Zwei trübe Tassen - vom Militär entlassen

After two box office disappointments in a row ("Little Giant" and "The Time of Their Lives"), Universal put Abbott and Costello back into familiar territory with a sequel to "Buck Privates." Here, the boys return from France to find familiarity in civilian life by selling ties on a street corner again. Costello has stowed away Evie, the French girl who was the camp mascot, aboard ship, and now must find a way for her to stay in the US.

Through a series of situations and some funny material, A&C make the best of a sometimes weak script. The film has little continuity from the original "Buck Privates", which explains the excerpt from the original film during the first ten minutes. For continuity's sake, the movie does get a big boost by the return of Nat Pendleton as the sergeant. It also helps matters much when we get to see Costello get a couple of shots into Pendleton -- especially after the abuse he receives from him in the two films! Passable entertainment, and A&C fit back into their old characters well. 6 out of 10.

We managed to win World War II in the European theater even with the presence of Bud and Lou in the American Army. The boys who enlisted in the army to get away from the cops in Buck Privates and found their nemesis patrolman, Nat Pendleton, as their sergeant are now returning veterans. Only Costello managed to smuggle in little Beverly Simmons, a French war orphan, in his duffel bag. Imagine going across the Atlantic without a change of clothes.

Beverly's the company mascot and she's adopted Costello so Bud and Lou are going to adopt her. Of course they run into all kinds of problems with the army, with the police and with immigration. Then again their situations make for the plot of Buck Privates Come Hone.

The original Buck Privates was as much musical as it was burlesque comedy. With the Andrews Sisters, Jane Frazee, there was not one dull moment in this film. For some reason the writers here did not include much of the classic comedy routines. There's only one here, the famous Left/Right routine with Costello getting all balled up with the word "right." No musical numbers except the men singing about how they're going home.

Lots of physical comedy though, depending as much on Nat Pendleton's reactions as well as Costello's knack for getting into situations that no one else could possibly. And we can't forget Donald MacBride who has the best slow burn in films save for Edgar Kennedy.

The climax is Costello's wild ride in a midget racing car which is well staged. Buck Privates Come Home isn't quite up to the standard they set in their wartime films, but it's still pretty funny and should appeal to more than just A&C fans.

When Bud Abbott & Lou Costello made this sequel to their first starring film and first real hit, Buck Privates, their last couple of movies suffered, box-office-wise, because they were playing characters that were only acquainted with each other as opposed to being good friends which was once again the case here. Also, by this period in time, their studio Universal Pictures had merged with International Pictures to become Universal-International. International's founders, William Goetz and Leo Spitz, wanted to fire the team as they were more interested in more prestige pictures but someone must have reminded them that despite their not being as popular as during the war years, A & C still was the most popular stars of the studio. So they made this follow-up to one of their most popular pictures with Nat Pendleton also returning as their often-nemesis Sgt. Collins who goes back to being a cop just as Bud & Lou again become con men selling ties. Mixed in this time is a young pre-teen French girl orphan named Evey (Beverly Simmons) who Lou wants to adopt but can't because he doesn't have a legitimate job and isn't married. There's more but I'll just now mention that the team are once again funny in their own unique way especially with Costello's reactions and physical pratfalls. Pendleton, himself, is also funny in what turned out to be his last film role. Bud & Lou were back in the groove after temporarily changing direction with Little Giant and The Time of Their Lives. If there's some disappointment concerning this movie, it's what I know about a couple of deleted scenes like that of Abbott, Costello, and Evey encountering a shoeshine boy who reveals being an immigrant who got adopted and recites the "Give me your poor, tired..." speech that inspires Lou to find a way to adopt Evey. In that scene, Lou's father Sebastian Cristillo is sitting next to Bud. The other deleted scene concerns Lou in the climatic race car chase smashing through a movie theatre that is showing him in a scene from Romeo & Juliet as Lou-on-film is talking to Lou-in-car before bopping him on the nose! Those two cut sequences might have added to my enjoyment of the film. ( I should note here that I've yet to watch the excised scenes as I only know of them from stills and descriptions in the book "Abbott & Costello in Hollywood" by Bob Furmanek and Ron Palumbo.) Still, there's enough in Buck Privates Come Home for me to recommend it. Oh, and the real estate salesman who sells Bud & Lou a broken-down bus is Lou's brother-in-law Joe Kirk. So as we leave this comedy team from the sequel to their Army comedy, we next go on to Laurel & Hardy in their Army comedy, Great Guns.

This happens extremely rarely but yes, this sequel to the original "Buck Privates" is better. Why? There's more of A&C in this one actually as opposed to the original which has more musical numbers in it and more of a romance subplot. In "Buck Privates Come Home" there's more typical A&C burlesque routines that made them famous in the first place. I'm speaking primarily of the 'ol "Floogle Street Sketch" and the story about Floogle Street and the Susquehannah Hat Company. Either the street name or the name of the hat company sets everyone off whenever Lou mentions them to passing pedestrians. It is pure classic comedy, of which apparently writers forgot how to do nowadays. I highly recommend this flick!

This movie just seems to cash in on the original film which was a big hit back in 1941 but the past couple of movies from Abbott and Costello were flops and this movie does seem to be just thrown together. I don't know if this movie was a hit or not but their careers didn't do that well until they started making their monster movies like Frankenstein and The Mummy. I can't believe Leonard Maltin actually gave this three stars and said it was better then the original. This movie stars right after the war in which they are going home but it turns out Costello brought a kid back on the boat and the kid is a foreign citizen and Costello tries to hide the kid, so she can't be deported. She is found out but escapes and winds up hiding out with Abbott and Costello and Nat Pendleton who was their captain in the army and now a cop is looking for the kid. The movie just doesn't work and does seem thrown together.