Aufruhr in Laramie

In this quality B western rails are going into Laramie, Wyoming, but they're not leaving. That's because saloon owner Dan Duryea with the implicit connivance of the town's merchants is finding all kinds of ways to keep the railroad workers spending their pay in their town and not getting any work done. All this is troubling the railroad owners and troubleshooter John Payne is detached from the army to deal with the trouble.

Rails Into Laramie takes elements from the DeMille classic Union Pacific and Destry Rides Again and a nice story is concocted. Payne is a stalwart no nonsense hero who when he's not on the job is a bit of a hell raiser himself. But when he's given this job he's quite serious.

Dan Duryea the chief villain is married to Joyce McKenzie, but has his partner in the saloon Mari Blanchard on the side. He's also got to do his bidding treacherous telegrapher Douglas Kennedy, bully boy railroad worker Charles Horvath to intimidate the others, and a pair of killer brothers Myron Healey and Lee Van Cleef.

If you know the plots of both the previous mentioned films than you know the result in the end. What I really liked about Rails Into Laramie was the fact that Wyoming was organized as a territory at the same time as the transcontinental railroad was coming through and women got the vote. They also got some other rights and that fact is integrated into the plot.

One of John Payne's good B westerns from the Fifties and the rest of the cast supports him well. And Dan Duryea is always excellent.

I guess Audie Murphy was not available to play in this Jessie Hibbs' western ; Hibbs who was his fetish director - as Lon Chaney was with Tod Browning or Gregory Peck with Hank King - and Dan Duryea already faced Murphy in RIDE CLEAR OF DIABLO the very same year. So, replacing Audie Murphy by John Payne deserves to be noticed. And I did not remember Payne playing in Universal films either. That said, this western, even without the most decorated soldier in WW2, remains solid, taut, efficient enough to grab your attention. I did not watch it since a while and I am glad to see it again. A railroad western, a genre in the genre; as you also had posse westerns, military fort westerns, town under outlaws rule westerns, cattle baron or ruthless landlords vs rustlers westerns, indian wars westerns....

Army sergeant John Payne is ordered to clear up the situation in Laramie single-handedly. He finds his childhood buddy Dan Duryea running a saloon and paying off everyone in sight to keep the work moving as slow as possible; the longer it takes, the more of the rail workers' pay he can pocket. Payne gets himself appointed marshal and jails all the baddies.... but their friends on the juries keep setting them free.

It's another of the 'Shaky A' westerns from Universal in this period, directed by the reliable Jesse Hibbs. Like most of the westerns from Universal in this period, it's in Technicolor, has a couple of minor stars, a few key character actors like Barton Maclane and Lee van Cleef and a spectacular finale of a fight in a train that's about to crash into a passenger train. The result is good, if standard fun.

It's produced by Ted Richmond. He began producing B movies for Columbia in 1940. When Cohn shut down his series, he switched to Universal, where he worked on all sorts of programmers. He produced 56 movies by 1957, and then slowed down. Over the next 22 years, he produced 10 movies, including PAPILLON. He died in 2013 at the age of 103.

Progress on the railroad has pretty much ground to a halt as the workers spend most of their time drinking rotgut in Dan Duryea's boozer.

The leading citizens of the town request military help and tough soldier, Payne, is appointed as a sort of temporary marshal. Trouble is, he's an old mate of Duryea so it looks as though there's going to be a conflict of interests.

This is an above average Universal western: the two main protagonists play off each other well and there is excellent support from a very large cast of familiar westerners (many uncredited). Special mentions must go to Lee Van Cleef as a menacing, trigger happy bad guy (was he ever anything else?), Mari Blanchard as a saloon girl with a heart of gold (was she ever anything else?) and James Griffith, cast against type in a humorous role, as a bumbling ineffectual lawman.

Action scenes are well staged - particularly those on the trains - the photography is first class and the Technicolor beautiful as always.

Oh, and as an added bonus for B western fans, there's a title song over the opening credits rumbled out by the ever popular Rex Allen....

A railroad sends an agent (John Payne) to Laramie to try to find out who is behind the efforts to stop the railroad from building its line into the area.

An enjoyable railroad western that is brisk and keeps your attention throughout. There's a nice buddy angle between John Payne and Dan Duryea, but when Duryea realises Payne isn't going to turn a blind eye to his crooked ways, he chooses to get rid of him the hard way. There's fistfights, attempted riots and Lee Van Cleef snarling with his trigger-happy fingers. There's also an interesting women's jury sequence. But what stands out for me is the wonderful looking trains; the finale with a shootout and a fistfight on top of the train is an exciting one. Mari Blanchard sizzles as Payne's love interest.

A satisfying railroad western that makes you feel good. Nice title song sung by Rex Allen.