Rauchsignale

When Captain William Tallman returns to the fort with accused deserter Dana Andrews, he finds himself besieged by Indians who want him back. Tallman won't give him up, and the Utes threaten to kill everyone. So Andrews leads them on an escape by boat down the wild Colorado River through the Grand Canyon.

There are some technical issues with the obvious process shots. You can easily see which shots re shot in the studio against a screen. Even so, the location shots by Clifford Stine are lovely, and the sparse lines well delivered by a cast that includes Piper Laurie, Milburn Stone, Gordon Jones, and William Schallert -- even though Miss Laurie ater stated that Andrews was drunk throughout the shoot.

Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not.

Like the better-known The Last Wagon, Smoke Signal features a despised 'Indian lover' prisoner ( Dana Andrews) helping a mixed band of whites made up of cavalry officers and a lady ( Piper Laurie) evade the Utes by crossing the Grand Canyon stretch of the Colorado River, and along with the intense drama between the characters, the river plays its part in conveying the turmoil of the situation they are in.

It's a rugged action western with good performances by the underrated Dana Andrews, Piper Laurie, the bitter William Talman and Rex reason - a stirring adventure film.

Smoke Signal is directed by Jerry Hooper and co-written by George F. Slavin and George W. George. It stars Dana Andrews, Piper Laurie, William Talman, Rex Reason, Milburn Stone and Douglas Spencer. A Technicolor production that's primarily filmed at the Grand Canyon of The Colorado, cinematography is by Clifford Stein and musical supervision is provided by Joseph Gershenson.

After their fort is attacked by Indians a small group of survivors escape to the wild Colorado River. Their only hope of survival is to tackle the unforgiving stretch of water whilst holding off the pursuing enemy. But can they survive each other first?

Very much a mixed bag in terms of production, Smoke Signal is enjoyable enough for the undemanding Western fan. The story is a safe one as it focuses on a fractured group dynamic having to come together in order to survive the terrain and hold off the enemy pursuing them. The group consists of a pig-headed Captain (Talman), soldiers with prejudice, a pretty lady (Laurie), a trapper (Spencer) and a prisoner (Andrews), the latter of which is a despised "Indian Lover" because of him having been married to an Indian woman and therefore lived with the Ute tribe. Many human traits and qualities will be tested on this journey, the narrative strong enough to warrant the interest being held to see how it will all pan out.

The central idea and its themes has been done far better before in films like The Last Wagon and River of No Return, to name just two. However, Smoke Signal does feature unique location work on the Big Bend of the Colorado River (Stine doing fine photography work), and it's good to see a rarely seen tribe of Indians featured in a Western, the Utes. Bonus, too, is Talman (The Hitch-Hiker), who gets a good meaty part to show what he could give as an actor. Yet the makers give good stuff with one hand and take it away with the other. Great scenery is coupled with poor back projection shots, dummies are all too evident and Laurie is arguably the ultimate token lone female character in a Western. Even the normally reliable Andrews looks weary throughout, were it not for Talman and Spencer, this would fall into the badly acted drawer.

Western fans don't demand too much from a "B" production, but some of the efforts here are dangerously close to being "Z" grade. A shame because the strong story and the real location photography carry a high interest factor for the genre follower. A better director than Hooper would have certainly improved things, or at the least someone who could stitch things together more knowingly with tricks of the trade. The Pegasus DVD release has a decent print, not pristine, but clear in picture and colour levels. It's not one to recommend with great confidence to like minded Western fans, but there's enough in here to rank it just above average. 6/10

Since "broken arrow" it had become politically correct to treat the Indians as human beings and it was about time!Like James Stewart ,the hero lived with a tribe,married a squaw (who died too) ,but it was a bad idea cause he was a military man and by leaving his "people " behind ,he became a deserter .He was captured and held prisoner in a fort in jeopardy for the Indians are all around.The only way is the river which runs through the canyon.

The screenplay is predictable to a fault ,the female part (Piper Laurie)is essentially decorative ,but the landscapes are worth the price of admission.Like Richard Widmark in " the last wagon" ,Dana Andrews will "redeem himself" (but he is actually so noble there is nothing to redeem indeed).This is a "river movie" ,in which the enemy is actually not the Indians but the dangerous waters and the white men's jealousy and hatred .

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"River of no return" ,Otto Preminger

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This fine production is in every way one of the best westerns, and the best adventures ever made by my standards. It is also a "sense-of-life" film, during whose course the viewer along with the characters discovers the truth about the central character for himself. The plot situation here is a tense one. This script has in fact one of the most interesting story lines of any western of which I have knowledge. A man named Halliday is being called a renegade, even accused of having started an Indian war. Yet Brett Halliday is a man who deserted to join the Ute Indians--who have now joined the Sioux---on a previous occasion for what he says was a different reason entirely. His story was he wanted keep the peace then and still does, but Evans, the man in charge at the local fort, wanted the war. The man who has captured him, Harper, leads his patrol back to the fort. Laura Evans, the Colonel's daughter, is also present. Her father is dead; and an overwhelming attack on the fort is now imminent. With no other choice, the few survivors have to make their way down the walls of the canyon beside which the fort is perched and try to escape via the river that flows there. The body of the film's many action scenes involve that attempted escape and Halliday's part played during it, which finally convinces a by-the-book Harper to let him go to the Indians and try to avert needless bloodshed. By this time, he has told the daughter the truth about her father--that he brought on the two wars by the way he had maltreated the tribes. And she has fallen in love with him and will wait for his return. Veteran Jerry Hopper directed the colorful scenes contained herein from a script by George W. George and George Slavin. In the good cast beside Dana Andrews, very good as Halliday, young star Piper Laurie as Miss Evans, William Talman in a his best role ever in film as Harper, Milburn Stone just before he achieved fame as "Doc" on "Gunsmoke's" long-running TV series, Rex Reason as Laura Evans' jealous suitor, Gordon Jones, Robert J.Wilkie, Peter Coe, Douglas Spencer and William Schallert. There are many good technical and creative contributions that make this a beautiful and memorable outdoor drama. Bill Thomas did the costumes and other fine professionals were involved; but the plot line concerning how men face adversity is so strong that a lesser cast, producers and artists could still have made this a creditable effort. That they did so much better than they might have done is a tribute to all concerned.