Die Verlorenen

Two words spoken by a patient pretty much sum up this whole film, start to finish- "I'm phobic!". It's all phobia, neurosis and hysterics, so its kinda like watching a train wreck.

The main difference between patients and staff is that the patients seem more self aware, often knowing just what their problems are, in contrast to the staff who flounder in self ignorance while totally unaware of their own internal issues. Overall the film lacks much depth, maybe the depth was lost in the editing process, so that we are left with...well...mostly just drapes (at least four different sets of drapes by my count, if you include the originals that are to be replaced). Maybe the writers of this story had a drapery fetish? Strange, but you never know!

Lillian Gish and Gloria Grahame steal the movie and their performances are worth your viewing time. The whole movie is a guilty pleasure, as neither inmates nor staff seem to be in charge of this asylum. Its fun to watch as the wheels come off and the "Institute for Neurosis" descends into 1950's campy chaos.

This is a very strange film about a mental institution which is operated by Dr. Stewart McIver, (Richard Widmark) and Dr. Douglas Devannal, (Charles Boyer). Stewart is married to Karen McIver, (Gloria Grahame) and they are both having marital problems, she claims he does not pay much attention to her and especially in bed. Meg Rinehart, (Lauren Bacall), is a new employee with the hospital and is divorced and has a young son. All of the staff has their own serious problems as well as trying to take care of some very serious mental patients who require a great deal of attention. It is hard to believe that the main subject in this film is about just plain simple drapes and just where to hang them and this is causing a great deal of problems with the patients and staff. Richard Widmark and Lauren Bacall gave a great performance along with the very sexy gal, Gloria Grahame. This is a very crazy film and it will keep you guessing just how this picture will ever end.

This movie, based on a novel, was made when expensive private mental hospitals provided months or years of psychoanalytically-oriented treatment for small numbers of affluent patients. None of today's antipsychotic or mood-stabilizing pharmaceuticals was yet in use. (One scene shows a patient in a hydrotherapy tub - used for sedation.) Dr Devenal, when things are falling apart, ruefully looks at the book he has written – "The Theory and Practice of Milieu Therapy." This was an important movement in the 1950's, proposing that the patient community was a significant element of the treatment. Patient governments voted on many aspects of institutional life and even, at times, on treatment decisions that properly were the responsibility of professional staff. Conflict over new drapes seems today to be a foolish plot element, but, although exaggerated, it fit the context of the time.

Richard Widmark is a psychiatrist in "The Cobweb," also starring Lauren Bacall, Lillian Gish, Charles Boyer, John Kerr, Susan Strasberg and Gloria Grahame. It's quite a cast, especially when you realize that they were directed by Vincent Minnelli.

It's an absorbing story of the patients and the doctors at a mental institution. Widmark has basically taken over from the troubled Boyer - though Boyer retains his title, Widmark's contract gives him more power. Bacall, a recent widow, is a doctor on staff, and Lillian Gish is an administrator. The patient most focused on is Stevie, played by John Kerr. He is making good progress with his recovery, and in fact, some of the better patients are given control over designing their lounge. The sticking point becomes the draperies which become a political football. Widmark's wife, Gloria Grahame, wants to impose herself onto the institution that is taking her husband away from her by working with a board member on the drapes; Lillian Gish wants to save money and go the cheap route; and the patients have their own ideas.

This is a very good drama with good acting from all involved. Grahame is a brunette here and has never been more beautiful, plus she gets to wear some beautiful clothes. She, along with the others, gives a terrific performance.

The one with the best role is Lillian Gish, and she is fantastic. What an actress and what a career. Who could have believed she could play such a perfect bitch? Well worth watching if the plot is a little thin.

In the 1950's, Vincente Minnelli was making some of the strongest films in Hollywood. Pictures like Some Came Running and The Bad and the Beautiful were very strong and probing studies of American life; The Cobweb deserves to be considered alongside these great films. The tranquil world of a psychiatric clinic in the Midwest countryside (somehow I can see cows in the fields even though there aren't any) is disrupted by a power struggle between two strong-willed men: Dr McIver, a young man whose first important post this is, and Dr Devanal, who has spent more than 20 years at the clinic and seems to be burnt-out. A stiff-necked spinster, Victoria Inch, whose father had created the clinic does everything she can to aggravate the principals. The clash between old settled practices and innovative new ones is the subject of the film.

People fret about the drapes--well really they're only the trigger for the clash. I have the strong feeling that by leaving Chicago to settle in this back-water, McIver has made a mountain of trouble for himself. His wife Karen (splendid performance by Gloria Grahame) is experiencing severe boredom and frustration; she's a sensual romantic woman who is being ignored by her husband, who is trying to find romance with Meg Rinehart (a cool Lauren Bacall). The romantic disappointments of the main characters make this film work.