Private Eyes

Don't miss this!

When Monogram Pictures became Allied Artists, the Bowery Boys series got a bigger budget and new talent (behind the scenes), and it showed. Actually, Leo Gorcey and Huntz Hall decided to try out a new director with a different style and writer. They settled on Edward Bernds (as director) and Elwood Ullman as head writer, both behind many of THE THREE STOOGES shorts.

Here's the dirty secret... Gorcey and Hall didn't want to change "their" style. Tempers flared, Hall even threatened to walk out of the series. Both sides reluctantly gave in, and, as luck would have it, PRIVATE EYES became one of their funniest films. It actually was a cross between HARD BOILED MAHONEY, where the Boys become amateur detectives, and HOLD THAT BABY! (minus the baby), as they track kidnappers to a sanitarium.

10 STARS.

Best of it all has Slip dressing up as a European doctor (with thick accent and glasses to match) and Sach in drag (with lots of curls!). Special nod to the very funny Emil Sitka, long a foil for the Stooges. No doubt brought in by Bernds. Here he plays a dazed and confused patient in a wheelchair with no brakes?

Look for child actor Rudy Lee as Herbie. Rudy was terrific, a veteran actor who went on to appear regularly on the MICKEY MOUSE CLUB tv show. Shortly after this episode, he had a bit part in THE LONG, LONG TRAILER with Lucille Ball and Desi Arnaz. Rudy would show up again in the BOWERY BOYS MEET THE MONSTERS as one of the kids in the neighborhood.

Interestingly, Ed Bernds noted the reason this film was so successful was Leo Gorcey and Huntz Hall DID have some good material (ad libs and one liners) that they would toss in. At first, he was against it, later admitting their stuff --at times-- was better than his own comedy bits. Bernds added they would rehearse a lot, sort of toss routines back and forth until they got it right. This is the same thing Laurel and Hardy and Abbott and Costello did for years.

Also, if you notice the goofy cartoon drawings at the beginning of each film, they were inspired by similar drawings Laurel and Hardy used (of themselves) in their films at Fox in the 1940s.

A real gem. Released via Warner Brothers, dvd sets containing 6 to 8 remastered episodes in each box. Thanks TCM for remembering the gang!

Kind of in the middle of all the bowery boy films, Private Eyes has the usual cast of Satch (Hall), Slip (Leo Gorcey), Gorcey's real dad, and Gorcey's real brother. When Satch gets whacked in the head, he gets mind reading powers, and once they realize this, the gang tries to figure out how they can capitalize on it. they set up as detectives, and when they get a cute, young, blonde customer, she leaves before they can even get her name. it was actress Joyce Holden, who didn't stick around hollywood too long; she only stuck around another couple years after making this one. The blonde is Myra Hagen, and she has been kidnapped by the mob. so now the gang is also caught up with the mob. and Huntz Hall in drag. even bob hope and bing crosby occasionally did drag. Directed by Ed Bernds, who would be nominated for ANOTHER bowery boys film High Society... (not to be confused with the high society that was a terrible remake of Philadelphia Story.) Bernds had made TONS of films with the Three Stooges and Bowery Boys, so he certainly was a pro at comedy and timing. At one point, Slip smacks all three of the other guys across the face at once, in PERFECT three stooges fashion! this is a perfectly good (silly) chapter in the bowery boys arc, so if you like em, you'll like this one.

Private Eyes is exactly the next line of business that Leo Gorcey and Huntz Hall find for themselves in their never ending search for careers. One of these days they'll find success.

Chick Chandler who has to leave town abruptly sells them his detective agency which is now available. Seems like a perfect fit because Huntz Hall after getting a whack on the noggin has the ability to read minds. It comes and goes though with each blow and the way he aggravates Gorcey, Leo has to keep his temper in check.

The usual clichés about private eye films is found in Private Eyes, but this one doesn't quite jell. A lot of Abbott&Costello material recycled and the climax which is in an insane asylum comes right out of the Bob Hope classic, My Favorite Brunette.

When Sach (Huntz Hall) is hit on the nose by Herbie (Rudy Lee), Sach develops a mystic-mind power. This prompts Slip (Leo Gorcey), Chcuk (David Gorcey as David Condon), Butch (Bennie Bartlett)and Louie (Bernard Gorcey) to buy the Eagle Eye Detective Agency...using, of course, Louie's money.

In waltzes Myra Hagen (Joyce Holden), who leaves with the boys a valuable fur coat and a sealed letter, to be given to the District Attorney, in the event anything happens to her. John Graham (William Forrest), makes his entrance following Myra's exit, and he poses as an insurance man, but is actually with the fur crooks, and he is given the coat but the Boys are unable to produce the letter, inasmuch as Sach, has wrecked the office by blowing up the safe, and the latter has vanished.

But, in the event it shows up, Professor Damon (Robert Osterloh), leader of the gang and operating a Health Farm as a cover, has his henchmen "Soapy" (William Phillips) and Al (Gil Perkins, whom some source evidently doesn't know and has him tagged 'unconfirmed')kidnap Herbie as a ransom against the delivery of the letter, which blows the lid on the gang.

Slip, disguised as a Viennese doctor, and Sach, as an invalid old woman wearing Mary Pickford curls, go the the Farm to rescue Myra---understandable---and Herbie.

Private Eyes (1953)

** (out of 4)

The Bowery Boys Club is doing just fine in back of Louie's parlor but after Sach (Huntz Hall) is punched in the nose he grows the ability to read people's minds. Sach (Leo Gorcey) gets the bright idea to buy a detective agency and sure enough a beautiful blonde comes in asking for help and the boys soon find themselves battling crooks. If you've hung around the series long enough to reach this thirty-second film then you're not going to see anything you haven't already but the film moves along well enough for the fans. I think the first twenty-minutes are the best as the stuff dealing with the boys club will certainly have you flashing back to the East Side Kids days and the stuff with Sach getting beat up was rather funny. The early stuff dealing with Sach reading everyones mind actually had some well-written lines but once the entire subplot dealing with the crooks kicks in we get one tired joke after another. It's a real shame that everything was pretty straight-forward because there's enough material that they could have done to make this much better. Very briefly does Sach do his Sherlock Holmes impersonation so why they didn't keep this going is beyond me. They set up all sort of noir elements but do nothing with them. Instead we get the same boring joke over and over and the final slapstick dash through the health resort just falls on its face as we get the same gag over and over with the main one being men falling into a hot tub. Both Hall and Gorcey seem to be up for the events as both deliver fine performances with energy. Bernard Gorcey doesn't get much to do this time, although he at least gets a pie in the face. The rest of the cast are just so-so. PRIVATE EYES isn't a good film by any stretch of the imagination but it's certainly better than you'd expect from the thirty-second film in a series.