In 80 Tagen um die Welt

This fun picture deals with known story about gentleman Phineas Fogg wagers he can circumnavigate the earth and he sets off on spectacular journey . Lavish rendition with all-star cast , it finds Victorian gentleman wagering that he can circle the globe in 80 days . Classic adaptation based on Jules Verne novel with a marvelous duo , David Niven and his faithful butler well played by Cantinflas who confront much excitement and a lot of adventures along the way . The film provides ample amusement and entertainment , it concerns about a Victorian English gentleman named Phileas Fogg (David Niven always professed that Phileas Fogg was his favorite role) and his manservant named Passapart (Cantinflas, in the mid-50s, he was the wealthiest movie star in the world, and was given top billing in Latin countries) . He takes a wager with various gentlemen from 'The Reform Club' that he can circle the globe around the world in 80 days . Just before the time they leave , a valuable lot of money is robbed and the authorities and president of Bank of England believe that unflappable Fogg is the guilty and a Detective set out after him . Later on , they save a damsel in distress, a gorgeous Indian girl (Shirley MacLaine to this day contends that she was miscast in this, her third film) . Using various means of transport as balloon , trains , steamer , flying machine and following a way , Fogg along with Passepart go to Dover , Paris , Spain , Calcuta , Burma jungle , Hong Kong , Yokohama , Forbidden city of Pekin , San Francisco , Omaha and New York , as they are trying back to London . Meanwhile , they are chased by an Inspector named Fix (Robert Newton) who suspects him of a daring bank theft .

This funny picture is plenty of adventures , humor , action , rip-roaring and spectacular outdoors . From start to finish the entertainment and amusement is continued . The bullfighting sequence filmed in Chinchon , Spain , was added because Cantinflas had bullfighting experience , he actually was in the ring with the bull, eschewing the use of a stunt doublé ; this was one of the first sequences to be shot. The film features the longest closing credits sequence up to that time and for many years afterward - six minutes and twenty-one seconds , splendidly realized by Saul Bass ; all of the film's credits are shown only at the end, and the very last credit to be shown is the film's title . Big-budgeted take on by two great producers , Michael Todd and William Cameron Menzies , as the film used 140 sets built at six Hollywood studios, as well as in England, Hong Kong and Japan , 74,685 costumes were designed, made or rented for use ; the cast and crew flew over 4,000,000 miles ; 68,894 extras were used while shooting the film in 13 countries ; 90 animal handlers managed the record 8,552 animals used . Michael Todd's original estimate for the film's budget was $3 million ; the film ended up costing nearly double that, largely thanks to Todd's demands for verisimilitude and location shooting. There appears a variety of cameos , the star-gazers will particularly enjoy several known actors by many Hollywood's biggest names with more than thirty cameos for buffs such as Marlene Dietrich , Robert Newton , John Carradine , Noel Coward , Ronald Colman, Ronald Squire, Cedric Hardwicke, John Gielgud, Trevor Howard , Victor McLaglen and John Mills , Robert Morley who repeat in a 1989 TV version , among others ; in fact , the term "cameo", meaning in this case a small part by a famous person, was popularized by the many "cameo appearances" in this film. The colorfully cinematography by Lionel Lindon is well showed on sensational landscapes ; being second Todd-AO production , the first was Oklahoma!. Unforgettable and lively music by Victor Young including catching leitmotif .

This classic ¨Mike Todd's Around the world in 80 days¨ that hasn't lost its charm over the years was compellingly directed by Michael Anderson and generally considered the single largest film project ever undertaken in Hollywood . However , the movie began shooting with John Farrow as director, and Emmett Emerson as the first assistant director in London ; both were replaced. Filming was completed in 75 shooting days . Other versions are the followings : , Australian retelling titled ¨Around the world in 89 days (1986)¨ by Stephen MacLean and recent adaptation (2004) offering full of entertainment directed by Frank Coraci with Jackie Chan , Steve Coogan , Cecile De France , Mark Addy , Owen Wilson , Luke Wilson and many others . And a TV version (1989) with by Buzz Kulik with Pierce Brosnan , Eric Idle , Julia Nickson , John Mills, Robert Morley , among others .

What astounds me is how things change. Here's a film that was celebrated in its day.

In fact, I remember my third grade class taking the day off to go to this. (The year previously, we had gone to see a Cinerama movie in the same theater.) We had reserved seats and popcorn was disallowed. We sat through maybe 20 minutes of overture, three hours of movie and 20 minutes of intermission.

