Adlerschwinge

An Audie Murphy western from 1954. A father/son transpo enterprise are hired to bring a shipment of gold to an embattled location where the Ute Indians hold a tenuous truce w/the passersby. Murphy & Western vet Walter Brennan play the business owners & what they don't know is there are outside forces at play hoping that a war will ignite between the white man & the native peoples so that the Ute's land can be properly exploited. Brennan is hurt in an early skirmish so its up to Murphy to smoke the peace pipe, as it were, w/the Indian elder but he carries a deep seated grudge against them since the chief's son caused the death of his mother. Being a film on the cusp of being truly great & memorable, it's a shame some of the individual elements are glossed over (something a more insightful director may've focused on) so that finish line could be crossed at the 90 minute mark. Look for Jay Silverheels (TV's Tonto from the Lone Ranger series of the 50's) in a pivotal role as the chief's son.

Nice Audie Murphy recital giving acceptable acting as a tough man who has to solve conflicts between greedy white men and Ute Indians . While he becomes a peaceful man who attempts to avoid an Indian war. But then things go wrong when his father , Walter Brennan, is kidnapped by villainous Lyle Bettger . A wildernes of danger¡ An empire of savage hate ¡

Decent Western with thrills , emotion , betrayals , assaults , Indian attacks and cavalry . It is a routine Western but it has some elements that make this oater an above average yarn . Audie Murphy , as usual , is pretty well , this time he resolves problems by keeping calm among contenders ,in which mean prospectors attempt to rob Indian mines and along the way confronting the always nasty Lyle Bettger , providing the best acting of the movie . Support cast is frankly good , with plenty of Western familiar faces as Hugh O'Brian, Emile Meyer , Regis Toomey , Morris Ankrum , Gregg Barton , George Wallace , Bob Steele , lone Ranger's Jay Silverheels, the beautiful Mara Corday and the great secondary Walter Brennan . It contains a thrilling and rousing score from Herman Stein and Henry Mancini , though uncredited . As well as colorful cinematography in Technicolor by Harold Lipstein. The motion picture was well directed by Nathan Juran for Universal Pictures . He was a notorious art director winning an Oscar for art direction on How green was my valley by John Ford . Then , he turned to directing in the the Fifties. Juran handled mostly low-budget Westerns and oaters such as : Law and order , Gunsmoke, Tumbleweed, as well as Sci-Fi opuses , his most famous were Attack of the 50 foot woman 1958 , The brain of the planet Arous , The deadly mantis, 20 million miles to earth . On the other hand he was also responsible for great fantasy adventures as The 7th voyage of sinbad, Jack the giant killer , 1958 . In the early Sixties he travelled Europe where he made Spaghetti Western as Land raiders . Furthermore , he directed a lot of episodes of popular TV series as Daniel Boone , Lost in space , Land of giants , Voyage to the bottom of the sea , A man called Shenandoah , The three musketeers , World of giants, among others . Rating , 6.5/10 . Better than average . The movie will appeal to Audie Murphy fans and Western aficionados .

Fun western that once again covers the old 'Native Americans have something we want so lets go get it' story arc. This time though it has a father son relationship that is explored as the baddies do their thing. Walter is exceptional in this and Audie does what Audie does. There is a small branch of the story that refers to Audie being a bigot but it is never really explored and seems to resolve itself too quickly to really have an influence on the story overall.

Good action, well told, enjoyable fare.

A Colorful, Winner Western with Audie Murphy in His Element and a Solid Back-Up Cast including Walter Brennan in an atypical Super Serious Role as Murph's Dad.

Some Recognizable Bad-Guys including the always Grinning Lyle Bettger, Bob Steele, and Hugh O'Brian as a Psycho Gunslinger. Jay Silverheels and that always Recognizable Voice has a Small but Important Role as an Indian Chief.

It is quite Striking just how much Plot was Woven into these 80 Minute Westerns, it's just a Treat to Watch it Unfold at a Blistering Pace. The Action Never Lets Up and the Story Layers are Simple and Significant.

The Movie features that Glorious Technicolor that Drips from the Screen, a Look that has been Lost in Time. Overall, this Cowboys and Indians Movie is the Stuff that made Saturday Matinees the Favorite Spot for Kids of the Fifties.

Downtown at the Movie Palace there were Western and Sci-/Horror Entertainment along with Color Cartoons, and Short Subjects and the Kids were there because that was where it was at, through the 1950's.

Drums Across the River is directed by Nathan Juran and written by John K. Butler and Lawrence Roman. It stars Audie Murphy, Walter Brennan, Lyle Bettger, Lisa Gaye, Hugh O'Brian, Mara Corday and Jay Silverheels. Music is by Joseph Gershenson and Technicolor cinematography by Harold Lipstein.

"This is Crown City, born and build on gold mining, but by 1880 about the only gold left was across a near by river in the San Juan Mountains, Ute Indian land. People get desperate when their means of livelihood's cut off, and I was no exception. I'm Gary Brannon, my Dad and me ran a freight outfit."

There's a reoccurring saying that often crops up when viewing most of Audie Murphy's Westerns, that of them being unassuming afternoon entertainment. Pour yourself a jug of beer or a glass of wine and enjoy the handsome Murphy going about his Oater business with energy and a straight forward willingness to entertain.

Drums Across the River is a goodie in that context, it also boasts some lovely photography by Lipstein out of California locations that include Barton Flats (San Bernardino Mountains), Burro Flats and Red Rock Canyon. The Technicolor is gorgeous (TV print I saw was very good), with the blues and greens very striking, and the story is interesting as Murphy plays a bigoted young man who finds himself trying to avert a war with the Ute's whilst being framed for robbery himself. Bettger (Union Station) is a more than capable villain, as is the black clad O'Brian (The Lawless Breed), Corday and Gaye are underwritten but a treat for the eyes, and Brennan is the class act that he mostly always is.

Juran (Gunsmoke) directs without fuss or filler, proving to have a keen eye for action construction as the film is flecked with a number of hand to hand fights, shoot-outs and horse play, and prolific Western scorer Gershenson offers up another in a long line of undervalued genre compliant flavours. The stunt work is also of a high standard, with one particular leap of death truly worthy of high praise, and the story rounds out to put a smile on your face as the last sip of beverage trickles down the throat. Few surprises narratively speaking, and the odd B Western budget error shows its face, but this is a colourful Audie Oater and it's all about enjoying without having to think too hard about it. 7/10