller Suspect (1987), and the political drama House de Carroll Street (1988) 2011 , following directing a few films until death in 2011 (age 81).

I saw this film first time round and, going by the date is was made, I must have been about seven years old. Our cinema in Lochgelly was rather lax about age restrictions.

Scenes still stick in my mind and its themes are still very much with me — the horror and dehumanizing impact of war and the futility of revenge.

I have since seen the film again and I was glad not to be disappointed. Being older and wiser, one is inevitably more critical, but there is so much to enjoy in this film. The performances, setting and story all work together to draw you into its dark and dangerous world.

Most notably of all, the U-boat commander and his men are portrayed as human beings. Efficient, determined, ruthless, but they too have feelings and hate the whole damn war just as much as Murphy. This was unusual in war films up until then, and its progressive, enlightened approach to the war enhances the story. We understand and even feel for Murphy, but we too must understand that sometimes we need to let go, accept our losses, be glad we survived and realise that our enemies are human too.

It arises in every war. Destruction on a grand scale and then a private battle on a more secular stage. "In every massacre" quotes the sage, "there is always a survivor." Such is the premise in the film "Murphy's War." During the final months of World War Two, a German U-Boat commander, (Horst Janson) cruising the South American coast line, attacks and sinks a British ship of war, killing all aboard. Examining the ship's wreckage, the German commander is satisfied he not only destroyed the English ship, but did in fact kill the entire crew. Leaving the carnage behind, the audience realizes an English sailor from the stricken ship, survived. His name is Murphy, brilliantly played by Peter O'Toole. Having lived through the terrifying ordeal, many would believe, one should be glad to be alive and to seek a safe distance between himself and the deadly submarine. That is not the conclusion of seaman Murphy who believes the only way he will be able to rid himself of the nightmarish screams of his dying comrades is to seek out and destroy the German U-Boat. This might be a death-wish to some, but not to Murphy who believes that regardless of the inevitable outcome of the war, his sole purpose in life is revenge. Trying to convince him of this mad adventure is Dr. Hayden (Sian Phillips) a female doctor working among the tribal people of the Amazon. In addition, Murphy not only discovers a repairable English sea-plane, but an amiable, aging and exhausted Oil company employee, named Louis Brezon. (Philippe Noiret) Louie has worked in the forgotten, backwaters of the Amazon for years, patiently waiting the end of the war. Now with Murphy seeking his help and relentless revenge, Louie offer's a bit of sound advice. "You're a small and lonely man Murphy, like me, the world will never build us a monument. The only difference is; I know that." Thus the confrontation between the obsessed man and the powerful Submarine easilly become classic drama. ****