IMDb-BEWERTUNG
7,4/10
6271
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.In 1944, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Peter van Eyck
- SS Captain
- (as Peter Van Eyck)
Jim Goodwin
- Pfc. Ricks
- (as Jimmy Goodwin)
Jud Taylor
- Pvt. Jacob R. Abramowitz - Radioman
- (as Judson Taylor)
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One of Robert Aldrich's classic war movies explores pyschological pressure and just how war effects men mentally. Even the "good guys" have their bad sides, and the bad guys are so screwed up you either sympathize with them or hate them.
During the fall of 1944, Captain Cooney (Eddie Albert) commands a weary infantry company. Lt. Costa (a young Jack Palance) realizes that Cooney is unfit for command when he freezes in combat. Costa and close friend Lt. Woodruff (Bill Smithers) try to inform their superior, Colonel Bartlett (Lee Marvin sporting a southern drawl) of Cooney's incompetence; instead, White wants to stay out of the way and hopes for the best. He owes Cooney a chance to become a hero so he can look good back home. Well, as you might have expected, Cooney again freezes in combat, this time costing the lives of several of Costa's men - and Costa goes looking for vengeance in an awesome climactic sequence.
The supporting cast is dotted with familiar faces, including Robert Strass from STALAG 17 as an oafish, emotional dogface; the late Buddy Ebsen (BETWEEN HEAVEN AND HELL) as Costa's loyal platoon sergeant; and Richard Jaeckel (who's appeared in at least a dozen war flicks) as another young soldier. Kudos to Bill Smithers, who does a fantastic job in an early role as Costa's rational friend. His final scene will leave you stunned and reeling.
The movie features a number of memorable scenes which combine physical action, superb dialog and emotion perfectly. One scene in which a mortally wounded Jack Palance prays that God will let him live long enough to kill Cooney is gut-wrenching. Interestingly, both Cooney and Costa have lost their grip on sanity. It's clear from the beginning that Cooney is a whackjob, and Costa is perfectly sane. But he becomes madly (no pun intended) obsessed with killing Cooney, that he forgets everything else - including his own men which is fighting to save. Instead of focusing on thousands of troops and big explosions, Aldrich delivers enough punch in his small-scale story to knock you down. Interiors and exteriors are beautifully shot, confining the action within small spaces to deliver maximum intensity and efficiency.
ATTACK! is an honest film - yes, this type of thing did happen; read or see BAND OF BROTHERS (particularly episode #7) to witness a brutally accurate account of flawed leadership resulting in disaster. I give an 11/10.
During the fall of 1944, Captain Cooney (Eddie Albert) commands a weary infantry company. Lt. Costa (a young Jack Palance) realizes that Cooney is unfit for command when he freezes in combat. Costa and close friend Lt. Woodruff (Bill Smithers) try to inform their superior, Colonel Bartlett (Lee Marvin sporting a southern drawl) of Cooney's incompetence; instead, White wants to stay out of the way and hopes for the best. He owes Cooney a chance to become a hero so he can look good back home. Well, as you might have expected, Cooney again freezes in combat, this time costing the lives of several of Costa's men - and Costa goes looking for vengeance in an awesome climactic sequence.
The supporting cast is dotted with familiar faces, including Robert Strass from STALAG 17 as an oafish, emotional dogface; the late Buddy Ebsen (BETWEEN HEAVEN AND HELL) as Costa's loyal platoon sergeant; and Richard Jaeckel (who's appeared in at least a dozen war flicks) as another young soldier. Kudos to Bill Smithers, who does a fantastic job in an early role as Costa's rational friend. His final scene will leave you stunned and reeling.
The movie features a number of memorable scenes which combine physical action, superb dialog and emotion perfectly. One scene in which a mortally wounded Jack Palance prays that God will let him live long enough to kill Cooney is gut-wrenching. Interestingly, both Cooney and Costa have lost their grip on sanity. It's clear from the beginning that Cooney is a whackjob, and Costa is perfectly sane. But he becomes madly (no pun intended) obsessed with killing Cooney, that he forgets everything else - including his own men which is fighting to save. Instead of focusing on thousands of troops and big explosions, Aldrich delivers enough punch in his small-scale story to knock you down. Interiors and exteriors are beautifully shot, confining the action within small spaces to deliver maximum intensity and efficiency.