And I loved it. This was a lifealtering experience, so grand, so exotic. And yes, for a seven year old, romantic.

Everyone loved it. In its day, most everyone got caught up in the sheer audacity of thing, the cinematic scope, the number of stars and extras, the locales (which we thought were genuine). The introduction by Ed Murrow seemed apt for something so newsworthy.

I haven't seen it in 50 years. And now, even in the full ToddAO experience it is dull except for the wonderfully bombastic score. There's really nothing to it except that it exists.

It reminds that many films I see, new and old, depend on context. The new ones are simple. Things we get excited about now will seem juvenile in just a short time. "Die Hard" was eclipsed on its own terms in short order. "Speed" even more so.

But the old ones...

Sometimes they are so strongly evocative of an era that watching them pulls us into that era, giving us a whole world by association. Others cannot pull us, or aren't set up to, but are so weak they fall apart. Its a slippery game, watching old movies.

But in this case, it is simple. Big bowl — thin soup. But a grandly shaped bowl.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

As I watched "Around the World in Eighty Days" tonight, I noticde that it is a beautiful and spectacular film. The first time I tried seeing it was on a 25" TV--this time it's on a 58" one and the beauty is much more obvious. Too bad I couldn't have seen this on the big screen using the amazing 70mm cameras. And, if they brought it back to the theaters, I might be tempted to see it that way--even though the film does have many shortcomings.

I've got to be honest here, I tried watching this film years ago and gave up on it. The only reason I am watching it through to the end now is that I would like to eventually see all the Best Picture winners--even the incredibly overblown ones. This brings me to a pet peeve I have. I HATE films that feature a bazillion cameos. I find that often the plethora of stars tend to get in the way of the story and often soak up a huge portion of the budget--leaving precious little for writing. Some of the stars in the film are very international in flavor and I never would have recognized them the first time I tried to see this movie 25 years ago. Now, after having seen and reviewed a ridiculous number of films, I was actually excited by some of these casting decisions. Catinflas, though completely unknown in America did some marvelous little comedies in Mexico--and he is the other reason I chose to try watching the movie again. I was to see Fernandel (who also made many wonderful films--in France and Italy). But, I was also maddened because his cameo as a hack driver was so short and unfunny--completely wasting his wonderful comedic talents. And this trend continued for several more of the cameo--wonderful actors who really have nothing to do and are pretty much wasted.

At least 30 minutes could have and should have been cut from the film. I am NOT against long films...if they are well-paced. Too many times in this movie, however, scenes just unfold way too slowly--such as when the balloon is going over the Alps. A VERY LONG period of nice music and shots of the balloon are shown--when it really seemed interminably long. This reminded me of the major problem with "Star Trek: The Motion Picture"--too many unnecessarily long shots which killed the film's momentum. The bullfighting scene is also one that goes on and on and on and could have been 1/3 as long. Many other such examples followed.

So is it a great film? No. I agree with another reviewer who felt the movie got an Oscar for Best Picture simply because it was such a spectacle--not because it was especially good. It's one of the weaker Best Picture films of the era, in my opinion. However, I must give the film its due. The movie is beautiful in every way--great costumes, amazing locations and sets, breathtaking cinematography and a scope that cannot really be matched. But, it is also very, very , very long with poor pacing, suffers from an overuse and wasting of cameos and just isn't that interesting. Catinflas was a very gifted and funny man--here you don't get a great sense of that at all. Likewise, David Niven was a very fine actor--but here he's more like set dressing and you don't get to see him at his best.

Before I conclude, let's talk about the cameos. With all the many cameos, why did they pick Shirley MacLaine to play an Indian princess?! Talk about bizarre casting! And why have Frank Sinatra in a cameo that takes two seconds and he just turns and smiles at the camera?! I don't get it. And what was with John Carradine?! Even for him he over-acted horribly.

1956 was a big year in Hollywood with "Around the World in 80 Days" and "Giant" and "The Ten Commandments"."Around the World in 80 Days" won Best Picture for its global cinematography and insightful editing that transformed this travelogue into a great movie as the characters played by David Niven and Cantinflas do take us around the world just getting back to London to win their bet after they thought they lost. The BIG movie started to take shape in Hollywood for many years to come after Cinemascope started in and "Around the World" and how producer Michael Todd did all this was amazing. 7/10

I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.

OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .