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Füge eine Handlung in deiner Sprache hinzuSan Francisco, 1940, detectives, dames, documents, Nazis, and a treasure.San Francisco, 1940, detectives, dames, documents, Nazis, and a treasure.San Francisco, 1940, detectives, dames, documents, Nazis, and a treasure.
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Once again, we have a juicy comedy spoof of the detective genre, in this case of the Bogart detective movies. Peter Falk once again plays a Bogart inspired detective, but don't expect an impression here. After all, that wouldn't be fair to Peter. He is an actor first and foremost, not an Impressionist. But what he does with the role is to catch every nuance and speech patterns of the great Humphrey Bogart. Falk must have studied Bogie quite closely because he has every little hand gesture and even the walk of the man.
Now, let's get to the plot. "Fuhgetaboudit" as the mobster would say. What we have here are loving parodies of "The Maltese Falcon" in "Casablanca" with pros like John Houseman and Dom De Luise playing familiar character actors Sydney Greenstreet and Peter Lorre respectively.
Neil Simon must really love the old classic detective movies, or just knows them so well then he can play on a quick paycheck writing them in record time. But like I said about the movie "Murder By Death," just have fun and laugh a lot. It is a fun ride.
Now, let's get to the plot. "Fuhgetaboudit" as the mobster would say. What we have here are loving parodies of "The Maltese Falcon" in "Casablanca" with pros like John Houseman and Dom De Luise playing familiar character actors Sydney Greenstreet and Peter Lorre respectively.
Neil Simon must really love the old classic detective movies, or just knows them so well then he can play on a quick paycheck writing them in record time. But like I said about the movie "Murder By Death," just have fun and laugh a lot. It is a fun ride.
Following close on the heels of "Murder By Death," screenwriter Neil Simon penned this, another mystery farce focusing this time on a character originally developed in "Murder By Death," Peter Falk's trenchcoat-wearing Humphrey Bogart impersonation. The result is an often funny though somewhat strained and oddly miscast production.
Falk's Lou Peckinpaugh is investigating the murder of his detective partner in Nazi-occupied San Francisco. The cops think Peckinpaugh did it, because he was having an affair with his partner's wife. Some people want him to recover some stolen diamonds disguised as Albanian eggs. Meanwhile, to add some "Casablanca" to this "Maltese" parody, Lou's old flame has arrived in San Francisco with her husband, a Resistance leader who wants to open a two-star French restaurant in Oakland - if the Gestapo doesn't get him first.
It's a kindred spirit to "Airplane," a film made two years later. This is a madcap, everything-but-the-kitchen-sink comedy that plays with movie conventions to absurd lengths. Simon's roots as a writer on TV's "Your Show Of Shows" are very clear here, not only with the presence of that show's star, Sid Caesar, in a key role, but in the way Simon creates an all-out comedy in the vein of two fellow "Show Of Shows" writers, Mel Brooks and Woody Allen. It's even more goofy than "Murder By Death." "Cheap Detective" has a lot of laugh-out-loud moments, but it's not as well-thought-out or fun as "Murder By Death." There's a dumb beginning, with underinspired opening credits and a drawn out joke about a killer who works so fast the victims haven't time to fall. The film also peters out at the conclusion, unlike "Murder By Death," where much of the charm comes with the kooky finale.
But the middle is mostly very good. Even great spoofs like "Airplane" and "Young Frankenstein" have dumb jokes. "Cheap Detective" has them, too, along with some hilarious moments. Simon throws up a ton of non sequiturs and silly puns, much in the vein of Brooks and Allen in their early, better days. Since this film doesn't have the same level of cultural recognition as the best of Brooks, Allen, or Simon, there's more chance of being pleasantly surprised by what takes place here. Peter Falk is great in his Bogie reprise, and so is Eileen Brennan playing the same Lauren Bacall character she created in "Murder By Death." Madeline Kahn is super, too, though I can't tell you the name of the character she plays and neither does she.
But there are some weird casting choices. John Houseman as fat Sydney Greenstreet? Dom DeLuise as Peter Lorre? Paul Williams? Abe Vigoda? I guess Marsha Mason had a role guaranteed in her prenup with Mr. Simon, but she's not quite right as a femme fatale. Neither is Louise Fletcher as the Ingrid Bergman character. Everyone in the film talks about her being such a knockout, but all I see is Nurse Ratched. No one is really bad, just square pegs in round holes. The weirdest is Phil Silvers, who isn't even in the film except as a meaningless half-second cameo at the end, yet he has an opening credit.
Two standouts are Nicol Williamson as the Nazi "military attache to Cincinnati" and Ann-Margret as a cleavage-flashing vamp. Whenever they are on screen, the movie is a lot funnier. Falk mostly serves the plot, but has some good lines, too: "Day by day, I erased your face from my memory, until all I had left was your right ear and three front teeth on the bottom." The film will make you laugh, and laugh again if you give it a few months to recharge between viewings. It's not a classic comedy, or even very good, but it's a fun frolic from one of filmdom's finest funnymen.
