Der silberne Kelch

Paul looks good in his toga but otherwise is absolutely dreadful in his screen bow. It shows the advantage of the studio contract system that this wasn't the end of his career. His two follow-ups studio assignments, Somebody Up There Likes Me and The Rack, did a great deal to restore his reputation and put him on the superstar track.

Not that anyone else in the picture gives that much better of a performance. Virginia Mayo buried under a mountain of eyeliner is lost in a character that makes no sense. As the younger version of her character Natalie Wood makes a brief appearance and makes it abundantly clear that it was a good thing she never decided to become a blonde. Pier Angeli is quiet and subdued as Deborra and therefore manages to be the standout person in the cast because she doesn't declaim to the heavens. Speaking of which Jack Palance chews enough scenery for a raft of movies and while it's amusing at first it becomes tiresome in the long run.

As awful as the general film is the production design is a gaudy mini masterpiece of astoundingly bright colors and geometric shapes. It's the highlight of an otherwise mediocre bordering on horrible movie.

Epic and religious story based on a novel by Thomas Costain and dealing with the momentous deeds that befall a young Greek artisan called Basil (film debut of Paul Newman , though James Dean was offered the character, but he and his agent thought the script was poor) is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples (Lucas played by Alexander Scourby , Peter acted by Lorne Greene ..) and Jesus himself . Later on , he returns Rome where he meets Apostle Peter .

This Biblical extravaganza turns out to be a religious mammoth epic and focuses a moving Roman pageant dealing with a Greek sculptor , following his stirring career , spiritual awakening and reaches an exciting peak at the ending . This is a spectacular but failed portrayal of Biblical Hollywoodiana in which only flashes of the brilliance to come emerge from some amazing scenes . In its way , it was Warner Brother's answer to ¨The robe¨, being a misfire in which about to go bankrupt the production company . It has marvelous images , spectacular scenes , average performances as well as a lot of cast of thousands . However , the picture resulted to be a bloated , turgid Biblical epic , a real failure at box office . When the film ran on television in 1966, Paul Newman , who was a little wooden , took out ads in the Hollywood trade papers, and in Variety magazine , calling it "the worst motion picture produced during the 1950s," apologizing for his performance, and asking people not to watch the film . Unfortunately, it had the opposite effect, and many people tuned in to watch it on TV . Newman once screened the movie for friends at his home, giving them whistles , pots, and wooden spoons, and encouraging them to make noisy critiques of the film. Paul Newman, who was a finalist for the role of Cal Trask in East of Eden (1955) that eventually was played by Dean and made him a star, took the role, which Newman later regretted . While shooting "East of Eden," Dean went over to visit Newman on the set of this film, where he met the love of his short life, Pier Angeli, Newman's co-star . A 15-year-old Natalie Wood who interprets Mayo's role when younger gives sensitive acting , though brief . The best acting comes , indeed , from Virginia Mayo as helper to Simon the Magician performed by an overacted Jack Palance . The supporting cast also includes E.G. Marshall as Ignatius , Michael Pate as Aaron Ben Joseph , Ian Wolfe as Theron , Lawrence Dobkin as Ephraim , Walter Hampden as Joseph of Arimathea , Joseph Wiseman as Mijamin and Albert Dekker as Kester . Furthermore , film acting debut of Lorne Greene and Robert Middleton . Alexander Scourby, who plays St. Luke, was known for his deep, rich voice and later became the first person to read and record the entire King James version of the Bible on records.

Sensitive and lyric musical score by the classic Franz Waxman . Colorful and glamorous Cinematography by William V. Skall . Strange and innovative production design by Rolf Gerard , including monumental as well as rare sets , in theatrical style . The motion picture was regularly directed , this was final film as director for Victor Saville . He moved to Hollywood in 1939, where he acted primarily as producer, though he did direct one more A-grade film , Green Dolphin Street (1947). He directed several movies such as Storm in a Teacup , South Reading , If Winter comes , Calling Bulldog Drummond and especially his successful ¨Kim ¨. Though briefly touted as a possible successor to Louis B. Mayer at MGM, the massive critical and artistic failure of a decidedly stodgy and miscast biblical epic, The Silver Chalice (1954), hastened Saville's eventual retirement from the industry .

Well I've waiting for years to see this movie, and finally I have. I made it my Christmas treat. Well okay maybe "treat" is stretching it. I don't know if it was one of the worst films of the fifties. But it's probably Paul Newman's worst performance in movies. Then again, the dialogue he was given was pretty dismal. As for Jack Palance, He not only chews the scenery, he spits it back at you. The movie definitely livened up when he was on screen. Virginia mayo looks like a hooker. Hmmm. Was she supposed to be a hooker? She's only 5 years older than Newman, but looks about 20. Still there were some decent performances noticeably from Joseph Wiseman, and Pier Angeli. It also kept my interest.

Based on a best-seller by Thomas B. Costain, and directed by Victor Saville, "The Silver Chalice" was one of the studio's early CinemaScope films, and was really a variation on Fox's "The Robe," the first CinemaScope movie that had been a huge success in 1953... The action follows a group of Christians who are dedicated to preserving Christ's Holy Cup twenty years after the Last Supper...

Since Newman had the lead as a young Greek silversmith, sold into slavery, then chosen by the Christians to design a chalice for the Cup, becomes involved in battles and orgies, and must decide between the pagan world represented by a courtesan (Virginia Mayo) and the Christian world represented by his young, innocent wife (Pier Angeli). There is also a mad pagan magician (Jack Palance), who wants to destroy the chalice and establish his own religion, replacing Christ's miracles with black magic...

Newman was ideally cast as a Greek, because of his classic features, but he makes his film debut at particularly unfortunate time... 1954 was the year of "The Wild One" and "On the Waterfront," and Brando was at the height of his popularity...

Having read all of the various reviewers'comments, I wonder at all the negative opinions : "The worst film ever made according to Paul Newman and many of his fans" - "a tax write -off along the lines of THE PRODUCERS "- "almost unintentionally bad like an Ed Wood feature". I think none of that is true. Surprisingly I find much of this movie highly entertaining. Paul Newman really need not be ashamed of his debut work - he certainly looks right as Basil and for the most part, he acts the part convincingly - he does especially well in his scenes with Pier Angeli- obviously MGM thought they had real chemistry because they were soon re-teamed in SOMEBODY UP THERE LIKES ME. Jack Palance's over the top Simon the Magician is a great villain - you hate him but love his outlandish behavior that climaxes with his attempt to fly off a giant tower. Virginia Mayo in a badly written part wins your sympathy as the 'bad" girl/courtesan. The stylized sets are often criticized - but it is their very oddness that adds a special,dreamlike quality to many scenes. This was not a cost cutting measure by Warners, as some have suggested. In fact, this film was quite a moneymaker upon its initial release. Perhaps the most successful element of the entire project is Franz Waxman's beautiful, moving music score- one of the best of the period - it holds up to many listens. I think viewers today who see this in pan&scan format can not appreciate its beauty when seen in a theater in Cinemascope & Stereophonic Sound - I saw it on re-release in the 60s and it was impressive( available on a widescreen version great out of print laser disc and recently released on DVD ). Certainly not a great movie , it still has an entertainment value most reviewers are missing.