Sombrero

Paying mind to the ever growing South American market MGM made this trilogy of love stories in Mexico of the romances of three guys from the same small village. Sombrero is kind of like Three On A Match or if you will a film from a rival studio that came out around the same time, 20th Century Fox's Three Coins In The Fountain.

Vittorio Gassman is the son of Walter Hampden the local Ben Cartwright of the area and he's married to Nina Foch in a loveless union. It was one of those arranged deals, Gassman really loves Yvonne DeCarlo a poor peasant girl, they've had a thing going since they were kids. He's got himself some bad news, one of those unnamed Hollywood diseases that might make him go any time. Sounds awfully like an aneurysm.

Incidentally Foch got a career role in this one and the best performance in the film. The woman really spits fire in this part.

Rick Jason falls for Cyd Charisse the sister of matador Jose Greco who treats her like a possession. Some serious hints of unrequited incest here. Charisse longs to break free and love the guy who's a happy go lucky sort who sells candy at the Corrida. The gypsies provide a solution.

The comedy comes from Ricardo Montalban and his pursuit of Thomas Gomez's pride and joy Pier Angeli. Gomez is from a neighboring village and they've got a feud with where Montalban comes from. Nobody from that place is marrying his little sugarplum. There are some chase scenes rivaling the Keystone Cops.

A nice trilogy of romances from Mexico with a great ensemble cast for Sombrero.

Perhaps the most beautiful casting in classic cinema in almost a fantasy-like small Mexican town, this movie reads like short stories similar to a fairy tale (or folk tale) background. There's little subplots intertwining Cyd Charisse, Yvonne De Carlo, Pier Angeli, Ricardo Montalban and Vittorio Gassman. It's quite entertaining if not a bit odd with Cyd Charisse's climax dance on the mountain. She also danced with Ricardo Montalban in several movies (Mark of the Renegade, On An Island With You, The Kissing Bandit, and Fiesta) and they make a gorgeous pairing. Surprisingly and sadly after their success, the director/producers for this film didn't put them together for this film. Still it's a happy, charming tale. Objectively I rate it a 6 but due to the wonderful casting and Cyd dancing, it's a 7.

This movie is really hard to find since there's no DVD out there so you have to view it on an old videotape (that may be converted to DVD) or wait until TCM shows it (maybe once a year if at all).

This film is based on short stories by Josefina Niggli, whom I met when she was teaching at the Univeristy of North Carolina in Chapel Hill -- the plot outlined by the previous contributor is quite thorough, but does not mention the fine performance of Yvonne DeCarlo as Maria, of the River Road, and most especially does not mention the magnificent dance number performed by Cyd Charisse on a mountaintop in the rain -- unforgetable!!!

What were MGM thinking of in making this film ? The opening proudly proclaims how thankful the studio is in letting them make it in Mexico, but what on earth did the Mexicans make of the end product ? Hysteria runs throughout the film culminating with a completely mad dance on the top of a mountain. Three interlinking love stories try to make sense of this nonsense and despite a cast of fine actors no one really has a chance to shine. Only Rick Jason ( see him preferably if you can in ' The Wayward Bus ' ) gives what I call a performance, and poor Vittorio Gassmann lags a little behind. As for the women it is a total waste. Cyd Charisse dances one of her worst dances ( in choreographic terms ) and fights with bad dialogue. Pier Angeli is underused and so is Yvonne de Carlo. Nina Foch has a truly nasty scene with a blind man who is dying and melodrama of the worst sort comes to the fore. I am not surprised it was a flop. I hope the Mexicans asked for their money back at the cinemas. A disgrace to film making. A 4 for the actors who presumably had to attend the premiere.

Gave this a a 10 just because it was worth it to see how beautiful Mexico was. And let's face it, for Hollywood to film on location in Mexico the 50s is a rarity . The fact that Metro even bankrolled a movie set in Mexico is a wonder. Also this is probably the only film to my knowledge where Mexican actor Ricardo Montalban actually portrayed a Mexican instead of the what Hollywood considered the "acceptable" Latin lover, eg. an Argentinian polo player I.e. European.