Falk's Lou Peckinpaugh is investigating the murder of his detective partner in Nazi-occupied San Francisco. The cops think Peckinpaugh did it, because he was having an affair with his partner's wife. Some people want him to recover some stolen diamonds disguised as Albanian eggs. Meanwhile, to add some "Casablanca" to this "Maltese" parody, Lou's old flame has arrived in San Francisco with her husband, a Resistance leader who wants to open a two-star French restaurant in Oakland - if the Gestapo doesn't get him first.
It's a kindred spirit to "Airplane," a film made two years later. This is a madcap, everything-but-the-kitchen-sink comedy that plays with movie conventions to absurd lengths. Simon's roots as a writer on TV's "Your Show Of Shows" are very clear here, not only with the presence of that show's star, Sid Caesar, in a key role, but in the way Simon creates an all-out comedy in the vein of two fellow "Show Of Shows" writers, Mel Brooks and Woody Allen. It's even more goofy than "Murder By Death." "Cheap Detective" has a lot of laugh-out-loud moments, but it's not as well-thought-out or fun as "Murder By Death." There's a dumb beginning, with underinspired opening credits and a drawn out joke about a killer who works so fast the victims haven't time to fall. The film also peters out at the conclusion, unlike "Murder By Death," where much of the charm comes with the kooky finale.
But the middle is mostly very good. Even great spoofs like "Airplane" and "Young Frankenstein" have dumb jokes. "Cheap Detective" has them, too, along with some hilarious moments. Simon throws up a ton of non sequiturs and silly puns, much in the vein of Brooks and Allen in their early, better days. Since this film doesn't have the same level of cultural recognition as the best of Brooks, Allen, or Simon, there's more chance of being pleasantly surprised by what takes place here. Peter Falk is great in his Bogie reprise, and so is Eileen Brennan playing the same Lauren Bacall character she created in "Murder By Death." Madeline Kahn is super, too, though I can't tell you the name of the character she plays and neither does she.
But there are some weird casting choices. John Houseman as fat Sydney Greenstreet? Dom DeLuise as Peter Lorre? Paul Williams? Abe Vigoda? I guess Marsha Mason had a role guaranteed in her prenup with Mr. Simon, but she's not quite right as a femme fatale. Neither is Louise Fletcher as the Ingrid Bergman character. Everyone in the film talks about her being such a knockout, but all I see is Nurse Ratched. No one is really bad, just square pegs in round holes. The weirdest is Phil Silvers, who isn't even in the film except as a meaningless half-second cameo at the end, yet he has an opening credit.
Two standouts are Nicol Williamson as the Nazi "military attache to Cincinnati" and Ann-Margret as a cleavage-flashing vamp. Whenever they are on screen, the movie is a lot funnier. Falk mostly serves the plot, but has some good lines, too: "Day by day, I erased your face from my memory, until all I had left was your right ear and three front teeth on the bottom." The film will make you laugh, and laugh again if you give it a few months to recharge between viewings. It's not a classic comedy, or even very good, but it's a fun frolic from one of filmdom's finest funnymen.
The Cheap Detective is a 1978 American satirical comedy film written by Neil Simon and directed by Robert Moore as a follow-up to their successful Murder by Death (Columbia, 1976).
It stars Peter Falk as Lou Peckinpaugh, a detective in the Humphrey Bogart mold. The film is an affectionate parody of Bogart movies such as Casablanca and The Maltese Falcon.
The ensemble cast includes Madeline Kahn, Louise Fletcher, Ann- Margret, Eileen Brennan, Stockard Channing, Marsha Mason, Sid Caesar, John Houseman, Dom DeLuise, Abe Vigoda, James Coco, Phil Silvers, Fernando Lamas, Nicol Williamson, Scatman Crothers, Vic Tayback and Paul Williams.
Lou Peckinpaugh (Peter Falk), a bumbling San Francisco private detective, tries to prove himself innocent of his partner's murder while helping a bizarre array of characters recover a lost treasure. The film spoofs Casablanca, The Maltese Falcon, Chinatown, and To Have and Have Not. The scene in the restaurant with Peckinpaugh and Pepe Damascus mocks the opening scene of The Big Sleep
The all star cast delivers and milks the screenplay for every laugh it has. There is no bad cast member in this film. If you love old Warner Brothers films of the 1949's then you will love this film.
If you do not know old movies then this film is not for you.
It stars Peter Falk as Lou Peckinpaugh, a detective in the Humphrey Bogart mold. The film is an affectionate parody of Bogart movies such as Casablanca and The Maltese Falcon.
The ensemble cast includes Madeline Kahn, Louise Fletcher, Ann- Margret, Eileen Brennan, Stockard Channing, Marsha Mason, Sid Caesar, John Houseman, Dom DeLuise, Abe Vigoda, James Coco, Phil Silvers, Fernando Lamas, Nicol Williamson, Scatman Crothers, Vic Tayback and Paul Williams.
