Im Rom des ersten Jahrhunderts wird der christliche Sklave Demetrius zum Kampf in die Gladiatorenarena geschickt, und Kaiser Caligula sucht das Gewand Jesu wegen seiner angeblichen magischen... Alles lesenIm Rom des ersten Jahrhunderts wird der christliche Sklave Demetrius zum Kampf in die Gladiatorenarena geschickt, und Kaiser Caligula sucht das Gewand Jesu wegen seiner angeblichen magischen Kräfte.Im Rom des ersten Jahrhunderts wird der christliche Sklave Demetrius zum Kampf in die Gladiatorenarena geschickt, und Kaiser Caligula sucht das Gewand Jesu wegen seiner angeblichen magischen Kräfte.
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Back in those days you really only saw movies once - with mum and dad at the local cinema on Friday night. But my memory wrapped around this film almost as if I had a rewind button inside my head. It was one of those big-screen epics that made an impression on me.
With your Roman Empire movies, your best bet is to set the story in the reign of one of the three mad emperors - Nero is tops, but Caligula and Commodus are the next best thing. Someone like Augustus with his stable, 40-year reign is just a little too sedate when it comes to drama - a bit like the Eisenhower era.
Set in Rome during the reign of Caligula, all Demetrius (Victor Mature) wants to do is hand over the robe of Jesus to Peter (Michael Rennie), and lead a quiet life as a potter. Instead he has his faith shaken, and ends up in the arena where he dispatches many opponents and a streak of tigers. Along the way his most dangerous enemy turns out to be Messalina (Susan Hayward), the wife of Caligula's uncle Claudius. It takes Peter and a good buddy from the arena, Glycon (William Marshall), to guide him back to the light.
Well that's the story; the script is there to keep the spectacular arena scenes apart, and clear the set for Jay Robinson's viperish and eye-poppingly campy interpretation of Caligula. Despite tigers, dancing girls, oiled muscles, nets, tridents and short swords, the movie would have been pretty heavy going without Jay.
Victor Mature is on screen for just about the whole movie and for the most part is either angry or anguished. I've always thought he was pretty good for a guy who once told a club, which did not accept actors as members, that he wasn't an actor and he had the reviews to prove it.
One actor who was perfect in his role was Richard Egan. He plays Dardanius, a gladiator with attitude, and he looks the part with more muscles and teeth than Burt Lancaster.
Susan Hayward gave Messalina some of the same medicine Jay Robinson gave Caligula; together they keep the movie from getting too serious. I love the way Messalina does a complete turnaround right at the end to wrap the whole thing up in about two minutes flat.
Debra Paget is beautiful. Michael Rennie has gravitas and William Marshall is imposing - two great voices in the one movie.
Although technical aspects weren't things I noticed much back in the 50's, I can now appreciate how Franz Waxman's score gave the film spirituality and depth. Waxman was a composer who contributed intelligent scores to every film he did without repeating himself.
I must admit I still have a soft spot for this film; the arena scenes alone are worth the price of admission.
Peter (Michael Rennie) gave Demetrius of Corinth (Victor Mature) their master's robe to keep for him As we all remember, Demetrius took the robe from the foot of the cross before Jesus died
By order of Caligula, 20 pieces of gold were authorized to pay for information concerning the robe that Jesus wore to the cross Defending Lucia (Debra Paget) from malicious attack of a Praetorian Decurion, Demetrius is caught and sentenced to train as gladiator in the Claudian school
Being fully a Christian entails having a commitment: Demetrius, obviously, is condemned to death because he can't take a man's life Puzzled by his religion, and fascinated by his magnificent physique, and wanting to find out if Demetrius will kill or not his opponent, Messalina asks to be put in the arena against the king of swordsmen the Nuban Glycon (William Marshall).
The dramatic moment of the film comes when Lucia (Debra Paget)Demetrius' sweetheartsneaks in and is attacked by Dardanius (Richard Egan) and other gladiators... His faith shaken, Demetrius makes several kills, renounces his god, and succumbs to Messalina's charms...
Susan Hayward looked gorgeous as the wicked Messalina The part, however, was not developed... It might have been an ideal role for this beloved actress... This was Hayward's second movie with the radiant Debra Paget, who was still considered a promising starlet, but, again, they were never together in a scene...
Future Academy Award winners Ernest Borgnine and Anne Bancroft had small parts... Michael Rennie and Jay Robinson were excellent in their respective roles... Julie Newmeyer was one of the dancing girls, long before she became Julie Newmar and played Howard's rival in "The Marriage-Go-Round."
"Demetrius and the Gladiators" is a lively, efficient sequel to "The Robe," with emphasis less on religiosity than on the brutality of the arena
In the title role Victor Mature is upped to star billing, with Jay Robinson's very mad Caligula ("why should I suffer death like any plebeian?") and Michael Rennie as St. Peter returning from the earlier film. New additions to the cast include Barry Jones, who gives the thing gravitas as Claudius, and Ernest Borgnine and black American actor William Marshall in dignified supporting roles. (It also has a strong female contingent led by Susan Hayward's haughty, flame-haired Messalina who boasts that "my claws are sharper than the tiger's"; with Anne Bancroft in a small part and even an unbilled Julie Newmar shaking those hips as a dancing girl.)
The most decisive piece of casting, however, is director Delmer Daves, who just rolls up his sleeves and gets stuck into delivering all this nonsense with gusto.
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- WissenswertesThe set of the Christian neighborhood in Rome has previously been used in Das Gewand (1953) (of which this film is the sequel) as the village of Cana. We can easily recognize the well with old broken columns.
- PatzerWhilst Caligula (Jay Robinson) is talking to Claudius and Messalina about the death of Marcellus and Diana, he draws a dagger and plays with Claudius by threatening to stab him with it. When he puts it back in its sheath, sheath and dagger inadvertently turn upside down sticking out at an odd angle and irritating Jay Robinson, who tries twice and finally rights the sheath at his waist.
- Zitate
Demetrius: We traveled here together from Galilee, persuading people to give up their lives for a beautiful dream.
[he attempts to hand a goblet of wine to Peter]
Demetrius: Take it Peter. It's real... hot spiced, with cinnamon and cloves.
[chuckles and looks towards Messalina]
Demetrius: Did you know that Jesus could turn water into wine? And that was only one of his tricks.
Peter: Yes, only one. Anything that was base, He could make noble. He found a leper and made him clean. He found death and He made life. He found you a slave, and He made you free.
Demetrius: Get out!
Peter: And now you've won a great victory over Him, haven't you tribune ? You've made yourself a slave again.
- VerbindungenFeatured in Love Potion No. 9 - Der Duft der Liebe (1992)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Demetrio el gladiador
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 11.911 $
- Laufzeit1 Stunde 41 Minuten
- Seitenverhältnis
- 2.55 : 1