Der silberne Kelch

I have to agree with the negative comments on this one. First of all, let's begin with the good points. It got two Oscar nominations--one for William Skall's color cinematography and the other for Franz Waxman's tasteful background score. Indeed, the only tasteful thing about the film is that score.

PAUL NEWMAN at least doesn't have to be ashamed of how he photographed in color because he makes a handsome film debut (physically) but was apparently given no directions from Victor Saville on how to play the role of a man who worked on the framework for The Silver Chalice. His is a bland performance at best and it is undercut even more when he has to share the screen with the terribly miscast VIRGINIA MAYO.

Mayo looks as though she just left the chorus line of The Goldwyn Girls and had the artists paint her eyebrows in what someone must have assumed would resemble women of antiquity. She saunters around in her veiled costumes as though she is about to break out into a burlesque queen's rendition of a bump and grind song number.

JACK PALANCE steals the show with his overwrought, maniacal performance as a magician who begins to believe in his own ballyhoo (or his own press clippings) and thinks he can actually fly without any contraptions aiding his flight. Oddly enough, his caricature of a role fits into the scheme of things, seeing as how the stylized sets and costumes suggest nothing more than comic strip vision.

Adding to lack of credibility is the casting of NATALIE WOOD as the young Helena who turns into Mayo as an adult. Now that would take the work of a major magician. LORNE GREENE, in his film debut, and E.G. MARSHALL struggle with poorly defined roles in the supporting cast.

Summing up: Dismal. The only question is, what inspired Franz Waxman to write such a pleasing background score?

This film is certainly an oddity but deserves some mention for the actors involved, and especially Jack Palance as "Simon the Magician".

I too remember watching this around Easter at around age 10, it could be an interesting film for children who don't understand the historical issues of Emperor Nero,the Romans and conflicts of Christianity etc.

As another reviewer mentioned, it is odd with unusual sets. Virginia Mayo, however, looks lovely as always, even with some over the top eyebrow makeup and gold eyeshadow.

Paul Newman is a slave who must craft a special chalice for Jesus. Mayo, as royalty attempts to rescue him from his chains. Simon the Magician entertains Caesar but loses his mind in the end, building a special tower and wings to prove to Caesar that he can fly. He is just as much a God as any other, he proclaims.

The film is theater and a bit campy as you get older but worth watching as a curiosity. 6/10

Well I've waiting for years to see this movie, and finally I have. I made it my Christmas treat. Well okay maybe "treat" is stretching it. I don't know if it was one of the worst films of the fifties. But it's probably Paul Newman's worst performance in movies. Then again, the dialogue he was given was pretty dismal. As for Jack Palance, He not only chews the scenery, he spits it back at you. The movie definitely livened up when he was on screen. Virginia mayo looks like a hooker. Hmmm. Was she supposed to be a hooker? She's only 5 years older than Newman, but looks about 20. Still there were some decent performances noticeably from Joseph Wiseman, and Pier Angeli. It also kept my interest.

"The Bible" anthology orator Alexander Scourby (as Luke) chooses Greek sculptor Paul Newman (as Basil) to fashion "The Silver Chalice" that served at Jesus Christ's "Last Supper" with faces of the Lord Christ and some of his disciples. Looking tanned and handsome in Warner colors, Mr. Newman not only has trouble recreating the face of Jesus, but also choosing between bosomy Pagan-tilting Virginia Mayo (as Helena) and pretty Christian-leaning Pier Angeli (as Deborra). His cup runneth over...

Unlike Newman, you'll have no trouble figuring out where his character and this story are going...

Going up are Ms. Mayo's plucked and penciled eyebrows; going down is Jack Palance (as Simon) as the new Messiah. Don't be too quick with the fast-forward button, lest you miss Mr. Palance's fall from grace. Newman, who herein moved from TV dramatic guest to big screen star, was not proud of this film; and, it's easy to see why. It's a woefully misguided Biblical epic, with Newman not the least of its problems. The musical score by Franz Waxman is nicely done, especially during softer sequences.

**** The Silver Chalice (12/17/54) Victor Saville ~ Paul Newman, Virginia Mayo, Pier Angeli, Jack Palance

Epic and religious story based on a novel by Thomas Costain and dealing with the momentous deeds that befall a young Greek artisan called Basil (film debut of Paul Newman , though James Dean was offered the character, but he and his agent thought the script was poor) is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples (Lucas played by Alexander Scourby , Peter acted by Lorne Greene ..) and Jesus himself . Later on , he returns Rome where he meets Apostle Peter .

This Biblical extravaganza turns out to be a religious mammoth epic and focuses a moving Roman pageant dealing with a Greek sculptor , following his stirring career , spiritual awakening and reaches an exciting peak at the ending . This is a spectacular but failed portrayal of Biblical Hollywoodiana in which only flashes of the brilliance to come emerge from some amazing scenes . In its way , it was Warner Brother's answer to ¨The robe¨, being a misfire in which about to go bankrupt the production company . It has marvelous images , spectacular scenes , average performances as well as a lot of cast of thousands . However , the picture resulted to be a bloated , turgid Biblical epic , a real failure at box office . When the film ran on television in 1966, Paul Newman , who was a little wooden , took out ads in the Hollywood trade papers, and in Variety magazine , calling it "the worst motion picture produced during the 1950s," apologizing for his performance, and asking people not to watch the film . Unfortunately, it had the opposite effect, and many people tuned in to watch it on TV . Newman once screened the movie for friends at his home, giving them whistles , pots, and wooden spoons, and encouraging them to make noisy critiques of the film. Paul Newman, who was a finalist for the role of Cal Trask in East of Eden (1955) that eventually was played by Dean and made him a star, took the role, which Newman later regretted . While shooting "East of Eden," Dean went over to visit Newman on the set of this film, where he met the love of his short life, Pier Angeli, Newman's co-star . A 15-year-old Natalie Wood who interprets Mayo's role when younger gives sensitive acting , though brief . The best acting comes , indeed , from Virginia Mayo as helper to Simon the Magician performed by an overacted Jack Palance . The supporting cast also includes E.G. Marshall as Ignatius , Michael Pate as Aaron Ben Joseph , Ian Wolfe as Theron , Lawrence Dobkin as Ephraim , Walter Hampden as Joseph of Arimathea , Joseph Wiseman as Mijamin and Albert Dekker as Kester . Furthermore , film acting debut of Lorne Greene and Robert Middleton . Alexander Scourby, who plays St. Luke, was known for his deep, rich voice and later became the first person to read and record the entire King James version of the Bible on records.

Sensitive and lyric musical score by the classic Franz Waxman . Colorful and glamorous Cinematography by William V. Skall . Strange and innovative production design by Rolf Gerard , including monumental as well as rare sets , in theatrical style . The motion picture was regularly directed , this was final film as director for Victor Saville . He moved to Hollywood in 1939, where he acted primarily as producer, though he did direct one more A-grade film , Green Dolphin Street (1947). He directed several movies such as Storm in a Teacup , South Reading , If Winter comes , Calling Bulldog Drummond and especially his successful ¨Kim ¨. Though briefly touted as a possible successor to Louis B. Mayer at MGM, the massive critical and artistic failure of a decidedly stodgy and miscast biblical epic, The Silver Chalice (1954), hastened Saville's eventual retirement from the industry .