Lou Peckinpaugh (Peter Falk), a bumbling San Francisco private detective, tries to prove himself innocent of his partner's murder while helping a bizarre array of characters recover a lost treasure. The film spoofs Casablanca, The Maltese Falcon, Chinatown, and To Have and Have Not. The scene in the restaurant with Peckinpaugh and Pepe Damascus mocks the opening scene of The Big Sleep
The all star cast delivers and milks the screenplay for every laugh it has. There is no bad cast member in this film. If you love old Warner Brothers films of the 1949's then you will love this film.
If you do not know old movies then this film is not for you.
Looking for (but not quite finding) the footsteps of "Murder by Death."
While I love this movie and watch it quite often, it is a rather cheesy knock-off of "Murder by Death." This time spoofing "The Maltese Falcon" and "Casablanca," Neil Simon's hit or miss style misses this time, but only by a small margin.
This movie is not hilarious, nor exceptionally intelligent comedy, but it is still very entertaining. I honestly found "Murder by Death" to be a much more enjoyable experience.
That having been said, this star-studded cast puts forth at least a valid attempt to pull off this sometimes haphazardly written screen play, and hits at least 2 out of 5 punch lines with some effect.
If you are a fan of the Bogie movies which it satirizes, this is definitely a must-see. It is you, for which this movie was written in the first place.
It rates a 6.5/10 from...
the Fiend :.
While I love this movie and watch it quite often, it is a rather cheesy knock-off of "Murder by Death." This time spoofing "The Maltese Falcon" and "Casablanca," Neil Simon's hit or miss style misses this time, but only by a small margin.
This movie is not hilarious, nor exceptionally intelligent comedy, but it is still very entertaining. I honestly found "Murder by Death" to be a much more enjoyable experience.
That having been said, this star-studded cast puts forth at least a valid attempt to pull off this sometimes haphazardly written screen play, and hits at least 2 out of 5 punch lines with some effect.
If you are a fan of the Bogie movies which it satirizes, this is definitely a must-see. It is you, for which this movie was written in the first place.
It rates a 6.5/10 from...
the Fiend :.
'The Cheap Detective' represents a satirical look at many of Humphrey Bogart's best movies: 'Casablanca,' 'The Maltese Falcon,' and 'The Big Sleep' most prominently. There are small bits of business spoofing several others. This movie, apparently, followed 'Murder by Death' chronologically, implying that Peter Falk's character is developed from his role in that movie. So be it, but that doesn't make this movie a sequel. 'Murder by Death was a spoof of several different mystery story writers, and their most well-known detectives. This movie is a spoof of Bogart movies, some of which are mysteries and some are romances ('Casablanca' is considered by many to be one of the greatest romances ever.) To my taste, this movie is funnier and wittier than the other, and deserves more credit. In addition, Peter Falk's character is changed quite a bit from that in 'Murder by Death,' better, and funnier.
For all those who value Bogart's movies, and for all those who value satire, this is a terrific movie.
For all those who value Bogart's movies, and for all those who value satire, this is a terrific movie.
Wusstest du schon
- WissenswertesThe movie was titled "The Cheap Detective", according to screenwriter Neil Simon, "because the detective in those old films never got paid! Who paid Humphrey Bogart for finding all those crooks in Die Spur des Falken (1941)? He arrested Mary Astor and sent her and everyone else to jail. Who paid him? The character is always involved in danger not for the bucks but because it's his lifestyle."
- PatzerApproximately 45 minutes in, Lou meets with the Madeline Kahn character in his office. A male member of the crew is visible, seated on a couch. He is in a pink shirt, wearing eyeglasses and appears to be reading a script. He is only visible for about a second, as the camera pans across the room. From contemporary photos it looks very much like Neil Simon himself.
- Zitate
Jezebel Dezire: Won't you join me in a little drinkie? What's your pleasure?
Lou Peckinpaugh: Uh, what you got there looks good.
Jezebel Dezire: I know... but I thought you'd like a little drink first.
- Crazy CreditsOpening credits prologue: In 1939, the ominous grey clouds of war broke loose over Western Europe and rained down havoc and destruction . . . followed by humidity and gradual clearing.
In the Philippines, a small band of native guerrillas prepared secretly for the inevitable conflict that would soon engulf the East . . . This has nothing to do with our story.
Our story is about crime. Not the bad crime we face each day on our streets . . . but the good crime we came to know and love in a time when the world was innocent ... when murder wasn't something you were ashamed of ... when a bullet hole wasn't something disgusting . . . and when a man could betray a woman without feeling guilty. Our story starts in a fictitious city called San Francisco ... seven thousand miles away from Casablanca.
- SoundtracksLa Vie en Rose
Music by Louiguy
Lyrics by Édith Piaf
Performed by Eileen Brennan and others at Nix Place
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By what name was Der Schmalspurschnüffler (1978) officially released in India in English?
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