Kolonne Süd

The Civil War is about to break out, and there's trouble afoot with the Navajos on their reservation. Let. Audie Murphy has a good relationship with the Indian Chief Dennis Weaver, but his C.O,, Captain Robert Sterling doesn't trust them and is a Southern sympathizer. So when General Ray Collins, who is in on the plans to form the Confederacy wants the Navajos to revolt, he has Sterling plant guns, then issues orders that if they are found among the Indians, to move them to an inhospitable bit of territory.

It's a pretty good Audie Murphy vehicle directed by Grederick de Cordova, who would spend decades producing THE TONIGHT SHOW. Joan Evans is Sterlings Unionist wife, and there a nice small role for Bob Steele, Look quick for Denver Pyle as a Confederate spy for that double BONANZA feeling.

Westerns that feature a cavalry theme don't hold much attraction for me but this one managed to hold my attention. It has an above average story by William Sackheim that helps - an above average and hard working cast, with above average photography by D.O.P. the Award nominated Charles P. Boyle (Anchors Aweigh '45)

The DVD copy I was given by a friend is from the Umbrella series: Six Shooter Classics (they really must do something about that silly marketing title). Universal originally used the magnificent IB Technicolor process for this film but this disc is well below average (compared with Umbrella's earlier 'Tumble Weed' that looked perfect). Sound transfer is also below standard. Robert Sterling ('Roughshod' '49) is good as the Fort Commander, with good support from Ray Collins, Greg Palmer (Lee) and Joan Evans. Dennis Weaver does very well as the Indian chief with his motley Hollywood tribe. Music is mostly from the Universal stock library and offers little help. Audie Murphy is reliable as always in his way. Veteran director Frederick De Cordova keeps things moving and probably helped with the good dialogue (as he was known to do). Have certainly seen far worse.

This movie's would have been much better in black and white.All of the canvas painting of backgrounds would have looked a little bit real... maybe? It had to be tough on Murphy playing a fake soldier. I imagine the actors were in awe standing beside of the most decorated soldier in War World Two. Murphy's baby face always made it difficult for him to be taken serious as an actor. A real life liberal who was playing mostly conservative characters. This film is just a simple western in which the studios used Murphy to draw an audience. John Wayne was always in demand but I never could see why he, Wayne, who, to the surprise of many, avoided the draft while Murphy volunteered and was only 19 years old when he was given medals for his valor. Murphy died broke in a plane crash without ever reaching the stardom he deserved.

Taking place just prior to the start of the civil war, Audie Murphy plays a junior army officer who is sympathetic to the plight of the local Navajo Indians and is a good friend of Navajo chief Menquito. A new commanding officer who is from the south is appointed to the post who convinced by Confederate agitators to stir up trouble with the Navajo Indians and send Audie and large column troops out on wild goose chase so the Confederates can gain control of the western territories. Of course Audie gets wind of nefarious plot and prevents further bloodshed.

This film would be an otherwise routine "Indians unjustly forced to go on the warpath by scheming white men" story, had it not been for the Confederate conspiracy angle. Audie Murphy is well... Audie Murphy. If you like Audie Murphy (I do) you will like him here. If you don"t there is no reason why you should like him here. Robert Stirling and Joan Evans are unconvincing as Southerners. Their Southern accents vary through out the film. Film buffs will enjoy seeing many familiar faces in the cast (Bob Steele, Greg Palmer, Russell Johnson, Dennis Weaver and Ray Collins.)

I do not know much about Director Frederick de Cordova but his oversight of COLUMN SOUTH failed to impress me: pedestrian cinematography, plot with a McGuffin (a letter from the fort commander apparently meant to remove the US forces from the fort and allow Navajo Indians to take over... uh?!) and a cast of then unknowns like Dennis Weaver as Menguito, the Navajo leader, and a rather plain-faced Joan Evans.

Thankfully, Audie Murphy saves the film with yet another spirited performance: while kissing Evans, he hears a snake (sounded like a rattlesnake but turned out to be some black reptile that looked suspiciously rubbery), kills it with with a handbag (!), out of which drops the McGuffin letter given by the fort commander. Murphy then has an inkling that that letter might carry dangerous tidings but he does not hesitate to risk court martial by opening and reading it, thereby confirming his worst suspicions.

At that point Murphy's resourcefulness emerges as he goes into the fort's arms depot tunnel, attaches fuses to dynamite and proceeds to blow the occupying Indians to bits - he really puts his shoulder to the wheel and thinks faster than anyone else!

Once the dust settled on the happy ending, I wondered whether I'll remember this film for any length of time (doubt it). 6/10.