ATTACK! is an honest film - yes, this type of thing did happen; read or see BAND OF BROTHERS (particularly episode #7) to witness a brutally accurate account of flawed leadership resulting in disaster. I give an 11/10.
Based on a play Fragile Fox that was on Broadway during the early Fifties, Attack is one of the best war films ever made. No sham heroics here, just men doing a dirty job and caught in an extremely lousy situation due to politics.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
It would seem political correctness prevailed even back during the big bloodletting. The military should screen it's officers very thoroughly before giving them the command over others' lives. Captain Cooney should never have been issued a uniform much less been promoted to such a high field rank. Most of these old 40's and 50's war films leave me colder than a dead kraut but this was way above the fold. Yes, some of the special effects were a bit tame and a couple of the sets looked like what they were, but this was one gritty, ugly tale of the horror and waste of combat. The entire cast was excellent in their portrayal of soldiers in a hopeless situation. Many familiar old faces in this one, most of whom are no longer with us.
Anyone remember a 1965 war movie called BATTLE OF THE BULGE ? That's the movie supposedly set during the Ardennes campaign in Belguim but instead of seeing snow shrouded forests we're led to believe the conflict took place on dusty desert plains . Unfortunately with ATTACK director Robert Aldrich makes a similar error in geography and weather conditions . There's no snow to be seen ( Apart from some fake snow in one scene ) there's no forests and you do get the feeling the movie was filmed on a hot summers day no matter how the cast try and convince you other wise . In fact I felt rather sorry for the actors dressed in heavy greatcoats jumping up and down trying to get into character and it's interesting to note that by half way through the movie everyone has stopped in their vain attempts trying to convince the audience it's a very cold day
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
'Attack' was a violent exposé of a lack of courage and perversion among American officers fighting the Germans in Belgium; a completely anti-romantic expression of disgust with war, and, more specially, the war machine, with its breakdown and its own ridiculous brand of bureaucracy
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.
Jack Palance and Eddie Albert played, at different types of psychic disturbance, two officers who struggle on the battlefield the one an efficacious, trustworthy, but disillusioned hero-typed, the other a cowardly sadist
Lee Marvin was the cynical high-ranking officer who treats war as a political farce, mindless of the pain and distress of the ordinary soldiers
Despite an inevitable over-fondness for the dramatic values of combat and the ferocious of men at arms, this was a convincing, truthful try to demythologize war which, had it been set up in a lower key with fewer psychiatric reverberations, would have come nearer to being what Aldrich was struggling to achieve, 'a sincere plea for peace'.
Wusstest du schon
- WissenswertesAlthough he played a cowardly officer in this film, in real life Eddie Albert, who served in WW II, was a decorated war hero. At the Battle of Tarawa (1943), while braving heavy enemy fire, he rescued over 70 wounded Marines, loading them onto his landing craft and taking them back to other ships to receive medical care. For these actions he was award the Bronze Star with "V" device for valor.
- PatzerIn every shot in which they appear, the German tanks have external travel locks on their main gun, including whilst they are firing. These braces are mainly applied when the tank is being transported by ship or train, and is to prevent the turret from shaking and damaging sensitive systems like aiming mechanisms. However, any such device would be removed long before the tank enters combat, as it makes aiming virtually impossible. That, and thanks to recoil, the act of firing the gun in such a situation would not only damage the lock, but also likely harm the very mechanisms the lock is supposed to help protect in the first place.
- Zitate
Sfc. Tolliver, Fox Co.: [refusing a drink] Captain, down around where I come from we dearly love our whiskey. But we don't drink with another man unless we respect him.
- Crazy CreditsOpening credits prologue: EUROPE 1944
- Alternative VersionenWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1997 when the film was granted a 'PG' certificate for home video.
- VerbindungenFeatured in Discovering Film: Lee Marvin (2015)
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Details
Box Office
- Budget
- 750.000 $ (geschätzt)
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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