Crashing Las Vegas

Crashing Las Vegas (1956)

** (out of 4)

The forty-first and final Bowery Boys film to feature Leo Gorcey as he's walk from the series after this entry due to a dispute with the studio as well as fighting his own personal demons after the death of his father Bernard who played Louis in the series. In the film Sach (Huntz Hall) gets electrocuted and begins to see numbers in his head. After winning a trip to Las Vegas Slip (Gorcey) decides to use his dumb friend to make a killing but a couple small-time hoods find out about his talents and kidnap him. CRASHING LAS VEGAS is far from the disaster that its reputation would have you believe but at the same time there's no question that the series was running out of gas. It seems this movie is best remembered for the antics of Leo Gorcey, which apparently had him constantly drunk throughout the making of the flick and apparently he destroyed several props and sets. I'm not sure how much of this leaked over into people judging his performance here but many reviews state that it's obvious he's drunk and I really wouldn't say that. There's a sequence towards the end where his foot is up on a bed while he's questioning Hall and he's shaking during this period but outside of this he really didn't act any different from previous films (where he was drinking as well). At times his eyes are obviously bloating but again, you can see this in previous films. In his final appearance he certainly doesn't have enough energy to carry the picture but he is a step up from the previous film. Hall is also apparently bored and he doesn't add any life to the picture either. None of the supporting players are all that memorable and this includes Doris Kemper who is obviously filling in for Bernard Gorcey. CRASHING LAS VEGAS really doesn't feel like a Bowery Boys picture for several reason. One, of course, is the fact that Bernard and his sweet shop aren't here. Another is that director Yarbrough is obviously not too interested in anything going on and the constant long shots really make you feel apart from the film. There's a game show sequence early in the film that isn't too badly done but at the same time it feels as if it belongs in a different film. There's a prison sequence that contains a couple laughs but that's pretty much it. CRASHING LAS VEGAS said goodbye to Gorcey and while it's not a good film to go out on you can at least respect that he did make it to forty-one films, which isn't something very many actors could do.

Coming WAAAY at the end of the Bowery Boys films, this was old territory for Leo Gorcey, Huntz Hall and the gang. Not that anyone knows what "the bowery" is anymore. In this one, Miss Kelly is getting tossed out of her home for not being able to keep up with the rent. The boys win a trip for a week in Las Vegas, and the adventure begins. When they are loud and rowdy in the casino, Slip and Sach attract the attention of some rough characters. this chapter has the usual intentional, goofy word play, but also a whole lot of lowbrow, slapstick humor. A 25 year old bombshell (Mary Castle) distracts Sach. It's all pretty straight-forward. not bad. Directed by Jean Yarbrough; had directed a bunch of the Bowery Boy films. PS. Bowery comes from the dutch word for Farm, as there were many farms there at one time. later, a pretty rough area, also known as skid row. then the edge of Greenwich Village. this one only has about 260 votes so far, so must not be shown on Turner Classics very often.

"Crashing Las Vegas" is not the Bowery Boys' finest hour. It is a lost opportunity. Putting the Boys in Las Vegas is a great premise. Unfortunately, this movie wastes whatever potential the idea may have had. There are very few laughs in "Cashing Las Vegas". It gets tedious after a while. "Crashing Las Vegas" is watchable but just barely.

At the beginning of the episode, Satch (Huntz Hall) gets electrocuted. But instead of dying, this is a Bowery Boys comedy and so that means that he's suddenly endowed with amazing computational skills. When he and Slip go to see a game show, Satch instantly knows who will be picked each time. After seeing him demonstrate this, Slip insists they head to Vegas to win a fortune in order to help a nice old lady they all know. However, Satch keeps finding ways to win huge fortunate...and then lose it. The second time is to a group of crooks who also convince Satch that he's killed someone--and if he just gives them the money, they'll tell the cops it was all an accident!! By now you've clearly noticed that although Satch's brain is changed, when it comes to common sense he's the same old dope he always was!! And, once they get the money back, once again Satch figures out a way to lose it! Will they ever be able to get the money for the old lady? And, will Satch continue to possess extraordinary computational skills?

Overall, this is a very entertaining entry--much more than normal. My only complaint is that the Boys are getting pretty long in the tooth here...and it's no wonder as it came out towards the end of this VERY long series of B-films.

Crashing Las Vegas marked the end of the line for Leo Gorcey and really the end of the line for the Bowery Boys. When Stanley Clements came on to replace Gorcey he was not really a good foil for Huntz Hall to play off. With the death of Bernard Gorcey the year before who played lovable little Louis Dumbrowsky, a whole lot was taken out of the series as well as out of Gorcey who can't quite get animated enough in this film. The rehashed plot line didn't help either, Allied Artists was plain running out of ideas for the Bowery Boys.

An electric shock gives Huntz Hall psychic powers he can pick numbers out of anywhere. Where else to put this power to good use but in Las Vegas. So it's off to Vegas where Frank Sinatra and the rest of the developing Rat Pack were getting started.

The film could have used the Rat Pack. Not much to say about Leaving Las Vegas. Slinky Mary Castle becomes the latest in a long line of women to vamp a secret out of Satch. The old badger game is tried on him as well. Only Huntz Hall could be fooled into thinking the first floor is the 21st floor, that was a gag more silly than funny.

Sad to say The Bowery Boys were running out of gas.