Rauchsignale

"Smoke Signal" is an exceptional western in many ways. It has very good acting but more importantly it has excellent writing.

The story begins with a company of cavalry soldiers trying to make their way back to the fort...but hostile Ute Indians are trying to stop them. This is unusual because until recently, the Ute had been pacified. But now they most certainly are NOT and they want to wipe out the white men on their land.

When most of them manage to make it to the fort, things aren't a lot better. The fort's been under siege for some time and sooner or later, they're going to take the fort. However, the Captain (William Talman) is surprised when he and his men arrive at the fort...there's an unexpected prisoner there. Apparently Captain Halliday has been captured and his back story is an unusual one. It seems that Halliday objected to the way his commanding officer treated the Ute. The commander essentially wanted them dead...and Halliday's entreaties to treat them well had fallen on deaf ears. Eventually, in desperation, Halliday deserted...going to live with the Ute. So how did he get in the fort? Well, it seems that the Ute are so angry about the white men and their treatment of them, they want Halliday dead as well....so Halliday seems like a dead man regardless. There's a lot more to the story....try to see it if you can...as it only gets better.

"Smoke Signal" is a product of the 1950s. In the 50s, Hollywood was reassessing the way they portrayed natives. While still they often painted up white folks to play 'Indians' (fortunately they did NOT in this film), often these people were being portrayed more generously....and when they were warlike it was a reaction to their mistreatment and loss of land.

So what did I like about it apart from the acting and writing? Well, I liked the originality of the screenplay.... I cannot think of another western like it...and I've probably seen well over a thousand or more films in the genre. I also loved the Colorado River locale...it was beautiful and seeing the wilderness (mostly around Moab, Utah) is nice. My only complaint is that in closeup shots of the actors as they braved the treacherous river...well, these were done poorly and it's obviously they were rear projecting the river footage behind them...clumsily. It's a shame, as otherwise the footage is amazing...and it's one of the most breathtaking parts of America.

As a child in the 1960s I watched as many Westerns at the cinema as possible, and "Smoke Signal" was one of those that left a lasting impression. I had to wait many years for it to be shown on British TV, and then it wasn't quite as good as I'd remembered, but still quite novel, with the US Cavalry taking to the boats to escape Indians. Certainly the Grand Canyon made a spectacular background to much of the film, though with the white protagonists being confined to two small boats quite a lot of rather obvious back projection was necessary whenever one of them spoke.

Few films of the 1950s (or indeed of any period)dared omit a female from the cast, however contrived her inclusion might be, and here we have Piper Laurie visiting her father at one of the most primitive forts I've seen portrayed in a film at a time of tension with the Indians.

Smoke Signal stars Dana Andrews as an army deserter who left because his late commanding officer was hell bent on starting an Indian war which he did. When the Indians went on the offense Andrews deserted them and is now a prisoner.

Now the commander is dead and Andrews is a prisoner at his fort. But that might not mean much as most of the fort is dead and the Utes are closing in. There one chance for the survivors and it means heading down the Colorado River which as yet is unexplored, especially around that Grand Canyon area.

One woman the late commander's daughter Piper Laurie, one trapper Douglas Spencer and a bunch of soldiers led by Captain William Talman who has a special reason for hating Andrews as his brother was killed in a battle with the Utes. But it's pretty clear that Andrews is the one guy who really knows what he's doing.

The film is mostly the journey down the Colorado River where we see who makes it and who doesn't. Only six are left in the boat at the end, you have to see which six.

Nice location cinematography and good ensemble performance by a veteran cast.

Smoke Signal is directed by Jerry Hooper and co-written by George F. Slavin and George W. George. It stars Dana Andrews, Piper Laurie, William Talman, Rex Reason, Milburn Stone and Douglas Spencer. A Technicolor production that's primarily filmed at the Grand Canyon of The Colorado, cinematography is by Clifford Stein and musical supervision is provided by Joseph Gershenson.

After their fort is attacked by Indians a small group of survivors escape to the wild Colorado River. Their only hope of survival is to tackle the unforgiving stretch of water whilst holding off the pursuing enemy. But can they survive each other first?

Very much a mixed bag in terms of production, Smoke Signal is enjoyable enough for the undemanding Western fan. The story is a safe one as it focuses on a fractured group dynamic having to come together in order to survive the terrain and hold off the enemy pursuing them. The group consists of a pig-headed Captain (Talman), soldiers with prejudice, a pretty lady (Laurie), a trapper (Spencer) and a prisoner (Andrews), the latter of which is a despised "Indian Lover" because of him having been married to an Indian woman and therefore lived with the Ute tribe. Many human traits and qualities will be tested on this journey, the narrative strong enough to warrant the interest being held to see how it will all pan out.

The central idea and its themes has been done far better before in films like The Last Wagon and River of No Return, to name just two. However, Smoke Signal does feature unique location work on the Big Bend of the Colorado River (Stine doing fine photography work), and it's good to see a rarely seen tribe of Indians featured in a Western, the Utes. Bonus, too, is Talman (The Hitch-Hiker), who gets a good meaty part to show what he could give as an actor. Yet the makers give good stuff with one hand and take it away with the other. Great scenery is coupled with poor back projection shots, dummies are all too evident and Laurie is arguably the ultimate token lone female character in a Western. Even the normally reliable Andrews looks weary throughout, were it not for Talman and Spencer, this would fall into the badly acted drawer.

Western fans don't demand too much from a "B" production, but some of the efforts here are dangerously close to being "Z" grade. A shame because the strong story and the real location photography carry a high interest factor for the genre follower. A better director than Hooper would have certainly improved things, or at the least someone who could stitch things together more knowingly with tricks of the trade. The Pegasus DVD release has a decent print, not pristine, but clear in picture and colour levels. It's not one to recommend with great confidence to like minded Western fans, but there's enough in here to rank it just above average. 6/10

When Captain William Tallman returns to the fort with accused deserter Dana Andrews, he finds himself besieged by Indians who want him back. Tallman won't give him up, and the Utes threaten to kill everyone. So Andrews leads them on an escape by boat down the wild Colorado River through the Grand Canyon.

There are some technical issues with the obvious process shots. You can easily see which shots re shot in the studio against a screen. Even so, the location shots by Clifford Stine are lovely, and the sparse lines well delivered by a cast that includes Piper Laurie, Milburn Stone, Gordon Jones, and William Schallert -- even though Miss Laurie ater stated that Andrews was drunk throughout the shoot.