Der Fischer von Galiläa

Despite what is written in "Did you know?" section, this movie is not connected to "The Robe" or "Demetrius and the Gladiators". It just has one character (the leading role, "the big fisherman", i.e. Saint Peter, the Apostle) in common, nothing else. At most, it could be considered a prequel of "The Robe", since the action precedes the events told in "The Robe". More, "the Big Fisherman" is a different kind of movie than "The Robe" and "Demetrius..."; it is built differently, it is shot differently, and so on. Yet, if you have enjoyed "The Robe" and "Demetrius...", you should enjoy this one, too. It has not the grandeur of the other two, but it is more alert.

I am a film producer and director. I have always had a soft spot for this underrated Biblical epic, which I saw in 70mm at the time of its release.

This was the first film shot in Super Panavision 70, the spherical (non-anamorphic) 70mm format. In the film's titles it is called Panavision 70.

There are many production values which deserve mention. The acting is uniformly good, but the particular stand-outs include the cinematography and Albert Hay Malotte's fine music score.

My contacts in the motion picture industry inform me that Disney has no plans whatsoever to re-release the film in any commercial format. The studio does not consider the film to have sufficient marketing potential.

I like the film the technicolor is bold, the scenery is so great. And the acting superb. I have it on tape and I watch it maybe twice a year. I saw it in the theater when it first came out. It made John Saxon one of my favorites. His smoldering good looks and the romance of his love for Fara make the story even more exciting. I liked the story line no one today wants to make an epic movie about the effects of Jesus on their lives. At the time this movie was made people enjoyed those types of movies and were not afraid to make them. I would recommend this movie to anyone. It has wonderful cast, and the story is quite believable. I have never gotten tired of watching it.

Just watched this long epic movie on YouTube. It stars Howard Keel in the title role as Simon who becomes Peter when converted to Jesus' teachings. Jesus is heard and not seen though we do see his hands whenever possible. There's also Susan Kohner as Princess Fara, John Saxon as her lover Prince Voldi, Herbert Lom as the ruler Herod Antipas, and Martha Hyer as his bitchy lover/eventual wife Herodias. Oh, and in once again citing a player from my favorite movie-It's a Wonderful Life-in another film, Beulah Bondi as Hannah, Simon's mother-in-law. They're all pretty good especially Keel with his familiar baritone voice and Lom with his theatrical readings. And the music score by Albert Hay Malotte was really stirring which complements Frank Borzage's direction to a T. Since the running time is listed as 180 min. on this site, it's possible that the version I saw on YT might have been abridged since that one ran 2 hrs., 20 min. No matter since I was moved just the same. Really, all I'll say is if you stumble into this either there or elsewhere, I highly recommend The Big Fisherman.

The Big Fisherman was certainly not the biggest - or the best - of the fifties/sixties cycle of 70mm epics. Arriving between Ben-Hur (1959) and Spartacus (1960), it is not surprising that this rather small-scale epic became lost in the shuffle. It has no battles, no huge crowd scenes - in fact the crowds can be numbered in dozens rather than thousands - and an archaic script that harks back to Bible epics that were made ten years earlier.

That said, Lee Garmes' cinematography is splendid and Albert Hay Mallotte's score is superb; plus Howard Keel, Herbert Lom, John Saxon and Martha Hyer deliver exemplary performances, in spite of the leaden script.

Contrary to previous comments, The Big Fisherman was NOT shot in MGM Camera 65 - only Raintree County and Ben-Hur were. After the process changed its name to Ultra Panavision, it was used on Mutiny on the Bounty, It's a Mad, Mad, Mad, Mad World, Khartoum and The Fall of the Roman Empire. The Big Fisherman used Super Panavision - a non anamorphic 70mm widescreen process.

Inferior the film may be to its contemporaries, it still deserves a DVD release - preferably a Special Edition version, as it is most certainly a worthy part of the canon of 70mm epics.

For further information, go to www.widescreenmovies.org and click on 'Highlights of Previous Issues' then 'The Epic that Disappeared: The Big Fisherman'.